Zhu Da (1626—— about 1705), whose real name is Zhu Tong and whose real name is Yan 'an, was named Badashanren, Xuege, Geshan, Renwu and Dao Lang. He was released when he became a monk, Han nationality, from Nanchang, Jiangxi. Painter in late Ming and early Qing Dynasty, master of Chinese painting. Ming adherents
Zhu Da is the ninth grandson of Zhu Quan, the seventeenth son of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. After his death, he became a monk, converted to Taoism, and lived in Taoist Temple in Qingyunpu Scenic Resort Scenic Area. Good at calligraphy and painting, Huang Tingjian used calligraphy in his early years. Flowers and birds are mainly freehand brushwork in ink and wash, with exaggerated and peculiar images, concise and heavy brushwork and magnificent and meaningful style; Dong Qichang, a landscape teacher, is concise in writing, quiet and interesting. Good at calligraphy, poetry and little ink.
Painting is famous for its freehand brushwork, and it is good at splashing ink, especially flower-and-bird painting, which is beautiful in the world. In creation, the method is natural, the pen and ink are concise, magnificent and unique, creating a broad and vertical style. ?
Badashan people are good at painting landscapes and flowers and birds. His paintings are unrestrained, irregular, vigorous and beautiful, full of escape, and the composition is incomplete but complete. His "one flower, one bird" lies not in quantity and size, but in the position and momentum in the layout. And whether it is used in a timely, surprising and ingenious way.
This is his "win-win" method. If the layout of the painting is flawed, sometimes books and clouds are used to fill its meaning. Badashan people can write poems and have exquisite calligraphy, so even though his paintings are not many, with his poems, the artistic conception is enough, and his paintings make people feel small and numerous, which is the artistic ingenuity.