Huang Shen is mainly good at figures, landscapes, flowers and birds, among which figure painting is the most prominent. The subjects of figure painting are mostly historical figures and immortals, but there are also some works depicting the lives of people at the bottom of society, which have successfully shaped the images of working people such as trackers, beggars and fishermen. One of the most famous is "Seeking a Map". As the name implies, "begging map" is a group of beggars. This painting by Huang Shen vividly describes the tragic scenes of famine and beggars being bullied in the street.
Dongpo's playing with inkstone is the representative of Huang Shen's mature painting style. The writing speed is very fast, and the brushwork is also Huang Shen's consistent wild brushwork. The lines of the whole character are also tough, and the ink color is appropriate. On the whole, the role looks very imposing. Huang Shen's flower-and-bird paintings are also excellent, such as Plum Blossom in a Bottle and Chrysanthemum Crab. The masterpiece of landscape painting is Fish Returning to the Map, and Huang Shen's poems, books and paintings are all on it, which can be regarded as the most representative works of Huang Shen.
Now most of Huang Shen's works are collected by museums, including the Palace Museum in Beijing. At present, the market price of Huang Shen's works is relatively stable, not very high, which is basically at the same level as the works of others of Yangzhou Eight Eccentrics, and lower than the Four Wumen.
Brief introduction of China's outstanding painter Huang Shen in Qing Dynasty. It is one of the famous eight eccentrics in Yangzhou in the middle of Qing Dynasty. Painter Huang Shen, born in 1687, belongs to the Kangxi period of Qing Dynasty. He lost his father at an early age, made a living by selling paintings, and took care of his mother at an early age. Huang Shen is a native of Fujian, so he learned painting from Shangguan Zhou, who is also a native of Fujian, in his early years.
Soon after, Huang Shen left his hometown and went to Yangzhou several times to sell paintings. I was about eighteen or nineteen years old in Huang Shen, and I was alone, with no relatives, no friends and no place to stay. So Huang Shen lives in a temple and paints at dawn every day. When there is no light at night, he studies under the Buddha's light and lives a hard life.
In this way, day after day, year after year, painters in Huang Shen have made great progress. Later, he traveled around again. When he returned to Yangzhou in 17 19, his paintings had been snapped up. 1727, Huang Shen's mother was too old to be separated from Huang Shen, so Huang Shen took her mother to Yangzhou to live with her. Three years later, the two returned to Fujian together.
Huang Shen once commented on his life like this: I began to learn painting at the age of four or five, but my skills have not improved greatly. I thought about it for a long time, and finally found that my painting skills didn't improve because I didn't study. So I began to study hard. ? Huang Shen has read all kinds of books. He must study every word in it carefully and read it again and again. It is precisely because of Huang Shen's hard-working and learning-loving spirit that he became a world-famous painter from an unknown little painter.
Huang Shen's achievements in Huang Shen's poems, books and paintings are called "three wonders". I have been to Yangzhou three times and stayed for a long time. I have a good relationship with Li (from Shaanxi). Eight eccentrics in Yangzhou? One.
/kloc-at the age of 0/8 and 9, he was sent to Xiao Temple to paint during the day and study hard under the Buddha's light at night, and his skills improved greatly. All figures, flowers and birds, landscapes, terraces, insects and fish are indispensable, but he is not satisfied with these. He once read Mr. Wang's works and said: My teacher's stunts are hard to win fame. I am determined to stand on my own feet and become famous. Why don't I stay? ?
He summed up his life's journey and said with emotion: I began to learn painting at the age of 14 or 15, but there were storks protruding from my chest from time to time, and I suddenly realized when I thought about it. I don't work because I don't study. ? So I broke my heart, took the five-character poems of,,, Jin and Song Dynasties, and Du Han's poems in the middle and late Tang Dynasty, and was able to succeed by familiarizing myself with Jingsi ointment. But at the same time, I pushed Xie Rong to the four seasons of Cordyceps sinensis, and the system of clothes and ritual vessels in previous dynasties was fine, but it made me feel like a snake, scorpion and phoenix. According to my temper, something suddenly happened in my heart. ? It is this kind of meditation, sleepless nights and constant efforts that made Huang Shen grow from a small painter to a painter? Poetry and painting are famous all over the country? Famous artist.
? Zheng Banqiao gave it a poem:? Home to see the ancient temple broken moss marks, used to write wild roots, painting to float the spirit, there is no real soul. ?
Huang Shen is also a poetic artist. His poetry is as pure as stone, and the smoke is extraordinary, and there is a book handed down from generation to generation, Jiaohu Poetry Money.
Huang Shen studied under Shangguan Zhou in his early years, and his work was meticulous. Huang and Ni Zan, the ancestors of landscape, learned Xu Wei's brushwork after middle age and became freehand brushwork, cursive script and cursive script. They try to indulge themselves with crazy cursive calligraphy, which is magnificent and goes deep into the ancient law, but it also hurts the rhyme with a pen.
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