1. Cui Hao, born in Bianzhou (now Kaifeng, Henan) in Tang Dynasty, was born in Chang 'an, Wuhou (70 1 ~ 704), and died in Tianbao, Xuanzong in the 13th year (754).
2. When he was young, Cui Hao liked gambling and drinking, and he was greedy for beautiful women. Only married a beautiful woman, and soon divorced, and married four or five wives. The poems he wrote during this period were just colorful poems, such as Lu Ji's essays and Wang Jia's * * *, which were full of colorful thoughts and did not break away from the "official style". Among them, the Wangs' Poems of * * * is the most well known. The reason why this poem is famous is probably related to Cui Haoshen's suffering from Li Yong's responsibility. This poem is a five-character poem describing boudoir life;
Fifteen married Wang Chang, Yingying entered the painting hall. I am proud of my youth, and I rely on my husband A Lang. Love the green of Qianxi and sing Reiko Long Night. Playing a hundred herbs in your spare time can't make up your life.
This poem is a luxurious self-report: she loves her husband who is an official abroad and is content with singing and dancing all day long. Throughout the poem, all we can see is her enchanting boudoir and delicate manners. So the ideological content of the whole poem is very thin. It is said that Li Yong, a great calligrapher at that time, heard the name of Cui Hao's poem and invited him to go. This song was given to the Wangs by Cui Hao. The first sentence is "Marry Wang Chang on the 15th". Li Yong reprimanded that "children are rude" and refused to accept it. Obviously, Li Yong regarded this poem as pornography. Why else! In fact, although the style of this poem is not high, its romance does not flow in pornography, and the vulgar language does not involve obscenity. In the 11th year of Emperor Xuanzong of the Tang Dynasty (AD 723), Cui Hao was awarded the title of Secretary Xun Yuan Wailang. Tianbao was appointed as a senior minister and a diplomatic scholar. According to Tang Ruiting's "Zhang Guoxiu Collection", he also worked as a Taipu Temple Cheng. The rest is unknown.
The second night festival suddenly changed, and the character was awe-inspiring
Cui Hao's poems have a wide range of themes and forms. Yin Kun said in "He Yue Ying Ling" that when he was young, he was a poem with flashy thoughts and a frivolous name. At night, I suddenly turned into a normal body, which was awe-inspiring. At first glance, it is a journey. " This means that in Cui Hao's later poems, many frontier poems are magnificent and full of patriotic enthusiasm for defending the enemy and securing the frontier, which is refreshing to read. Such as Pei Du send khan to protect poetry:
Horse dancing is full of autumn. Khan is not near the traffic jam, and everyone wants to go back. Fireworks pass through the Han instrument, and water springs lack Hu Sha. Success requires success, not necessarily years.
Pei Duhu is Pei Xian. In the autumn of the 18th year of Kaiyuan (AD 730), Cui Hao was ordered to leave Beijing to defend the border and wrote this poem as a gift to him. This poem is very different from the style of the Wangs, and it is soft to wash. Flying Horse, the border town of Yaosi in autumn, is full of confidence in winning this war, and the poet's patriotic enthusiasm permeates between the lines.
The three ladies-in-waiting have deep grievances and have been singing for a long time.
1. Cui Hao also wrote some poems on the theme of palace grievances, which reflected the tragic fate of ladies-in-waiting "remembering yesterday like spring flowers and mourning today like autumn grass". Another example is Tanabata:
In Chang 'an, the moon is like practicing, and every family holds a needle and thread this night. Yu Pei knew it, but heaven and earth didn't meet. Long letter deep cloudy night retreat, Yao Taiwan golden pavilion number fireflies. Banky was preoccupied that night, and Hehan watched the bullfight in the middle of the night.
This poem describes the loneliness of a person living in Changxin Palace. It is not as good as the annual meeting of the Cowherd and the Weaver Girl, and the feelings are meticulous and subtle. The author deeply sympathizes with the tragic life experiences of the ladies-in-waiting.
2. Cui Hao's five-character poems are deeply influenced by folk songs. For example, the first and second songs of his Long Journey:
Tell me, where do you live? ? Near here, next to the fishing pond? ; Let's catch our boat together and see if we belong to the same town .. (1) (2)
These two poems express the simple feelings of friendly questions between men and women on the journey with vivid spoken language and lively folk song dialogue. This represents another style of the poet. However, it was his poems about the Yellow Crane Tower that made Cui Hao enjoy the history of famous poems. There have been many comments on this poem. Yan Yu in Song Dynasty said: "The Yellow Crane Tower in Cui Hao should be the first of seven-character poems in Tang Dynasty. (Canglang Poetry) Shen Deqian in Qing Dynasty said: "Meaning is like the first, the word of God is beyond words, and it is written with a vertical pen, so it is good at making great achievements through the ages." (Selected Poems of Tang and Song Dynasties) are all praise words.
Four Tang people and seven methods, yellow crane is the crown.
In the Tang Dynasty, the poem Yellow Crane Tower attracted people's extensive attention. The famous poet Li Bai came to the Yellow Crane Tower, full of poetry. When he wanted to write a poem, he saw a collection of poems by Cui Hao on the wall. He read it and enjoyed it very much. He sighed. "I can't see the scenery in front of me, but Cui Hao wrote a poem on it." "The folding of the pen. Later, Li Bai roamed Jinling to compete with Cui Shi and became a member of Nanjing on the Phoenix Platform. Li Bai's poems can be compared with Cui Hao's Yellow Crane Tower, and Fang Hui put it well: the "metrical momentum" of the two poems is hard to understand.