There are many ways to realize the combination of inscriptions and inscriptions, which can be combined with different calligraphy forms. Among all calligraphy styles, cursive script is the farthest from the stele style, the most difficult to practice and the most practical value. As the saying goes, "the more exaggerated, the higher the degree of innovation", so it should be an advanced form of combining calligraphy with inscriptions. As a calligrapher with profound academic foundation and artistic creativity, Li Zhimin deeply realized this development trend as early as 1970s and 1980s. On the basis of learning from the practical experience of previous calligraphers, he first put forward the proposition of "painting a tablet into the grass", and made pioneering attempts and explorations. He implanted the core and spirit of the calligraphy of inscriptions into cursive script, which made great changes in the brushwork, structure and style of cursive script. Although its theoretical system and practical exploration are not perfect, its pioneering direction, accumulated practical experience and technical rules are enough to provide a foundation for future generations to continue to improve and expand the brand-new book style.
As a new school of calligraphy, it is also an open system, just like other things. Once formed, there is only a starting point and no end point. Then, generations of calligraphers need to constantly understand, enrich, perfect and develop it with their artistic creativity and pen and ink practice. Li Zhimin's exploration, as a pioneer, has left a colorful page for the history of contemporary calligraphy, which is worthy of serious study and reference by calligraphy theorists.