The sentence 1 1 describes people's good calligraphy, flowing like clouds and water, and writing like clouds and smoke.
2. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
3. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
4. Gu Mo grinds a few wisps of fragrance lightly, and the new bath in the inkstone pool is full of faint, strong or tactfully, or graceful beauty, or vigorous and brave, or flowers blown in the face by the spring breeze, or the deep cold north wind entering the customs.
5, the brushwork is bold, the posture is horizontal, and out of carelessness, his palm is forgotten, which has the characteristics of the most angry perfusion.
6, its color, its shape, its yin and dryness, its breaking and turning, the thickness of hidden dew is endless, and the weather is myriad.
7. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
8, dragon and snake race, wear iron inkstone.
9. The teacher's words are as fragrant as petals.
10, in one fell swoop, the runaway horse flew away and left; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
1 1, arrogant, not bound at all, even the whole line is like the escape of a fairy, coming and going without a trace.
12, the teacher's handwriting is a symbol of the years, and the strokes are powerful.
13, unpretentious.
14, pen moves dragon snake, iron strokes silver hook.
15, the husband's letter is human nature, and you can't make it if you are sick. X: We can't let it get sick. -Cai Yong's "Stone Chamber"
16, the ancients said: first, we must be noble in character, and second, we must learn from the ancients. This is the law of books. Scholars know, so when you are familiar with your hands, you must cultivate virtue before you can be familiar with your body. Virtue is familiar to the body and the book is in hand, so it is a book. -"Three Flavors of Calligraphy"
17, the wife is in everything, and the heart is in the bones. Therefore, the heart originates from virtue, and it is obvious that it is economic, proud of standing, upright in moral integrity, declared as an article, and transported as handwriting. -Xiangmu's elegant handwriting
18, if the breeze comes out, I will be pregnant tomorrow. -Li Sizhen
19, Rowen tiger vibration, nervous. -Yuan Ang
20. The dragon and snake in the pen are like gods. -Zhang
The second sentence, 1, describes people's good calligraphy, which is high in rhyme, affectionate, firm and magnificent, and cannot be regarded as a book. -Liu Xizhuang's Art Outline
2, words are also heartfelt words, and books are also drawn. -Yang Xiong, a scholar of the Western Han Dynasty
3, the book is still clear and thick, clear and thick must be heart-oriented. Otherwise, this book is not obscure, but it is only a portrayal of others. -Liu Xizai's Art Outline
4, every screen, clear Huai Su. Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge. Close to the water tower, you get the moon first, and every word is good. -"Cursive Screen" by the Tang Dynasty poet Han Wo
5. It's better to have the tools, and it's better to have them. -Sun Shu Pu
6. Use a pen in your heart, your heart is regular, and your pen is correct. -Liu Gongquan
On the 7th, the tiger in Rowen was shocked and tense. -Yuan Ang
8. The etymology goes back to the Three Gorges, and the brush array sweeps a thousand troops alone. -"Drunk Song" Tang Dynasty poet Du Fu
9, old books, this can't be done. -The Collected Works of the Valley by Huang Tingjian, a poet and calligrapher of the Northern Song Dynasty.
10, learning books can make knowledge profound. —— Zhang Yanyuan
1 1. -Su Shi, a writer in the Northern Song Dynasty, "After Six Books of the Tang Family"
12, books are like their learning, like their talents, like their ambitions, in short, like their people.
13, outstanding body image, extraordinary today. The pearls are shattered and the tassels are fluttering. Cang Xie's heir. The ancestor of Xiao Zhuan. In the name of books, the remains of stone drums. -Tang Dynasty calligrapher Zhang Huaiguan's Broken Book
14, the dragon snake in the pen seems to be a god. -Zhang
15, or send it to you, or entrust it to you. Although it is expensive, it is not coincidental. -Zhang
The third sentence, 16, describes people's good handwriting. Teaching by the water, every word becomes a dragon. -Han W.
17, a little lost, if the beauty is shocked; A lost painting is like the broken arm of a strong man. -Calligraphy and Calligraphy by Tao Zong, a literary historian at the end of the Yuan Dynasty and the beginning of the Ming Dynasty
18, xuanyi, table of things; The deep reason lies in the shadows; Natural things can be said, and wise things can be measured. -Zhang
19, the essence of the book is unified in the word "backbone". -Liu Xizai, a writer in the Qing Dynasty, "The Outline of Art and Literature"
20. Writing is like a cloud. -Du Fu
2 1, follow other people's plans, and future generations will be realistic. —— Huang Tingjian, a poet and calligrapher in the Northern Song Dynasty, "A Book for the Fourteenth Autumn and the Right Army"
22. It is as heavy as a cloud or as light as a cicada; Guide the spring, the mountain will be safe; As slim as the first month, among the stars. -Sun Guoting, a calligrapher in the Tang Dynasty, Book Score
23, different personality, different temperament, pen, evil self-form. -Xiangmu's elegant handwriting
24, its vastness, one in the pen and ink, the so-called high quality, rhyme wins. -Bird's "Shi Tao Painting Quotations"
25, pen dispute, if the swan flies high, graceful.
26. Walking in simple leisure has a profound and endless taste. -model essay
I always see dragons and snakes walking. -Li Bai, a poet in the Tang Dynasty
28, Tianmen, Yue Long, the tiger lies in the phoenix pavilion. -Xiao Yan, Emperor of Southern Liang Dynasty.
29, floating like a cloud, agile as a dragon. -Liu Yiqing, writer of Southern Song Dynasty, Shi Shuo Xin Yu Rong Zhi.
30, the wind blows, the fire is the real gold; Not suffering from cold and frost, it can attack people. Positive sharpening, jade carving; People who don't practice hard can't be profound in art. -Li Duo