Appreciation of HD Edition of Wu Daozi's Eighty-seven Immortals Volume

Wu Daozi, a painter in the Tang Dynasty, was born in 680, so he was born in 759. He is also known as Daoxuan, a famous painter in the Tang Dynasty, and is honored as a painting saint in the history of painting. Han nationality, from Yangzhai (now Yuzhou, Henan). Lonely since childhood, poor family, but when I was young, I had a painting name. He once served as a county captain in Qiu, Yanzhou County (now Ziyang, Shandong Province). Because of his passion for painting, he soon resigned and stayed away from officialdom. Later, he was engaged in mural creation.

Wu Daozi (680-759)

Wu Daozi's outstanding achievement in painting art stems from his deliberate innovation and courage to create.

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Wu Daozi's Eighty-Seven Immortals Volume

Wu Daozi also promoted the art of painting, carefully taught his disciples, and passed on his superb skills to the next generation, so that the art of painting was succeeded by others. According to the Records of Calligraphy and Painting and the records of famous paintings in past dynasties, he has many disciples, among which Lu Lengjia, Li Sheng, Zhang Zang, Zhu Yao and Zhai Yan are famous. Qiu Han "defiled Danqing, studied under Wu Daozi, and was especially good at Taoism and Buddhism". Zhu Xi studied under Wu Daozi, and he was also "wonderful". Wu Daozi taught by example, or asked his disciples to recite formulas and learn colors. Or ask them to copy his paintings or fill in the colors according to his instructions. There is a record in the Record of Famous Paintings in Past Dynasties: "When Wu Sheng (Daozi) painted, he put pen to paper and left, making Yan (Zhai Yan) and Zhang Zang paint more colors." Sometimes, when Wu Daozi paints a mural, he only sketches and gives the rest to his disciples. In the revered temple in Luoyang, Zhai Yan completed the book "The Changes of the Sun, Moon and Tibetan Scriptures" described by Wu Daozi. Wu Daozi's painting art had a far-reaching influence on the painting in the Tang Dynasty. He was honored as a "painting saint" by later generations, and later his apprentice took over the title of "painting saint".

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

Partial map of Wu Daozi's Eighty-Seven Immortals Volume

The ranks in the picture of Eighty-seven Immortals Volume should be composed of eighty-eight immortals, but the first one is missing. The picture depicts the Donghua Emperor, the Antarctic Emperor and the Fusang Emperor, accompanied by waiters, ceremonial masters and bands, leading real people, immortals, golden boys, jade girls and gods to pay homage to the three Taoist Buddha statues. In the picture, god will clear the way and press the team; The emperor with backlight overhead is in the middle; Other immortals, men and women, holding banners, umbrellas, tributes and musical instruments, surrounded the emperor and marched from right to left. In the parade, the images of emperors and immortals are dignified, the gods are majestic, and many fairies are light and beautiful. The author placed the immortal on the covered bridge parallel to the picture, under which the lotus blooms and the auspicious clouds roll; Flags fluttered on the bridge and immortals marched in procession. They either hold vases filled with flowers, hold high flags, or hold various musical instruments and swords, and so on. The immortals have solemn expressions, their dresses are fluttering in the wind, their queues are continuous, and their lineup is magnificent. In the picture, the seven fairies are surrounded by various musical instruments, holding pipa, bamboo flute, lusheng, waist drum and other musical instruments, playing while walking. In addition, the characters at the beginning and end of the volume are still missing to some extent.

During the Kaiyuan period, Wu Daozi was called to the DPRK for his good painting, and served as a doctor, an internal teacher and Wang You. Zeng studied under Zhang Xu and He, and became interested in calligraphy. By watching Gong Sundaniang's sword dance, he realized the skill of using a pen in calligraphy. He is good at making Buddhist and Taoist paintings, ghost paintings, figure paintings, landscape paintings, bird and beast paintings, vegetation paintings, pavilions and terraces, etc. , especially Buddhist and Taoist figures, and often create murals.

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