Male, Han nationality, from Tianjin. Born in 19 10, died in 1993. I like stone calligraphy and painting since I was a child. I studied Hua Shikui's calligraphy and poetry at 1928, and learned a lot from it. Taking the essence of Yan Zhenqing, Su Dongpo, Qian Nanyuan and other famous artists, adding the method of seal script to form their own style. From 1932 to 1952, working in Tianjin. Tan Jieshu, especially good at calligraphy, also works as seal script, official script and suggestive book. It is light, inherited from the printing since Qin and Han Dynasties, and deeply loved by Zhao. It is simple, fresh, unique and natural. His calligraphy is magnificent, dignified and vigorous, resistant to tripod, and very golden. Its monument is written in the original size within two meters, between the lines, full of vitality. He has written nearly a thousand large and small inscriptions for Tianjin Zhongyuan Company, Guangyu Tea House, Chifeng Bridge and other shops and units in Tianjin and other provinces and cities, and is known as "the first in Tianjin". His works were selected in the first and second national calligraphy seal cutting exhibitions, Henan International Calligraphy Exhibition and Calligraphy Exhibition in Japan, and published in Calligraphy magazine, Calligraphy Newspaper and Chen Ning Calligraphy, or collected by museums and memorial halls. He is the author of Gengleng Leng's Prints and Stories, and Talking about Mr. Shi Kui's Anecdotes and Calligraphy. Now he is a member of China Calligraphers Association, a director of Tianjin Calligraphers Association and a special librarian of Tianjin Literature and History Museum.
Mr. Wang began to practice calligraphy at the age of seven, and studied under Mr. Jinmen's great calligrapher. At the age of seventeen, he was recommended by Mr. Bian and Mr. Hou Er in Yang Kang, and officially became Mr. Wang's teacher. Until I was thirty-four, I studied with Mr. Hua. Teacher Wang began to practice block letters, and Teacher Hua wrote sample books and then copied them. And Yan Zhenqing's "Ma Gu Xian Tan Ji" and "Intensive Monument" nearby. From the age of fifteen, he began to carve stones and print, and also participated in the creation of Chen Shi and Zhang Qian. There is "Geng Zhong Yin Pu". On the occasion of Mr. 20 10' s centenary birthday, his women's organization published the Collection of Geng Zhongdai's Calligraphy Works.
Mr. Wang practices calligraphy very hard. Sheng Xia Zhishi wears a straw hat, a jacket and the scorching sun at two o'clock every afternoon. He dipped his pen in incense ashes, studied on the generous bricks in the courtyard, and stopped at sunset. Move the bricks into the house at night and study the structure of the word stand. In the dead of winter, the fire in the house is not lit, so it is difficult to push the window to the door and read in the wind.
After more than 70 years of training, his book is unique. Block letters use official script to start the pen, use Yan style to write the pen, and use seal script to keep the pen. "Su Dongpo's structure, Qian Nanyuan's shelf and Hua Shikui's beauty." His books are simple and honest, and his attitude is steep; Change in fairness, wonder in the whole; It has won the gloomy and vigorous momentum of Lu Gong, which is quite simple and ethereal in Weibei; Covered by many forces, self-contained In particular, the list of books is the most popular, and the famous plaques are sold more frequently, which is respected by everyone in today's book world.
Mr. Wang's works have participated in the first and second national calligraphy and seal cutting exhibitions and international calligraphy exhibitions in more than 20 countries (regions). 1980 was named as the representative of regular script in Shenyang and Tianjin, and participated in the National Book Fair. Mr. Mo Bao published in Calligraphy, Mohua, Longevity and Tianjin Daily. Mr. Wang has written nearly 1,000 plaques for domestic and foreign companies such as Tianjin Zhongyuan Company and Bonn Hualong Restaurant.