Wang was born in Heilongjiang, 1950. Painter. Professional painter of Heilongjiang Painting Academy. National first-class artist. Member of China Artists Association. Vice Chairman of Heilongjiang Artists Association. Distinguished professor, Fine Arts Department of PLA Art College. Tutor of Senior Research Class of China Artists Association Training Center. The painting and calligraphy room of CPPCC is a special painter. Dean, School of Chinese Painting, Heilongjiang Institute of Contemporary Art.
Chinese name: Wang
Alias: Steady Ship
Nationality: China.
Ethnic group: Han nationality
Place of birth: Suihua, Heilongjiang
Date of birth: 1950
Occupation: painter
Graduate school: Art Department of Harbin Normal University.
Masterpiece: the mountain is as long as the city, the Lijiang River is moonlight, and the impression of Taihang iron, copper and silver.
Role overview
Wang, whose real name is 1950, is from Shandong. Member of China Artists Association, national first-class artist. 1974 graduated from art department of Harbin Normal University, 1986 graduated from Chinese painting department of Central Academy of Fine Arts. He is currently a professional painter in Heilongjiang Painting Academy, a tutor of distinguished professor in the Fine Arts Department of Beijing People's Liberation Army Art Academy, a senior research student in the training center of China Artists Association, the vice chairman of Heilongjiang Artists Association, a special painter in the painting and calligraphy room of China People's Political Consultative Conference, and the dean of the Chinese Painting College of Heilongjiang Institute of Contemporary Art.
Art evaluation
Exploration and direction
At present, China is deeply influenced by western modern artistic thoughts. Many painters have made meaningful explorations on how to inherit and develop Chinese paintings and how to create works with national characteristics and a sense of the times. Young painters are the pioneers of this team. We should ensure that young people's exploration will play a positive role in promoting the development of art. But we also see a tendency: some young people blindly study western modernism and simply play with formal skills. Some paintings give people an ugly, weird and outdated feeling, which is also a distortion of modernism. In the process of exploration, the thoughts are confused, and many young people are not accurate enough to grasp the direction and have not found the law and direction of creation. Young people should make more efforts in creative practice and regard creative work as a very difficult road. The quality of Wang's works is positive, and his creative thinking and direction are correct. Most of his works come from life. He pays attention to the feelings of life, has ideas, shows the characteristics of various forms and rich themes, and the picture is simple and healthy. His road is very stable, both traditional and western, and he paints his own feelings. He didn't follow the old path of Shaanxi painters. There is no life like Shilu and Liu Wenxi. He has his own things in color, composition and pen and ink. This exhibition is a success. There must be such young people involved in the Chinese painting team of the Institute. What I think is insufficient is to continue to study the tradition, but also to study the modern spirit in depth, except for the expression and thought. (Liu Boshu)
Tradition and innovation
At present, there is a fierce debate between tradition and innovation. Some people insist on tradition, while others insist on total westernization. We feel it necessary to clarify. Art should express itself, but it must have a premise and principle. Whether painting should be divided into two, I think we should stick to two; Serve the people, this kind of socialism. Nowadays, the new trend of thought is gradually cooling down, but there are still things that are not in the west. The things of the older generation are handed down from generation to generation, so we should study them well and absorb the essence. After seeing this exhibition, my mood is still very calm, because it has tradition and its own feelings about life, and it is different from tradition and has a unique feeling about life. I want to watch it again. It can be seen from the works that the author's mind is rational and sober, and has not been influenced by bad tendencies. Some people say that' valuable people have courage', and I say that valuable people are emotional, that is, feelings and passions. This feeling should be based on health and positivity. What is lacking is that the traditional language is not deep enough and lacks emotion. In art, the author's feelings for the audience are sometimes vague. Art is beneficial to the times, and this is the soul of art. Only when a painter has his own discovery can he show his passion and see the shining things in ordinary life, which is valuable. Read more, collect more, and study the tradition deeply. (He Xia Hai)
Observation and performance
After seeing the exhibition, it gives people a refreshing feeling, which is better than other exhibitions. It has both freshness and interest in life, and its form is novel and modern. The works have absorbed the advantages of many painters, and have a sense of life and a traditional foundation. Wang's works are ingenious, imaginative, lively and varied, and are closely related to life. The content and form of his works are quite consistent. He painted the themes of many painters in Shaanxi and Gansu, and showed what people are used to very well and very new. He absorbed many painters' explorations and excellent things, and naturally merged them. There are so many people painting landscapes now that it is difficult to take a step forward. Traditionally, landscape painting has developed very well, and it is even more difficult to make a breakthrough. Wang, a native of Northeast China, has his own temperament. His paintings of northern Shaanxi are entirely his own perspective observation and reflection, and his own feelings. Someone painted northern Shaanxi very bitter and ugly. He really caught the beautiful side of northern Shaanxi and made people feel kind. He is a promising young man. (Wang Yingchun)
Life and self-cultivation
Artists of all ages are accepting new things. Wang's paintings have his advantages as well as his life background. After two further studies, his techniques have improved a lot, and his pen and ink are not conservative. He has no sticking method, is good at absorbing the strengths of various schools and paintings, and is innovative in tradition. Some people engage in pure form, express themselves, and pursue philosophy in painting, which is very blunt, while Wang pays attention to the excavation of life, and his painting style is also healthy, which is consistent with life and society and is liked by the masses. "Speech at Yan 'an Forum on Literature and Art" still needs to be learned. His paintings are traditional, lively and innovative, but pen and ink need further cultivation, and the skill of Chinese painting is very important. (Long Rui)
General situation of art
collection
The mountain is as long as the city (China Art Museum)
"Boating early before the fishing season" (China Art Museum)
Taihang Iron Copper Silver Impression (China Art Museum)
Moonlight over Lijiang River (China Art Museum)
Huashan Night Tour (China National Painting Academy)
Huangturen (China National Painting Academy)
Qinghuatu (China National Painting Academy)
Busy and Leisure Map (China National Painting Academy)
Sancun (China National Painting Academy)
Busy Autumn Map (China National Painting Academy)
publish
Wang's collection of Chinese paintings
Selected Works of Wang Zhong's Traditional Chinese Paintings
"Slow and steady, miracle of life series"
art exhibition
198 1 the second national youth art exhibition won the bronze award.
198 1 Join as a member of China Artists Association.
1982 works won the "Heilongjiang Art Exhibition" (cooperation) gold medal.
1983 participated in the establishment of Heilongjiang Young Artists Calligraphers Association as the vice chairman.
1985 entered Zhangping Studio of Central Academy of Fine Arts for further study.
1987 Chinese Painting Research Institute invited and hosted "Wang Painting Exhibition".
1988, Wu, Guan, and Wang were detained in Hong Kong.
Wang's exhibition of modern Chinese paintings was held in Kamakura, Japan from June 38 to September 89, 2004.
1990- 199 1 Invited by Japan-China Friendship Association to give lectures in Japan and hold "Wang Ink Painting Exhibition" in Ginza, Tokyo.
1994 works selected for the 8th National Art Exhibition.
1997 Wenzhou Art Studio was established (Beijing)
1998 by distinguished professor, PLA Art College.
1999 works selected for cross-century landscape exhibition (invited)
From 2000 to 2006, he participated in "China Art Exhibition" and "Chinese Painting Collection" of China Artists Association (invited).
In 2006, he participated in the sketch creation of the sketch group of China Artists Association in Japan and held an exhibition.
In early 2007, Wang China Art Exhibition was held in Harbin.
In 2007, he was invited to participate in the Shi Sheng Xuanhe China Art Exhibition (held by China National Painting Academy).
20 10 invitation exhibition of young and middle-aged Chinese painting friends in Heilongjiang province (Harbin)
Since 2002, he has devoted himself to creating a huge long scroll "Mountains and Rivers" with a height of 2m and a length of120m.