Learn from Yu Shinan's "Confucius Temple Stele" to get the ancient temple atmosphere, and learn from Chu Suiliang's "Yanta Sacred Preface" to get its graceful, lively and mellow natural style. When creating the internal calligraphy, Yiding carefully studied the coordination between the center of writing and the strokes, and worked hard to master the secrets of the brush strokes. He strived to make the brush strokes round and straight, and avoid taboo shapes like operators. When writing, try to use a good center, so that the starting point is pointed and the ending point is round. Taking into account the shape of the snuff bottle painted inside, Yiding realized during the creation that by making a slight arc from left to right, the strokes would be vivid and emotional; the dots should be pointed and round, the protrusions should be pointed and sharp, and the bends should be square and inward. The outer circle is round, and the hook is half curved and half straight. The writing style is flexible and changeable, and cannot be limited. Especially for the whole text, the strokes should be different but coordinated. When written line by line, the words should be well-proportioned but always on the same line. In this way, the Qi will naturally flow through it and look at it like a string of pearl necklaces, with a high spirit. At the same time, he also knew the importance of external skills. He studied philosophy, ancient poetry, prose, music, dance and other aspects to comprehensively observe calligraphy in order to figure out and appreciate the personality charm and ideological talent contained in it. For this reason, his calligraphy skills and cultivation can be seen clearly in each stroke of his paintings. It seems that he writes it by hand, with ease and elegance, but in fact it is the result of extensive study and tempering. After nearly ten years of hard work, Yi Ding finally put the Chinese European calligraphy's shelf structure into a book in a pot. The structure is neat but not rigid, tight but not cramped. When using the pen, it looks horizontal and vertical, but is slightly tilted. , the starting and closing of the pen are clean and neat, and the strokes and strokes are round and full. Every word should be vivid, and every line should have movable type. Like a tiger perched on a dragon's plate, like an eagle about to show off, or like a bird hurriedly looking back, it is strong and beautiful, and fully embodies the art of inner writing in the snuff bottle, bringing this high-difficulty and high-skilled art into full play. After reaching the limit, Ma Shaoxuan, a famous interior painting master in the Qing Dynasty, pushed the art of interior calligraphy to another peak. In recent years, the "Thousand-Character Essay" written by him is only 2 millimeters in size. It is so difficult that no one can match it to this day. It is the best among the inner books and is a rare treasure among the existing inner books. Other works of internal calligraphy include "Preface to Orchid Pavilion", "Heart Sutra", "Yueyang Tower", "Hundred Family Surnames", "Thousand Character Essay", etc. He has been praised as "a wonderful craftsman and a wonderful person in internal calligraphy". Among them, the inner script "Thousand Character Essay" in small regular script won the silver medal in the 2007 "Xi San Cup" Interior Painting Grand Prix. His cursive script "Farewell to Xin Jian in Furong Tower" won the gold medal in the "Grass Holy Grail" national calligraphy and painting competition. His works have been included in other works and have also been included in the "Chinese Calligraphy and Painting Collection", "Complete Collection of International Calligraphers", "Chinese Artists' Collection", etc. Collection of classics. And published in "China Hot Land", "People's Pictorial" and other newspapers and periodicals. His biography is included in "Who's Who in the World", "Dictionary of World Figures", "Dictionary of World's Outstanding Experts and Talents", etc. I have been awarded honorary titles such as "Famous Chinese Painting and Calligraphy Artist of the 21st Century", "Contemporary Chinese Painting and Calligraphy Artist", "Top 100 Artists with the Most Collectible Works", and "Backbone Figure in Chinese Contemporary Calligraphy and Painting Garden". It enjoys a high reputation in the collection circles at home and abroad. It has received wide attention from many collectors and art lovers. Every generation has its talents. Interior painting is now included in the country's first batch of intangible cultural heritage, and has been certified as the "Outstanding Handicraft Badge" by UNESCO. History has given interior painting, a great national art, a mission that must be inherited and developed. Only those who inherit it can There is development, and development is the best inheritance. As one of the best, Yiding has high aspirations, hard work and hard work, and cultivates both virtue and art. He is constantly exploring the art of internal calligraphy! I believe that his world of inner calligraphy art will be even broader.
In 1996, his work won the first prize in the first "Beijing Tourism Calligraphy and Painting Competition"
In 1998, he founded Yiding Neihua Studio
In 2001, he was rated as Hebei Folk Arts and Crafts by the Hebei Provincial Department of Light Industry Home
In 2004, his work won the second prize in the first "Chinese Painting·Painting Hometown" National Calligraphy and Painting Competition
In 2007, his cursive script "Farewell to Xin Jian at Furong Tower" won the "Grass Holy Grail" national calligraphy and painting competition Gold Medal in the Competition
The 2007 calligraphy works were included in the "Representative Collection of Chinese Contemporary Calligraphers and Painters"
In 2007, the small regular script "Thousand Character Essay" won the "Xi San Cup" interior painting award Competition Silver Medal
In 2007, the calligraphy works were permanently collected by the organizing committee of the "Puyang Cup·Harmonious China" National Calligraphy and Painting Competition
In 2008, he was awarded the "Backbone of the Chinese Contemporary Calligraphy and Painting Garden" The honorary title of "Character"
In 2010, his work "Heart Sutra" in small regular script script won the bronze medal in the "Xi San Cup" Interior Painting Grand Prix
In 2010, his work was included in "Chinese Interior Painting Snuff Bottles"
The deeds in 2011 were included in the "Hengshui Cultural Overview" by the Hengshui Municipal Party Committee Propaganda Department of the Communist Party of China
The 2011 works were exhibited in the "Shanghai Painted Snuff Bottles Exhibition"
The 2011 works were selected into the "Ji Style Interior Painting Illustration"
The 2011 works were continuously selected into the special issue of the "Inner Painting Art" magazine
The 2011 works participated in the "Da Fang Wuyu" contemporary interior painting art exhibition
In 2012, he was awarded the title of "Master of Arts and Crafts of Hebei Province" by the Hebei Provincial Government
In 2012, his internal work "Prajna Heart Sutra" won the silver medal of the "Hundred Flowers Award", the highest award for Chinese arts and crafts
The 2012 interior painting work "Hundred Family Surnames" won the silver medal in the National "Golden Phoenix" Innovation Product Design Grand Prix
The 2012 work participated in the Henghu Qiuyue*Jipai Interior Painting Art Exhibition
The 2012 work won the Bronze Award at the 13th China Arts and Crafts Masters and International Art Expo
The 2012 work "Inscription on the Humble Room" won the Shanghai "Zhongfu Cup" Interior Painting Grand Prix Bronze Award
In 2012, the work "A Thousand Character Essay" won the gold medal in the "Contemporary Painted Snuff Bottle" at the China Antiques and Art Expo