"Technological progress lies in Tao". If we can learn any skills beyond practice, if we can realize the dual cultivation of technology and Tao as soon as possible, we can achieve something. Wang Shitang, a close friend, thinks that "realizing Meilan's interests under the wrist is naturally a spring breeze". Explore the calligraphy culture in depth with the language of poetry and understand it in the life cycle of success or failure of everything. Repeatedly from gradual enlightenment to epiphany, the soul and realm will naturally be sublimated.
Studying the spirit and masterpieces of calligraphers in past dynasties is the real effort of Zen and Taoism in calligraphy. "Keeping fit is a hero". Looking at the skills and Tao of ancient and modern calligraphy masters, it is a pleasant experience of knowing, feeling and washing one's soul in the process of becoming a monk. After multi-level physical and mental cultivation, great wisdom is naturally presented to you in a colorful and radiant way.
After more than 50 years of spring and autumn, Mr. Chenghai entered the wonderful realm of enlightenment. The History of Calligraphy in China takes the calligraphers of past dynasties as the research object. He studies the calligraphers of past dynasties in the large and small environment of China's calligraphy history, and studies the history of calligraphy and calligraphy theory with simple words and incisive "rhyme", which is really a great project. He has accumulated half his life's skills and double-major poems, and this book is a rare masterpiece.
Li Silie, a great calligrapher in the Qin Dynasty, comments on his wonderful work of "unifying differences, keeping strong and moving clouds" in the first column of this book. The ancient method is new and refined, and the silver hook iron painting is the book style. "First of all, it is appropriate to evaluate Li Si from the height of Tongshu. He called his calligraphy "peerless" with "backbone". Tao's leadership skills are concise.
Comment on Wang Xizhi's theory that "heroism neutralizes the wisdom of many people" and "books become five and beautiful" The spirit of neutralization is the moral principle of China people in dealing with people, and it is also the ultimate beauty of China's calligraphy aesthetics. The key for Wang Xizhi to reach this peak is to "gather all the wise men", which is the time for Wang Xizhi to gather all the talents. This evaluation is very objective and convincing. His calligraphy can achieve "five combinations", which is the materialized form of the concept of harmony between man and nature. Later generations praised his Preface to Lanting as "the best running script in the world", which affirmed the perfection of his calligraphy.
Comment on Yan Zhenqing's theory that "a hero's talent is noble, and his pen is lofty and lofty". . The song of injury is dripping, and the crown of the Tang Dynasty is sorrowful and sorrowful. "Yan was a great man in the Tang Dynasty. He beautified history with loyalty and heroism. Although his calligraphy was degraded by Li Houzhu in the Southern Tang Dynasty and Mi Fei in the Song Dynasty, the meanings of "righteousness" and "grandeur" in his books were exhausted in the draft because of the sacrifice of a nephew, and he won the reputation of "the second running script in the world". The essence of brushwork is unique in ancient and modern times, and it has been sought after by scholars of all ages.
Later generations commented on Su Dongpo, Huang Tingjian and Mi Fei. Everyone can be influenced by personal qualities, pursue personal qualities and learn to cultivate skills because of personal qualities, and write freely, naturally and smoothly, lightly and meaningfully. The poems of Wu Changshuo, Shen, Yu Youren and others with the most innovative personality characteristics in modern times show that Chenghai's "Fu" aims to make the past serve the present and promote China's contemporary calligraphy to innovate boldly on the basis of inheritance. His words are also vivid and profound.
It is difficult to discuss history, and it is even more difficult to discuss people with poetry. Without settling down to study history and people, without excellent metrical knowledge and cultural accomplishment, we can never do this great thing. Chenghai studied books since childhood, studied under Chang 'an's senior masters, and won the true meaning of Mr. Chen Shaomo's scholarship. He is too old and has accumulated profound knowledge. Based on the philosophical thinking and wisdom of historians and calligraphers, it is listed as a seven-character quatrain, which is concise, readable and memorable. This is another masterpiece of the land of Sanqin after Mr. Qing Fan, a member of Heyang Party, wrote hundreds of quatrains in the book, and it deserves to be called a green masterpiece.
While studying ancient and modern calligraphy masters, Cheng Hai found his own unique "heart line" and personalized calligraphy language in studying ancient and modern calligraphy techniques. On the one hand, I quietly thought seriously and rationally, and realized the aesthetic idea, aesthetic consciousness and aesthetic pursuit of China's calligraphy from the study of ancient and modern people. His masterpiece is coming to Fu Zi, and I was invited to preface it. I have thought a lot and would like to ask Cheng Hai and other colleagues.
Zhong Mingshan? Ding Younian Double Ninth Festival
? Yu 'an Jiaotong University Museum
Fortunately, Mr. Li Chenghai's masterpiece "700 Odes to Writers' Poems in Past Dynasties" was read by him, with many thoughts and four rhymes: If we know the history of China's calligraphy, it will be even more difficult to find a broken screen era. After writing a hundred poems, primary school can pay the ancients.
I really think this book is a masterpiece of poetry and the voice of the book! Imagine that there are various calligraphy groups now, and the calligraphy team is unprecedented. Calligraphy is pure art, plagiarized and attacked, taken out of context, so few people are good at writing poems. Fortunately, Mr. Li is proficient in rhythmic poetry, following the old four-tone "Pei Yun", choosing hundreds of famous artists as representatives, but not remembering to pick pearls. Of course, Mr. Li is proficient in calligraphers and poets such as Dang Qingfan, Pan Zhulan. The difference is that Mr. Li's poems are broader.
Year after year, month after month, he has been a disciple of the past, studying the history of books, extensively studying various genres, and tracing back poetry at the edge of books, which makes him absolutely natural and extraordinary. If you read this book in general, it is really difficult to understand the intentions of calligraphers and poets, or you have not found beautiful eyes, even if the collection is only your own feet; If you recite a fine product, you will fondle it and gain something. Obviously, some poetic words are the style and brushwork of poetry; Or calligraphy on poetry; Or the book realm on the poetic realm; Or transition and black-and-white layout.
It was difficult to talk about history in ancient times, but it was easy to talk about many aspects of history books in seven words and hundreds of quatrains. Mr. Li is a generation of famous artists, 70 years old, with lofty aspirations and inspired service for several years. He often tells good readers that a poet is not necessarily a calligrapher, but a calligrapher must be a poet. Good books don't understand the history of calligraphy, and they can't go far without rhyme! It is precisely because of his five abilities that he was famous for writing the North Monument in his early years, and he was proficient in poetry and calligraphy, and cultivated his own calligraphy heart line, which led to this unprecedented prose.
Each poem in the book is accompanied by comments on the characteristics of inscriptions, stone carvings and ink in the past dynasties, explanations of works, investigation of nuclear blog and discussion of brushwork. , a collection of calligraphy history, taking poetry as a mirror, taking books as the basis, and pointing to Chen Zhengbian with historical evidence, comparing the advantages and disadvantages, like a few treasures.
Looking through this book, its poems are concise, accurate, fast-paced, transparent and rational. Mr. Li is not only a calligrapher, but also a poet and calligrapher, which can be confirmed by his calligraphy works. Most of his works are self-written poems and couplets, and the poetic realm is like a book. It goes without saying that he not only saw Buddhism, but also expressed his feelings, which was vivid and touching, and he was a model for contemporary calligraphers.
"Seven hundred Odes to Poems by Writers of Past Dynasties" will eventually go down in history.
There is a poem written by a fool: Xijing pen dances like a rainbow, and the east wind rises from the south peak. An Hejian has a new history, and virtue and benevolence are one virtue.
Xue Tihua (Jihai) beginning of spring
? On the fifth day, Yu Sanran Hall