1. Life landscape painting essay
Mountains and water have always been the objects of chanting by literati.
"Once upon a time, it was difficult for the sea to be water, except for Wushan Mountain, it was not clouds." It describes the highest realm of mountains and water.
The water has the agility of water, and the mountains have the thickness of mountains. Mountains and water have their own characteristics, but they must complement each other and be closely connected.
Chinese landscape paintings emphasize the blending of mountains and water. The splash of ink renders the thick mountains, with waterfalls pouring down from the cliffs, and the flowing spring flowing at the foot of the mountains.
Without the agility of water, mountains will appear dull; without the stability of mountains, flowing water will become random. Mountains and water are one, forming an excellent landscape painting.
The agility of water and the thickness of mountains are not only important parts of ink landscape painting, but also the focus of shaping the highest realm of life. The agility of the water gives people intelligence, the water is full of wit and sparkles with wisdom, the calmness of the mountains gives people honesty, and the thick mountains contain firmness, calmness and meticulousness.
And this intelligence and calmness are indispensable and important factors in life. People always hope that their lives will be perfect, and they always long for success in what they do, so the realization of these wishes requires the integration of mountains and water.
The smart water tells people to be full of passion and wisdom, and to let the waves of wisdom flash. The calm mountain also tells people that life needs to be heavy and things need to be calm, meticulous and serious.
When people closely associate the agility of water with the stability of mountains as the criteria for life and doing things, then what is presented to the world is another outstanding landscape painting! The ancients understood the charm of the integration of mountains and rivers. When poets expressed their feelings and expressed them to their heart's content, they still maintained the rigor of their scholarship. And today, when the "Shenzhou 5" flies into the blue sky carrying the dreams of the Chinese people, what Yang Liwei has done also proves this.
Before the "Shenzhou 5" took off, technicians asked Yang Liwei not to make "too big movements" in the cockpit (cabin) for safety reasons. Yang Liwei is indeed an excellent astronaut. After writing the blessings on the paper, he gently threw the pen in his hand into the air and experienced the fun of "weightlessness" when the pen floated in the air.
His move immediately aroused applause and a burst of knowing laughter in the ground control center... After that, he got back to his work seriously. This is an outstanding performance of the fusion of mountains and water. Yang Liwei's seriousness and stability reflect the calmness of a mountain, and his witty actions add fun to the first flight. What shines is the smart waves of the water! The agility of the water and the calmness of the mountains are a landscape painting of life. 2. A "Landscape Painting" composition
In life, people need to care and help each other.
The true feelings in this are like an invisible brush, painting beautiful "landscape paintings" one after another. Look at this picture... A beam of sunlight shines through the gaps in the leaves and shines on the earth, as if it has been plated with gold.
The sparse light and shadow are intoxicatingly beautiful. Needless to say, it was destined to be a beautiful, sunny afternoon.
I was riding the scooter my mother bought me newly, and I was speeding through the community. The shiny silver scooter is so dazzling that I can’t put it down.
However, the moment I stepped on it, I forgot about my mother’s warning of “don’t slide too fast”. I enjoyed the oncoming wind to the fullest.
If the gold-plated earth is like a sparkling lake, then I am a small silver fish, freely shuttled in my world... Suddenly, a bulge appeared. The bricks caught me off guard while I was intoxicated by the beautiful scenery, and I suddenly fell down. Pain and loneliness suddenly took over my heart and diluted this beautiful afternoon.
I cried. I feel that the earth is no longer beautiful, the sky is no longer colorful, and I no longer look like a free little fish, but a little bird struggling forward in the gray sky.
I felt helpless and lonely - because I was in too much pain; because I was not accompanied by my mother and father; because I couldn't stand up on my own and couldn't go to a wooden chair not far away to rest for a while; because... …I regret it! I blame myself! You know...how I wish I could turn back time! Just when I was sad, a sweet voice sounded in my ears, as if it wiped away the darkness in the sky for me and made the sunshine bloom again with a smile: "Little sister, what's wrong with you?" I looked up and saw a The eldest sister and an eldest brother were looking at me with concern, their eyes full of concern. The eldest sister's long hair is like a waterfall rendered only in ink color without ink lines; the eldest brother is like a majestic mountain, "standing" there.
I finally found someone who could listen to me, and I couldn't help but cry again. The eldest brother pulled me up without any explanation and asked me to put my hand on his shoulder and hold his waist with the other hand.
After he helped me onto the wooden chair, the eldest sister sat next to me, gently rolled up my trouser legs, and saw the scraped skin. She took out an alcohol cotton ball from her small bag. I grinned in pain. When my elder brother saw this, he started telling me jokes... Time passed by and my elder sister had already cleaned me up. When I was done, I bowed deeply and expressed my gratitude for their help.
They just smiled, told me a few words, and left. I looked at their backs and felt that the sky was extra blue, the grass was extra green, the flowers were extra red, and even the wind was sweet.
At that moment, I discovered the most beautiful landscape painting before my eyes - it was a magnificent "landscape painting" drawn with the true feelings of the world - the gold-plated earth was sparkling. The lake water; I am the shining silver fish on the scooter; the eldest sister’s hair is the waterfall; the eldest brother’s tall body is the majestic mountain... The true feelings are revealed everywhere in the painting. 3. Help write an essay about Chinese painting
History cannot be forgotten
I remember that when I had just recovered, Teacher Sun called my mother and said that my I passed the "Level 5 Certificate in Gouache Painting", which meant that I could learn Chinese painting. In this way, I got involved with Chinese painting in a daze.
Chapter 1
Due to the wide variety of Chinese paintings, the simplicity is different. The teacher decided to let me focus on flowers. Although that afternoon, I accompanied the red sun, walked to a happy rhythm, and accompanied the singing of birds. He ran quickly to the classroom. But I don’t like painting flowers, so DD
When the teacher draws, I watch; when the teacher talks, I listen; when the teacher leaves, I know nothing. When the teacher wanted to look at it, I started to draw a bunch of pictures; the noble chrysanthemums were painted into flower clusters, and the light lotus was painted into roses (the colors were wrong.) I had to go back and redraw, and I became without recess. people.
Hey, let’s paint, who asked us to pay the tuition?
Chapter 2
When the teacher saw that I was not interested in flowers, he asked me to draw animals again. On the first day, I learned about cats. Drawing cats is fun. There is a white cat in Grandpa Li’s house downstairs. I really like it. If you learn how to do it, you can even give it a "close-up"! I concentrated on learning, and my painting skills improved, and everyone praised me.
Hey, let’s paint, it turns out that Chinese painting is so interesting! So practical!
Chapter 3
Later, Teacher Sun left and a new teacher came. This person looked at my paintings carefully and asked me to paint landscapes. landscape? Is it easy?
The teacher didn’t know about me, but asked me to practice by myself, and I gradually became interested in it, so DD
My class was gone, and I was serious about it. practise. I am pursuing higher grades, from a small piece of paper to a four-foot-three square meter. The more I draw, the more interesting it becomes. Chinese painting has become a required course for me.
Hey, let’s paint, it fascinates me so much 4. Composition introducing Chinese painting
Today, I participated in the Chinese painting training with my school teacher. The teacher who taught the teachers how to draw Chinese paintings was Teacher Huang who has been teaching me how to draw Chinese paintings.
Teacher Huang first introduced us to the history of Chinese art. He used ppt to show us paintings by famous teachers from the primitive pottery era to modern times. Among them was a painter from the Tang Dynasty (as a prime minister, he also painted well). In "Pictures of Emperors of the Past", there are four great painters named Wang in the Qing Dynasty (they were originally high officials who became monks due to the fall of the country), there are landscape paintings by Shen Zhou, there are landscape paintings by Zheng Xie (Zheng Banqiao), and many famous painters , I really can’t remember. Then, Teacher Huang introduced us to the basic materials and painting process of traditional Chinese painting. Taking painting a lotus as an example, he specifically demonstrated for us how to hold the brush, how to write, the different effects of the weight and speed of the stroke, and the different strokes (including side strokes, side strokes, straight stroke drawing), how to color...
Then, we started painting. This time Teacher Huang asked us to hook the thread. What I hooked was a peony flower. The thinner the thread, the better. However, because I didn’t have good strength, the thread I hooked was thick or thin, deep or shallow, and my hand kept moving. The ground shook. However, I was always serious, and some teachers even asked me for help, which made me secretly proud. Finally, we start coloring. I first used cyanine to color the right half of the leaves, and then mixed titanium white and eosin into pink to color the flowers. I carefully followed the teacher's instructions step by step. Although I didn't finish this painting today, I am very happy!
Chapter 2: I love Chinese painting
I like painting because it allows me to express my fantasy vividly. I am proficient in many kinds of painting: gouache, pencil, crayon...etc. There is a kind of painting that has the rich ink and light colors of China; it has an elegant and noble sentiment; it has difficult and delicate technical condensation... This is the rich fragrance of ink and a long history - Chinese painting!
I like painting, and I like Chinese painting even more. The reason why I love it is because it has the fragrance of Chinese brushes, the light rice paper background, and the rippling watercolor paint! I love it just like loving my own motherland, that elegant sentiment!
I started learning Chinese painting when I was 6 years old. At that time, I didn’t understand the antique ink colors contained in Chinese painting. I only knew that Chinese painting was the treasure of my motherland. My handwriting was ugly and I couldn’t learn calligraphy. , so I spent all my energy on learning Chinese painting. From the point-by-point drawing that I just started, to the basic coloring and sketching, to the ink and wash Chinese painting that I am learning now, I have made more and more progress; the lines I drew are no longer as winding as before, like a snake. Straighten up, like a pencil; the edge outline of the painting is no longer as intermittent as it was in the beginning, and has become very strong, like a black steel bar; it will not miss when dyeing, and it will swell due to too much moisture, and the painting will become very Delicate and the painting effect is much more beautiful than before! Therefore, I am always proud of my work. Pick up the pen and start writing, grapes, carps, mangoes, lychees, lanterns... This kind of beauty cannot be described with the word "beautiful".
Traditional Chinese painting is painting in the Chinese way. This kind of beauty of ink and wash is exciting and cute. Because it is a brush, the painting is informal, generous and grand. We Chinese are so generous and hospitable. Our souls are also the same as the colors and shapes of Chinese paintings, which are elegant but not vulgar. Isn’t this the incarnation of us Chinese? It is worthy of being a Chinese "rare treasure" with a history of hundreds of years, and it still has such a Chinese flavor!
Now, I have an indissoluble bond with Chinese painting. I love Chinese painting. I have learned to feel the beauty of life in Chinese painting, and understand that the character of a person must be as elegant as Chinese painting. I will always remember the symbol of traditional Chinese painting - the indomitable spirit of the Chinese nation!
Have you ever learned a skill or musical instrument invented in China? Have you ever loved it? I am a pure Chinese, I love my motherland, and I also love the traditional Chinese paintings of our motherland! Of course, I don’t only like Chinese painting. 5. An essay describing the landscape of about 600 words
The charming four seasons of West Lake Hangzhou, the "paradise on earth", is embedded with a shining pearl, that is the West Lake.
The four seasons in West Lake are beautiful. When spring returns to the earth, I walk on the Bai Causeway and Su Causeway where a hundred flowers are blooming in the West Lake and look at the lake. I see sparkling waves on the lake, light boats rippling, and the moon reflected in the three pools embedded in the lake like gems. The willow silk sometimes brushes your cheek, sometimes it gently passes over your head and shoulders, coupled with the slight sound of the oar and the beautiful sound of the piano in the distance, how intoxicating it is!
In summer, lotus leaves and lotus flowers are crowded on the West Lake.
The most eye-catching thing is the white lotus, which is as white as jade. It is quiet and pure. It is really "unstained from the mud." The lotus leaves hold those crystal clear, agate-like dewdrops, and guard the slim lotus and the fat lotus. Huaguduo is simply a beautiful landscape that cannot be replicated even by a great painter.
The West Lake in autumn is a mature scenery. The fragrant osmanthus flowers ten miles away from the shore are really nostalgic; on the lake, the lotus leaves are like shy little girls, all lowering their heads and hiding. They are reminding and waiting for people to pick the lotus roots under the roots. . At this time, people rowed brisk boats, hummed leisurely songs, and gently picked lotus roots. The lotus roots are white and fat, really like little chubby dolls, which makes people put it down. If you pick one at random from the basket, wash it clean and take a bite, it will be crispy and the taste will always be sweet to your heart.
Winter in West Lake is no exception. Although the flowers have faded, the lake water is still crystal clear, and the plum blossoms in full bloom are even more beautiful; in the snowy sky, covered in silver, the children by the river bank are playing happily, with laughter and the sound of snow flying. Together, it becomes a beautiful symphony.
Ah! West Lake! You are really a bright and dazzling pearl!
Beautiful West Lake
I was lucky enough to go to Hangzhou during the rainy season in the southeast, with continuous rain. “It’s beautiful when the water shines brightly, but the mountains are so beautiful when it’s empty and rainy.” These two poems aroused my interest, and I decided to go to the West Lake in the rain.
While rafting on a rainy day, I enjoyed the amazing mountain scenery. The beauty of the mountain scenery in the rain lies entirely in its presence and absence. If it does exist, it has obviously turned into steaming mist along with the floating gauze-like cloud shadows; if it does not exist, it reveals its face between the opening and closing of the clouds and mists, making it feel more intimate. There is a technique in Chinese painting called rice dot landscape painting, which uses full ink to spread large and small dots, sparse or dense, thick or light, to express the empty scenery of mountains. To vividly depict the scenery in front of you, you must use the rice dot technique.
At this time, it was drizzling, and the water and sky were the same color. When the boat arrived at Three Pools Reflecting the Moon, we abandoned the boat and landed. It is the spring season of red, thin and green, but the flowers in West Lake are constantly blooming all the time. We walked through the twists and turns of the stone bridge, and the title lotus under the bridge was asleep and yet to wake up. Rhododendrons are in full bloom, white as cotton and snow, red as fire and tea, dotted among the green trees and bamboos. The flower grows near the water, much like an orchid, but not as delicate, luxuriant and strong as an orchid. The intoxicating aroma hits my face, and it's hard to tell which kind of flower it is. Even the green and hairy grass and the crystal-clear bitter stele seem to be emitting a delicate fragrance. Santan is in the center of the lake. Looking up from here, the north and south peaks have been wrapped in clouds and cannot be seen clearly. Willow Waves and Huagang are hidden in the dense green, and occasionally the shadow-like cornices are exposed. At the foot of Nanping Mountain are flashes of gold, which are the glazed tiles of Jinghuo Temple. All this is covered with a drizzle of net. The raindrops are sometimes sparse and sometimes dense, and the scenery changes rapidly. However, it is naturally impossible to capture the ethereal artistic conception in words.
If you think about it carefully, when it comes to water, West Lake is not as good as Taihu Lake, and it is not as good as Erhai Lake; when it comes to mountains, Shuangfeng is not as good as Yandang, let alone Huangshan. Why is West Lake so famous and attracting so many tourists? Is it because the lakes and mountains complement each other? Is it because the mountains change endlessly due to the brightness and darkness? Later, when I visited Yue Temple, I figured out this problem. From the perspective of architectural art, the Yue Temple has no characteristics; from the perspective of plastic art, the statue of Yue Fei is even more nondescript. But there are tourists here all the time. It is very clear. Who can go to the West Lake and not pay homage to Yue Temple? If there were only beautiful mountains and waters in the West Lake, but there were no great poets, writers and national heroes such as Bai Juyi, Su Wu, Yue Fei, Yu Qian and Zhang Cangshui, and there were no legendary White Snake and Su Xiaomei, then it is conceivable that the interest of tourists would not be so great. Thick.
Here, nature and human creation are integrated and complement each other. The beauty of nature and ethics are integrated into the ultimate beauty. The beauty of West Lake lies here!
Reference materials: 6. Jinan landscape painting with five crosses
There is a landscape painting in my room.
It was given to me by my uncle. I heard that this was an award-winning painting, so the author gave it to my uncle, who in turn gave it to me.
This painting is larger, about two tables long and one table wide! There are four words written on the top of the painting: Qingqiu Xiahua. There are several mountains on the painting, and the continuous city walls vaguely appear on the mountains, winding away into the distance.
A waterfall passed over the blockage of huge rocks and flowed down from the mountain, splashing countless crystal water splashes and stirring up a confused white mist. The fog disappeared at the foot of the mountain, making the entire painting appear blurry.
The waterfall flowed down and turned into a trickle, flowing through the cracks in the stones. The water waves seemed to be shaking up and down, and I seemed to hear the sound of running water flowing.
There are several fiery red plum blossoms on the shore. The colors of plum blossoms range from dark to light, giving them a more layered feel.
This color seems to have a faint fragrance of plum blossoms. , there are some ginkgo trees among the plum blossoms.
The light-ink tree trunks have spots of yellow, and the tone is darker. "Shashashasha" I seemed to hear the "singing" of the leaves.
The ink colors in the painting range from thick to light. The thick colors are powerful and powerful, while the light colors appear vague. The whole painting feels profound.
The overall color is dark and the tone is very light. Only the plum blossoms nearby are rich red. Looking at this painting, I feel like I am in the green mountains and green waters.
I seem to smell the fragrance of plum blossoms. In the white mist, the landscape looked confused.
The white mist makes this landscape feel like a paradise in the sky. I am lost in this mountain forest, lost in this sea of ??flowers.
I turned in circles, and the white mist surrounded me like white satin. Suddenly, a rain of flowers began to fall in the sky. The bright red petals fell down, so beautiful! ah! This picturesque artistic conception is so beautiful! I picked up the brush and wanted to compete with him, but I couldn't even draw a complete outline of the landscape.
I looked at this painting again and felt that it was really out of my reach. 7. A 600-word essay about landscapes
I was lucky enough to go to Hangzhou during the rainy season in the southeast, with continuous rain. “It’s beautiful when the water shines brightly, but the mountains are so beautiful when it’s empty and rainy.” These two poems aroused my interest, and I decided to go to the West Lake in the rain.
While rafting on a rainy day, I enjoyed the amazing mountain scenery. The beauty of the mountain scenery in the rain lies entirely in its presence and absence. If it does exist, it has obviously turned into steaming mist along with the floating gauze-like cloud shadows; if it does not exist, it reveals its face between the opening and closing of the clouds and mists, making it feel more intimate. There is a technique in Chinese painting called rice dot landscape painting, which uses full ink to spread large and small dots, sparse or dense, thick or light, to express the empty scenery of mountains. To vividly depict the scenery in front of you, you must use the rice dot technique.
At this time, it was drizzling, and the water and sky were the same color. When the boat arrived at Three Pools Reflecting the Moon, we abandoned the boat and landed. It is the spring season of red, thin and green, but the flowers in West Lake are constantly blooming all the time. We walked through the twists and turns of the stone bridge, and the title lotus under the bridge was still asleep. Rhododendrons are in full bloom, white as cotton and snow, red as fire and tea, dotted among the green trees and bamboos. The flower grows near the water, much like an orchid, but not as delicate, luxuriant and strong as an orchid. The intoxicating aroma hits my face, and it's hard to tell which kind of flower it is. Even the green and hairy grass and the crystal-clear bitter stele seem to be emitting a delicate fragrance. Santan is in the center of the lake. Looking up from here, the north and south peaks have been wrapped in clouds and cannot be seen clearly. Willow Waves and Huagang are hidden in the dense green, and occasionally the shadow-like cornices are exposed. At the foot of Nanping Mountain are flashes of gold, which are the glazed tiles of Jinghuo Temple. All this is covered with a drizzle of net. The raindrops are sometimes sparse and sometimes dense, and the scenery changes rapidly. However, it is naturally impossible to capture the ethereal artistic conception in words.
If you think about it carefully, when it comes to water, West Lake is not as good as Taihu Lake, and it is not as good as Erhai Lake; when it comes to mountains, Shuangfeng is not as good as Yandang, let alone Huangshan. Why is West Lake so famous and attracting so many tourists? Is it because the lakes and mountains complement each other? Is it because the mountains change endlessly when it is bright or dark? Later, when I visited Yue Temple, I figured out this problem. From the perspective of architectural art, the Yue Temple has no characteristics; from the perspective of plastic art, the statue of Yue Fei is even more nondescript. But there are tourists here all the time. It is very clear. Who can go to the West Lake and not pay homage to Yue Temple? If there were only beautiful mountains and waters in the West Lake, but there were no great poets, writers and national heroes such as Bai Juyi, Su Wu, Yue Fei, Yu Qian and Zhang Cangshui, and there were no legendary White Snake and Su Xiaomei, then it is conceivable that the interest of tourists would not be so great. Thick.
Here, nature and human creation are integrated and complement each other. The beauty of nature and ethics are integrated into the ultimate beauty.
The beauty of West Lake lies here! 8. A composition describing landscapes
The mountains, although majestic, stand alone in the wilderness, their bodies are boiling hot, and they are so thirsty that they are almost bursting. Is it the sun's radiation? Or the burning of magma?
The water is like flowing hair, clear and transparent, gushing out everywhere. Pure romance flows freely. Inadvertently, I landed on the body of the mountain. The soft, graceful, smooth and cool feeling made the mountain intoxicated.
Breathing in the sweet mountain spring, the refreshing coolness penetrates into the lungs, nourishes the heart, and penetrates into every cell... all over the entire mountain in an instant. The grass is green, the flowers are blooming, and spring is blooming.
Shan trembled his arms and hugged the water tightly in his arms, gently caressing the cold curves, and murmured to himself. No words can describe the madness in his heart. He was intoxicated, obsessed, eager to release the long-standing, restless heat.
The mountain is full of infinite love for the water. He loves the water with its elf clarity, the gentleness and charm of the water, and the love of the water that never leaves. Sometimes he would hold the water in his hands and turn it into a beautiful Tianchi, shining with colorful colors against the backdrop of minerals; sometimes he would throw the water into the sky, letting it flow down three thousand feet, where the waves would splash. , a gorgeous rainbow was set up in the sky.
Water has a gentle character. In the doting of the mountain, it obediently puts away its naughtiness and disdain. The bird clings to the mountain's fiery chest like a human, listening to his urgent words. With the sound of breathing and drum-like pulse vibration, she raised her delicate smile and sang "Spring Water Ding Dong".
Cold and heat merge into a sweet and happy temperature. The mountains are in love with the water, and the water is in love with the mountains. People lamented: A mountain without water is a barren mountain; water without mountains is a stagnant water. The integration of mountains and rivers is a beautiful scenery in the world. 9. Looking for articles describing landscapes
Wang Wei was a famous poet in the Tang Dynasty.
He is also a famous painter. Very few of his paintings have been handed down, but according to historical records, he created a large number of paintings at that time and is known as the founder of the Nanzong School of Painting.
The original biography of "Old Book of Tang Dynasty" records: Wang Wei's "writing traces thoughts and participates in creation, but the creative scriptures and pictures are lacking. For example, the mountains are far away, the clouds and peaks are colored, and the secrets of heaven are lost. It is beyond the reach of painters."
Wang Wei himself has a poem that says: "I was a poet in my past life, and my predecessor was a painter" ("Six Poems by Occasionally"), which shows that Wang Wei has great attainments in painting. Very deep.
Therefore, as an artist who is both a poet and a painter, when Wang Wei expresses his observation of life in his artistic creation, there must be similarities between poetry and painting. In other words, in Wang Wei's poems, we can always appreciate the beauty of painting.
People often say that "there are paintings in poems". This article attempts to explore how the beauty of painting in Wang Wei's landscape poems is reflected in painting techniques.
People often have this life experience: a scene that is not much noticed or has been accustomed to, once reproduced by a painter or poet, often makes people marvel and fascinate. For example, some of Ni Zan's landscape paintings are just a few sparse forests and two or three flat slopes; Mi Fu's misty and rain paintings are probably nothing more than a few hills guarded by woods.
However, it is through their observation, excavation and cutting that painters enable people to discover and feel the beauty of the vast distances, or the misty rain. The same goes for poetry.
Once an ordinary wild shop is reproduced through the poem "The sound of chickens in that cottage and the moon in the moonlight, and the frost on Banqiao" (Wen Tingyun: "Morning Journey"), the reader will enter a lonely and lonely place. A fresh and beautiful realm. "Beauty" is a topic that artists and philosophers at home and abroad have discussed endlessly.
However, from the expression methods of Chinese landscape paintings or Western landscape paintings, a rough summary can be made from the following four aspects: beautiful composition, beautiful image, beautiful color, and beautiful artistic conception. Of course, these four aspects are unified and not isolated.
It is impossible to imagine the beauty of artistic conception in a painting with a messy composition; nor the beauty of image in a picture with discordant tones. But poetry is not painting after all, and the two cannot be regarded as the same.
For the convenience of discussion, this article still intends to discuss Wang Wei’s landscape poems from these four aspects. 1. Beautiful composition Composition can be generally understood as the layout and selection of scenery. Wang Wei's "Zhongnan Mountain": "Taiyi is close to the capital of heaven, and it extends from the mountains to the sea.
The white clouds look back together. , the blue mist comes in and the peaks change, and the clouds and clearings are different.
If you want to stay in a place, you can ask the woodcutter across the water. Awesome momentum.
The poet does not use the usual description techniques that highlight mountains, rivers, rocks, and ancient jungle trees in landscape poems. Instead, he focuses on the overall situation and writes from the big picture. Write its full picture, highlighting its continuous direction and boundless breadth.
This shows the entire Zhongnan Mountain in front of us through an overall layout, making people feel like they are watching a giant painting. "Mountains to the sea" leads people's sight so far away that they cannot see the end; "clouds, clear skies and numerous ravines" extend people's vision to a realm so wide that it is difficult to exhaust the changes.
The two sentences "The white clouds look back and merge, and the blue mist enters and you can see nothing" leave a broad enough horizon in the composition of the picture. On the one hand, it does not make people feel crowded, and on the other hand, it highlights the changes in the clouds. It will also reflect the expansion of the mountain. It can be said that "showing large or small pictures, describing the scenery hundreds of miles away.
East, west, south, north, vague and present; spring, summer, autumn and winter, born in the pen." ("Shuo Guo·The Secret of Painting") The end of the poem "I wanted to go to a place where people stayed, so I asked the woodcutter across the water."
It is like one or two small figures randomly embellished in a landscape painting. Although it depicts people, it makes us feel It is really difficult to see people in this vast mountainous area. This kind of compositional effect of dots everywhere more prominently reflects that this poem is entirely based on the painter's vision and brushwork, and fully embodies the compositional beauty of the painting.
Another example is "Xinqing Yewang": "The Xinqing wilderness is vast and unsullied as far as the eye can see. Guomen is near the ferry, and village trees are connected to the mouth of the stream. Beyond the white water and bright fields, green peaks emerge from the mountains.
There is no idle person in the farming month, and the whole family is devoted to the south. "The focus of the title of this poem is the word "wang".
So the author started from "Xinqing Wilderness", first looked at "Guomenlindutou", then looked at "Village Trees Connecting to the Mouth of the Creek", and beyond that was "White Water and Bright Fields", and even more In the distance is "Behind Bifeng emerging from the mountain". Reading this poem can't help but feel like the process of moving from near to far in a movie. The poet spreads out the scenery layer by layer, and at the same time reveals the beauty of nature layer by layer in front of people's eyes.
The entire composition is accomplished through distinct layers. This composition technique is to express the theme of "wilderness" proposed at the beginning.
Level is an important part of the beauty of painting composition. From many of Wang Wei's poems, we can see the poet's intention to observe nature and deal with natural scenery from a hierarchical perspective.
In addition to the level of Pingyuan, there are also very detailed descriptions of the levels of high and low, such as "A night of rain in the mountains, a hundred springs under the trees." ("Farewell to Zizhou Li Shijun") "The mountains and rivers winding in the south end at the end of the green forest."
("Bei Cun") "The water surrounds the city in Zhouzhong, and the mountain bridges and trees line it." ("Xiao Xingba Gorge") etc., are all With a painterly perspective, he focuses on layered depictions.
2. Beautiful image The meaning of image is very broad. The image we are referring to here refers to the typical summary, accurate depiction and refined treatment of objective phenomena in the plastic arts of painting.
Wang Wei's "Envoys to the Fortress": "The Chan Yu wanted to ask about the border, and his country passed Juyan. He conquered Peng and left the Han fortress, and returned to Yan and entered Hutian.
The lonely man in the desert The smoke is straight, the sun is setting on the long river. When Xiao Guan meets the officials, they all protect Yan Ran."
The theme of this poem is not a description of the scene, but the two sentences "The smoke is straight in the desert, the sun is setting on the long river". It can be said that the vast scenery is filled with beauty. The author casts two concise images in the reader's field of vision: a solitary smoke rising straight up in a desert; and a round sunset at the end of a distant river beach.
Just these two images sum up everything in the desert. Loneliness, vastness, desolation... all descriptions have become redundant.