Bronzes cast by Mao Gong in the late Western Zhou Dynasty were unearthed in Qishan, Shaanxi Province (now Qishan County, Baoji City) in the Daoguang period in the late Qing Dynasty and collected in the National Palace Museum in Taipei. The inscription of Mao Dinggong is 497 words long, which records Mao Gong's suggestions and suggestions to Zhou Xuanwang.
Known as "a history book", his calligraphy is a mature style of bronze inscriptions in the Western Zhou Dynasty, which is fantastic, lively, vigorous, round and vigorous and has a long structure. It is an important historical material for studying the political history of the late Western Zhou Dynasty.
2. Discrete disk
It is named after the inscription "Shi San". Some people think that the maker is a trap, also known as a trap. Qianlong was unearthed in Fengxiang, Shaanxi Province in the early years. 1935 "Shi San Pan" was handed over to the Palace Museum in Beiping together with other cultural relics of the Qing Dynasty. During the Anti-Japanese War, it moved south and is now in the National Palace Museum in Taipei.
Shisanpan, with its quaint inscription structure, rounded and concise lines and scrawled and flat handwriting, looks quaint and vivid, opening the end of "grass seal". Because the sideways trend leads to a lower center of gravity, it is relatively simple and thick. It has a strong sense of "casting" and shows a strong "golden taste", so it occupies an important position in the system of stele study.
3. Polygonum cuspidatum whiteboard
The water containers in Shang and Zhou Dynasties were unearthed in Baoji in the late Qing Dynasty, and now they are collected in China National Museum, which is the treasure of the town hall. Polygonum cuspidatum white plate is regarded as a masterpiece in the bronze inscription of the Western Zhou Dynasty. Its bronze inscriptions are obviously different from other inscriptions in the Western Zhou Dynasty in arrangement and font processing, but they have a certain similar pattern with Wu Chuwen in the Warring States Period in the late Eastern Zhou Dynasty. For example, it pays great attention to the uniqueness of each word.
The lines pay attention to the feeling of graceful and smooth, and the glyphs pay attention to the pursuit of density and avoidance. Some money bars are deliberately elongated, resulting in a turbulent spatial effect. The exquisiteness and delicacy of the modeling also surprised everyone with such a beautiful and elegant style in the bronze inscriptions of the Western Zhou Dynasty.
The characteristics of seal script:
1.
The appreciation of seal script calligraphy is based on form and meaning at first. There are many hieroglyphics in Da Zhuan, and there are various expressions. Most of them are based on shapes, such as horses, sheep and elephants. There are many kinds of writing, and the rules of distribution structure have not been regularized. Writing a character can show bending over to work or kneeling.
The shapes and positions of the radicals in Oracle Bone Inscriptions were also scattered, until the Qin Dynasty unified the characters. After finishing, the characters tend to be unified, but there are still many graphics and characters with different meanings.
2. Body positive potential circle
The appreciation of seal script calligraphy also has the characteristics of normality and roundness. Xiao Zhuan's form should be accurate, horizontal painting should be flat and vertical painting should be straight, which is a rigorous and neat calligraphy form. The structure and brushwork of Xiao Zhuan are mainly round, and the outer contour of the word is elongated because of the central intersection line of the word, such as the middle and the sky. Form a natural oval.
The word potential of Xiao Zhuan is an arc at every corner. A few Miao Zhuan and Qin Zhuan used for seal cutting also have some room potential, but after careful observation, they are still mostly circles in a square, which is quite different from Li Zhuan's square potential.