"Fan Dancing Danqing" extends the expressive force of the arm by folding the fan, deduces the verve beauty of China's calligraphy art, and dynamically shows the "dance on paper", which can be described as the "dance" of literary ambition. Through the wonderful performances of performers like flying weeds and painters, the works create an elegant and dignified posture full of Chinese traditional dance culture in the whole stage space, integrating classical dance with China calligraphy culture, fan culture and sword culture, and integrating dance, music, calligraphy and painting in one furnace, realizing the implication and inexhaustible words in the blending of scenes and the unity of man and nature. It has infinite transcendental beauty and natural beauty, which is not only advocated by dance art, but also a high-level aesthetic realm that China people have been pursuing. Therefore, the dance "Fan Dancing Danqing" is worthy of both refined and popular tastes, pleasing to the eye and keeping the audience's eyes fixed.
Fan Dancing Danqing is a work full of dance noumenon characteristics, which is characterized by emphasizing its rhythm, not arbitrarily using skills, not making public, not impetuous; There is no plot, no drama conflict, and no need for outside help. Only by relying on the dancer's body and fan, through the dancer's body movements, the speed, flexibility, cadence and strewn at random are just right, and the fan is combined with the range, strength, speed, gravity and space of body movements to make a seemingly ordinary dance, which is comparable to the beauty of calligraphy and painting. Different from the previous women's classical dance, its language broke the feminine style and increased the performance of rigid texture. The works create different effects of free and easy, elegant, smart, steady and sudden change. Sometimes the beauty of dance image and form, such as falling rocks and falling rocks, gathering clouds in a thousand miles, spinning silk and hiding needles in cotton, is fascinating. The choreographer created his own space and time, and the floor formed by the organic combination of the two was freely drawn by the dancer's body. This typical Chinese-style body movement conforms to Weigmann's three elements of time, space and strength dance. The "gravity (light or heavy), time (fast or slow), space (direct or extended) and fluency (limited or free and smooth)" shown by the dancer's dynamic potential such as retracting, stretching, relaxing, rapid and slow, strength and so on are essentially related to the performance of human physical fitness created by Weigmann's teacher Laban. It can be seen that art is indeed interlinked, and good works of art follow scientific principles and methods. The highest realm pursued by artists is the epiphany between mind and nature in communication. Various natural scenes dissolve everyone's subjective feelings and pour people's humanity. Return to nature in the mutual contrast between artistic conception and cosmic image. As a representative work of contemporary China classical dance, fan dance Dan Qing's dynamic trend of "flashing, spinning, soaring and moving", its form of "returning" and "flowing", as well as the feeling that the sun is about to come out and the bow is full of energy, all reflect the unique dance charm and unique spiritual temperament of China dance, which is worthy of being a masterpiece of China's dance art and makes people care about it.