Han Li-Cao Quanbei
Official script of Han dynasty. The full name "Han Heyang made Cao Quanbei" was engraved in October of the second year of Zhong Ping (A.D. 185) and 1956 was collected in the forest of steles in Shaanxi Museum. In Han Li, this monument is unique, beautiful and beautiful, with flat and symmetrical structure, stretching and escaping, attractive style, straight brushwork and both vertical and horizontal. It belongs to the same category as "Ying Ying" and "Li Qi", but it is gorgeous and beautiful, with the state that "if she just turns her head and smiles, she will have all kinds of spells", which is really a wonderful flower of Han Li.
Han Li Huashan Monument
Official script of Han dynasty. The full name of Xiyue Huashan Temple Monument was carved in April of the 4th year of Yan Xi (A.D. 16 1). This monument, like the ritual monument, is regarded as a model of Han Li, with clear pronunciation and mellow voice, neat spacing between lines and beautiful waves. Zhu Yizun commented on this monument in Qing Dynasty: "There are three kinds of Han Li, one is square, the other is elegant and the other is strange. However, Yan Xi's "Hua Yue Monument" is getting better and better, and it is the best of the three. " (Postscript on the Stone). Liu Xizai added: "Han monuments are as scattered as Han Yi and Kong Zhou, and as close as Fang Heng and Zhang Qian, they are prosperous. If the Huashan Temple Monument is majestic and stagnant, it means that it is extremely endless. " (Art Outline)
Han Li-Shi Chenbei
Official script of the eastern han dynasty. The inscriptions on both sides of the monument are also called "Monuments before and after Chen Shi". The full name of the former monument is Confucius Memorial Hall in Chen Shi, Luxiang, and the full name of the latter monument is Confucius Temple Monument in Chen Shi. Lingdi was founded in the second year (AD 169) and now lives in Confucius Temple in Qufu, Shandong. Calligraphy is neat, colorful in shape, flying in waves, even in composition density, rigorous in structure, full of charm and agility, full of ups and downs in meaning and both in brushwork and meaning. In the Qing Dynasty, Wan Jing commented in the book "My Bie Li": "It is tightly repaired and strictly carved. If you are a teacher who doesn't know Cheng, you should keep your pace neat and be careful not to make mistakes. Its words are on the right of the pawn (Yiying monument) and the Chinese righteousness (ritual monument). " Yang Shoujing's "Pingbei Ji" also said: "In the past, people said that Han Li was not beautiful, and an ancient and thick atmosphere was out of reach, and it really happened."
Han Li-Yiying Monument
Official script of Han dynasty. The full name is "Lu Hanxiang should please set up a hundred stone tablets of Confucius Temple", which was engraved in June of the first year of Dong Yongxing, Dacheng Hall of Confucius Temple in Qufu, Shandong Province (AD 153). This monument is neat and organized, with great brushwork and uniform thickness, and pays great attention to the shelf structure. The whole picture is elegant and beautiful, especially the dovetail posture is very beautiful. It is one of the representative works of Han Li in the mature period of standardization. Weng Fanggang called it: "The flesh and blood are even and the communication is smooth." Why is it: "Constant development, profit after opening, and Zhuang Yanshu."
Han Li-ode to Shimen
Stone carvings on cliff of large pear trees in Han Dynasty. The full name is Ode to an Old Captain, which was engraved in the second year of Han Bamboo Slips (AD 148). Knots vary in size, and the brushwork is fine, comfortable and quite interesting. Today, Jia Zhu once said to this stone carving: "The stone gate is more skillful than clumsy, more thin and less fat, and it likes to grow and more round pens. The layout is ingenious and complicated. " (Calligraphy Essay)
Han Li-Fang Heng Monument
Official script of Han dynasty. The full name is "Monument to the Emperor of Hengfu in Han, Wei, Ancient Wei and Qing Dynasties", which was built in September of the first year of Jianning (A.D. 168). It was originally Wenshang County, Shandong Province, and in the eighth year of Yongzheng in the Qing Dynasty (A.D. 1730), it sank the monument and re-established Houyi people. Now it is hidden in Dai Temple in Tai 'an, Shandong Province. The font of this tablet is simple, winning by being clumsy, and the shelf is solid and heavy, like a tiger lying below. The strokes are straight and thick. The pen is rock-like, angular, angular and powerful. The rules and regulations are full of words, and the fairness is oblique.
Weng Fanggang said: "It is that the inscription is wide and wide, dense but not many, which seems to be the gradual development of Yan Guanshu." Yang Shoujing's "Pingbei Lu" also said: "This monument is ancient and healthy, and many books in the Northern Qi Dynasty came from here, so it should not be under the Huashan Monument." The official script of Yi Bingshou, a famous calligrapher in Qing Dynasty, originated from this.