From: Yuan's suggestion during the Republic of China.
Original text:
Never pity the wind and rain, and don't go to Qiongding Building.
Translation:
It's windy and rainy on the mountain, so don't go to the roof.
Extended data:
Creative background:
Yuan lived in a period of drastic political change from imperial power politics to civil rights politics. His ideas were not in harmony with the social environment at that time, which created his unique lifestyle, which directly affected his calligraphy art style.
People often say that "poetry expresses ambition", "songs express feelings" and "books are like people". This shows a regular thing, that is, cultural products reflect the creator's personality characteristics, and the artistic connotation of cultural products often reflects the creator's ideological connotation. Yuan's calligraphy art can also illustrate this point.
Its composition takes advantage of the situation, and the structure in the inner palace is broad, giving people an open-minded and generous feeling with a pen. Second, the word "drunk sorrow" written for the famous Hannah Quinlivan Zhang Zhuoyun is simple and unpretentious, giving people the pleasure of being broad-minded and frank.
Yuan likes to wait on her with a beautiful woman holding a paper, hanging in the air, making the fragrant ink dripping and the strokes flowing in a string, which makes everyone present laugh. He wrote big characters, covered the floor with paper, and scribbled them on the bedside when he wrote his diary in small characters, which made the audience feel wonderful because of the curiosity caused by his writing style.
These characteristics also reflect his unique personality of the times, such as being a good friend, being a big shot in green gang and being an "inferior". Therefore, we say that Yuan's calligraphy is touching calligraphy, which makes people laugh. It is a lively writing and a portrayal of his temperament and mentality at that time.