Weibei refers to the inscriptions and calligraphy works in the Southern and Northern Dynasties. The existing characters in Wei Bei are regular script, so these regular script inscriptions are sometimes called "Wei Kai". Weibei, also known as the North Monument, was the longest established in the Northern Dynasties. Later, "Weibei" was used to refer to the inscription calligraphy works of the whole Northern Dynasty, including the Eastern Wei Dynasty, the Western Wei Dynasty, the Northern Qi Dynasty and the Northern Zhou Dynasty. These inscriptions mainly exist in the form of "stone tablet", "epitaph", "cliff" and "statue".
The epitaph was buried underground about 14500 years ago and is still being unearthed. In the Qing Dynasty, Kang Youwei loved Weibei so much that they saw far fewer epitaphs than we did. Wei Bei's style is very rich, from the aesthetic point of view, everything is powerful, simple, ups and downs, exquisite, elegant, elegant and so on. There are so many beautiful things in front of us waiting for us to study and learn. 、
The height reached by Tang Kai and its strict laws and regulations made the practice of regular script in later generations procedural and standardized, thus losing creativity. As a result, Su Shi, Huang Tingjian, Mi Fei and Cai Xiang, the four great calligraphers of the Song Dynasty, did not have regular script works comparable to those of the Tang Dynasty, but mainly focused on the creation of running script and cursive script. In the Ming Dynasty, a calligraphy style called "Taige Style" appeared because the selection of scholars in imperial examinations became more and more rigid. "Taige" regular script is the official font stipulated by the imperial examination, which pursues beauty and elegance and also requires standards and norms. This requirement inhibits the calligrapher's creative personality. The Qing dynasty further evolved into a "cabinet style" and was criticized by "one thousand people".
Ruan Yuan wrote "On the North Monument and the South Sticking" and "On the North-South Calligraphy School", which initiated the "study of steles"; Bao wrote "Two-cylinder Art Boat" and Kang Youwei wrote "Two-cylinder Art Boat", which contradicted the admiration for Chunhua Pavilion posts since the Song Dynasty, and put forward the viewpoint of "respecting monuments and suppressing posts".
Kang Youwei said that there are ten beauties in Weibei, which summarized the artistic characteristics of Weibei calligraphy, such as vigorous, simple and natural. In my opinion, he did point out the shortcomings of the cabinet style, but he didn't prescribe a good prescription. He's just asking too much of Wei Bei. We have fine products in Weibei, but there are also many dross. What we want to absorb is Weibei's naive interest.
What I practice most is the epitaph of black women and the epitaph of raptor.
The full name of Epitaph of Zhang Hei Female is Epitaph of Wei Nanyang, also known as Epitaph. Zhang is a black woman, because she avoided the name of Aisingiorro Michelle Ye, Emperor Kangxi of the Qing Dynasty, so she was commonly called "Epitaph of Black Women". It's 20 lines of regular script, with 20 crosses in each line and * * * 367 words. His calligraphy is exquisite and elegant, simple and elegant.
Square sparse, tight inside and loose outside, has many meanings. Although this epitaph is an official book, its brushwork is eclectic, introverted and natural, elegant and smart. Both the center and the side of the brush strokes are used, and Fiona Fang is also used, so as to combine rigidity and softness, which is a vivid and elegant style. It is a masterpiece of calligraphy in the Northern Wei Dynasty.
The picture above is a black tablet written by me.
Zhangmenglong tablets
This stone tablet is also highly praised by calligraphers. Yang Shoujing, a scholar in the Qing Dynasty, commented: "Calligraphy is chic and ancient, and the odd and the right blend together. Those who are higher than the Tang people in the six generations take this as the reason. " It is considered that the achievement of this Weibei work is higher than that of the Tang Dynasty. Zhao Han, a epigraphist in the Ming Dynasty, pointed out: "Books are healthy and open the door to Europe and danger." Ou Yangxun and Yu Shinan, calligraphers in the Tang Dynasty, were deeply influenced by this monument.
The picture below shows the dragon card written by Zhu Chunhua.
Wei Bei was discovered earlier, but it has never been taken seriously. In some works of calligraphers Ou Yangxun and Chu Suiliang in the Tang Dynasty, we can see the influence of inscriptions in the Northern Dynasties on them. Because of Li Shimin's admiration for Wang Xizhi's calligraphy, the calligraphy style of Jin Dynasty, represented by Wang Shu, has been the mainstream in the Tang Dynasty. Therefore, on the whole, the regular script in Tang Dynasty inherited the tradition of regular script in Jin Dynasty. Even if Wei Bei was adopted, it was mostly because of the calligrapher's personal interest and style, which failed to form an atmosphere of learning from Wei Bei in general.
Nowadays, many people, including students, find it easy to win prizes. Even if students are not sure about the word structure, having a pen shape can attract the judges. They always regard learning from Wei Bei as a show, and they play with more elements. The biggest advantage of learning from Wei Bei is that it absorbs nutrition, so that my regular script is not boring and my running script is more powerful. Another best function of Weibei is to improve the adhesion between my brush and paper, so that I can hold the pen and feel more like a pen. And according to your own preferences, find what you really like in Weibei and do some strengthening. In the process of learning, we must find Weibei that we like and suit our own style. For example, if you write European style, you can combine it with Zhang Menglong, which can make your regular script not delicate, but more imposing.
Zhu Chunhua wrote a video of the Raptors.
The calligraphy circle in China is very lively, with calligraphers all over the world. How to make your own way in this field under such circumstances? This should be a problem that we who are engaged in calligraphy must consider. If you want to make achievements in calligraphy, you should take this into account and try to avoid getting together and making mistakes. Some people may say that this is a problem. It is normal. Who has no problem? Ancient calligraphers were not criticized. Wang Xizhi was demoted as a "talented woman", and Yan Zhenqing was once called "intervening in the Han Dynasty". As long as there is something wrong with the description of the attack, people who really understand calligraphy will easily see that my things are good. Even if the goal is achieved, it is difficult. That is our pursuit, the pursuit of dreams, and the pursuit of "everyone is old". So writing about Weibei has many advantages. The following are videos of black women.