At present, Zhu Pingpang, a member of China Calligraphers Association, a researcher at Tianjin Flower-and-Bird Painting Institute of CPPCC, deputy director of Zhejiang Youth Calligraphy Creation Committee and director of Zhejiang Women Calligraphers Association, has a fresh and refined feeling at first glance. Especially on the basis of ancient methods, she created her own method, and combined Fiona Fang with other methods to create a new method.
Generally speaking, Ou Kai's strict statutes, Fang Bi phenomenon and the flowing aesthetic feeling of Zhao Ti have combined to form a brand-new look. Once this kind of look was displayed, it won the "heart" of the public, especially with the rigidity of the monument. I believe that anyone who sees her regular script will feel amazing.
Her regular script is also exquisite in the polishing of stippling. The fineness of stippling can be described in general. Every stroke, every stroke has been carefully studied and elaborately crafted, and Tang Zhiyun is very strong, and the connection between stippling is also very close, arranged in place, taking care of each other and echoing before and after. Judging from these characteristics, her regular script skills are not only exquisite, but also very accurate.
The technique is very skillful, and it also reflects a deep understanding and comprehension. She is not only ingenious in regular script, but also very interesting in running script, showing a strong "two kings" style, calm, happy and hearty. I believe that anyone who sees such a running script will not think of a female calligrapher.