Leon feifen w incarnation
Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
2. The four-character idiom in calligraphy works is total annihilation, with a dragon snake in the pen and a swallow tail in the silkworm head, full of strength, iron-painted silver hook, fairy pearl, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique personality, bright and natural, natural and interesting, centered, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.
In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.
From Oracle Bone Inscriptions, Bronze inscriptions to Dazhuan, Xiaozhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art, and it is often referred to as soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm-headed swallowtail describes dignified calligraphy and light steps. Use abundant strength to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork and graceful dancing, which penetrates the back of paper. The brush strokes can almost penetrate the back of the paper. The incisive description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Tie Hua Yin Gou describes the softness of calligraphy. Fairy dewdrops describe the elegance and roundness of calligraphy. The vigorous description of calligraphy is vigorous and powerful.
3. What are the four-character idioms in calligraphy works, such as total annihilation, dragon snake in the pen, swallow tail of silkworm head, abundant tendons and strength, iron-painted silver hook, fairy pearl, quiet and far away, vivid charm, bold and unrestrained, straightforward and simple, unique personality, hearty and chic, natural and interesting, in the middle, tight, excellent and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style.
China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically shaped, and calligraphy always exuded the charm of ancient art.
Huifeng often refers to soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Abundant strength means that the font structure is solid and full, and the brushwork is strong.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Through the back of the paper, calligraphy is described as vigorous and powerful, and the strokes simply penetrate the back of the paper.
The incisive description of calligraphy is very powerful. Now, many metaphors are profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and mellow.
Powerful and vigorous to describe the strength and intensity of calligraphy.
4. The four-character idioms in regular script are thick and plump, rich and graceful, both rigid and flexible, wrapped in iron, powerful, vigorous and vigorous, magnificent, thunderous, Rowen Tiger Shock, vigorous and vigorous, vigorous and powerful, both rigid and flexible, smooth and smooth, full of bones and muscles, full of fun, strewn at random, and the beauty of the mean. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.
5. Four-word idioms about calligraphy are full of pen and ink: pen and ink are used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the past, there were comments about calligraphy.
The idiom "Huang Ting at the beginning is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance". Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
6. Four-word idioms describing calligraphy works Four-word idioms about calligraphy works: The sweeping army describes poetry and calligraphy. Majestically. A dragon snake describes calligraphy as vivid and magnificent. A swallowtail-shaped silkworm head describes calligraphy as a dignified pen with light strokes. Abundance and strength symbolize that the font structure is solid and full, and the brushwork is more than enough. Agile words are often used to describe the vigor and strength of calligraphy strokes. Or graceful dances run through the back of the paper, and calligraphy is vigorous and powerful, with one stroke and one painting almost running through the back of the paper. Calligraphy is characterized by its excellent brushwork. Now many metaphors are very profound. Iron-painted silver hooks describe the combination of rigidity and softness in calligraphy. Fairy dew pearls describe calligraphy as elegant and mellow. Calligraphy works are a relatively complete form of expression of calligraphy art and a way of entertainment.
The styles of calligraphy works mainly include nave, banners, horizontal stripes, couplets, plaques, long scrolls and fan faces.
7. How can there be a good four-character word to describe calligraphy? Calligraphy: full of pen power: pen and ink are used very freely and fully. It describes calligraphy and poetry. \x0d's pen is full of dragons and snakes. Describe the vigorous and free brushwork of calligraphy. It also writes for the conductor. \x0d first wrote Huang Ting: Huang Ting, a Taoist classic. Jin people have the idiom "just right" in Huang Ting Jing, which was later used to describe doing things just right. \x0d Spring insects and autumn snakes: It refers to the trajectory of spring insects and autumn snakes with poor calligraphy. \x0d: The sword is drawn and the bow is opened. It describes a tense situation and is explosive. Later, it also refers to the vigorous and magnificent calligraphy. \x0d, for example: give a general explanation. Later, it was called "Give an example to illustrate the style of a book". See "Examples". \x0d penetrates the back of the paper: The original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vivid, profound and powerful poetry. \x0d flies like a dragon and flies like a phoenix. At first, it was described as bold and magnificent. Now describe it as lively and powerful. X0d Flying Dragon and Snake: Describe the vigorous and vivid calligraphy style. Su Shi's poem "Xijiang Yuepingshan Hall" said: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." \x0d Luan Piao Feng Bo: Luan: a legendary phoenix-like bird. Originally, calligraphy was described as unrestrained. This also means that couples who are studying are separated. \x0d Luan Xiangfeng: \ X0d Penetration: Calligraphy used to be strong in description (according to legend, Wang Xizhi of Jin wrote on the board, and ink penetrated into the board), but now the analysis, description and discussion are more profound and powerful. \x0d iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.