Appreciation of Chu's Calligraphy Works
Pictures of Chu calligraphy works 1
Pictures of Chu calligraphy works 2
Picture 3 of Chu's calligraphy works
Figure 4 of Chu's calligraphy works
In calligraphy creation? Six difficulties?
First, it is difficult to use a pen.
Wang Xizhi said in On Books:? Every book can be called a book if it is ten late and five urgent, ten bent and five straight, ten hidden and five out, and fifteen volts. ? Here? In a hurry? 、? Straight man? 、? Hide? 、? The ups and downs are all changes in the process of using the pen.
? In a hurry? It means the change of pen speed rhythm;
? Straight man? It means the change of the trajectory of the pen;
? Hide? It's about the change of pens and pen collections;
? Fluctuation refers to the change of lifting pressure during writing.
The above are the main points of using a pen, and different writing methods can get different artistic effects. Usually? Late? Performance? Calm down? ,? Urgent? Performance? Rise? ; ? Qu? Performance? Colorful? ; ? Straight man? Performance? Stiff? ; ? Hide? Performance? Huncheng? ; ? Out? Performance? Is it cool? ; ? Up? Performance? Smart? ; ? v？ Performance? Is it steady? . However, these are not absolute, different situations and different treatments.
Here? Ten? 、? Five? We should regard it as a dialectical relationship, not an absolute quantitative standard, what's more? Ten nights and five emergencies? As a way to deal with every word, otherwise it will be self-defeating. Therefore, we should combine these opposing elements into a harmonious contradictory unity, so as to make its calligraphy lines rich and colorful. In short, learning to use a pen is equivalent to learning to walk. Only when you can master the brush skillfully can you write as you want and wherever you want.
(In the regular script of the Tang Dynasty, the European style brushwork is the most exquisite, the running script brushwork is Preface to Lanting, and Ou Yangxun's Hans Zhang Tie is also very rich. )
Second, the difficulty lies in the structure.
Wang Xizhi said (after Mrs. Wei's "Pen Chen Tu"): If it is straight and shaped like a symbol, the top and bottom are integrated, and the front and back are flush, it is not a book, but it has its own points. . Here, straightness, similarity, calculation, square and flatness are explained from different angles, and only the same and unchanging characters are not calligraphy.
What is calligraphy? Calligraphy is art, and art should be expressed everywhere in calligraphy.
Pay attention to contrast and change in form, and pay attention to spirit and charm in connotation. Therefore, contrast and change are the foundation of calligraphy, and charm is the soul of calligraphy. Cai Yong said in "Nine Potential":? There is a lower cover on the top and an upper cover on the bottom, which blends the situation. ?
Calligraphy requires strokes to be properly matched and affectionate. Lines determine quality, structure determines form, and verve determines spirit. Just like a chef pays attention to the quality of food first, and then makes it? Shape? 、? Color? Good dishes with artistic taste can attract diners' attention and increase their appetite. Eat? . ? Eat? It is the core content of the chef's cooking. We should make the dishes very delicious, sour, sweet, hemp, spicy, fresh and fragrant. What we want and what we have will be memorable, and we will never forget to enjoy it after eating it.
The same is true of calligraphy. Its shape is outside, its taste is inside, its shape is visible and its taste can be tasted. It's not difficult to look alike. It's not that easy to look like and taste. Good people can be said to have both form and spirit.
Third, the difficulty lies in the ink method.
Bao Qing Chen Shi's "Art Boat Double Series"? "under the book" cloud:? Calligraphy and painting are based on pen and ink, so ink painting is a key to calligraphy. In fact, the pen is heavy, but it is floating. ?
Ink plays an important role in calligraphy, and being good at using ink is the constant pursuit of calligraphers all their lives.
Known? Cherish ink like gold? Lin Sanzhi, a contemporary sage of grass, pays attention to pen and ink and changes endlessly. ? Splash ink like water? Wang Duo used ink boldly, happily and calmly, and put pen and ink? Thick, light, dry, wet and dry? The rich changes are vividly interpreted. Song Jiangkui's Continued Books and Music Score? Ink "is more detailed:? Writing a model will feel dry, but it should not be too dry. Dry grass, moisten beauty, and take risks with dryness. It is not known that thick ink leads to sluggish pen and dry ink leads to dry pen. ?
This shows that different fonts have different requirements for ink, and rational use of ink can add color to fonts.
In calligraphy? Shade? 、? Dry and wet? 、? Dry rhyme? All changes are natural processes. Blind increase, excessive will cause adverse reactions. If you use ink, it should not be too light. If it's light, it's gray, and gray will hurt you. Don't be too thick, thick is sluggish, and sluggish is not smooth (pen); Don't overdo it, do it, do it, and do it again; Don't be too wet, it will overflow when it is wet, and there will be no rhyme when it overflows; Don't be too dry, dry is burnt, and burnt is messy. Otherwise, you will lose your innocence. I understand that using ink is very simple, just like eating, eating? Digestion? Eat again? Digestion is dipping in ink? Writing? Dip in ink again? Write again.
Fourth, the difficulty lies in composition.
The preface to Lanting written by the right army is the first in ancient and modern times, and its words are all reflected, small or big, and whatever you like, all enter the law, so it is a strange product.
The ancients paid great attention to the composition of books. Jiang Ji's book continuation theory: long with rules, real with emptiness, real with spirit; Take the virtual as the real, and never stop. There are high and low densities between rows, which are bound to be covered with uneven traces. ?
Composition is the echo between stippling and stippling, the expression between words, and the contrast between lines. On the whole, the charm is accessible, the virtual and the real are born together, and the spirits are flying.
Also called composition? Cloth white? ,? Cloth white? Is it? Layout? The content of the whole work is white, such as word spacing, line spacing, line type, word size and style, and blank space between heaven and earth.
Fifth, the difficulty lies in artistic conception.
Artistic conception is that the calligrapher injects the emotion of calligraphy into the pen, expresses the meaning in his chest with the image of calligraphy, and allows readers to appreciate the rich connotation of calligraphy works, from which they can get insight, enlightenment and nourishment.
Artistic conception is the embodiment of culture, and its expression method is simply the coexistence of reality and falsehood, the foundation of reality and falsehood, and the sublimation of reality and falsehood.
In the aesthetic process of calligraphy, the emergence of artistic conception is a psychological phenomenon.
? Far-reaching artistic conception? It is to show the unique beauty of calligraphy art in the imaginary space, combine the natural realm with the artistic realm perfectly, and create a new artistic conception. If the face is open, it shows an open mind and tolerance. As a philosopher said, the ocean is wider than the land, the sky is wider than the ocean, and the human mind is wider than the sky. Generosity is a virtue, a grace and a kind and selfless state. Expressing this realm in calligraphy art is artistic conception.
There are various forms and methods of artistic conception, but artistic conception should be brilliant. If you want to shine, you must inject many beautiful elements, and often use contrast, exaggeration and surprise methods to attract people's attention, increase the impact of the perspective and improve the appeal of the work. Only works with brilliant artistic conception can make people memorable, excited, excited and emotional, and purify and sublimate their emotions.
In the expression of artistic conception, we should consider expressing emotions and pursuing? Love and scenery, meaning and image? Realm, the author's true feelings are revealed in his works, just like Sacrifice for My Nephew, which is the true expression of Yan Zhenqing's mood. In extreme grief and indignation, regardless of pen and ink, it naturally forms with the ups and downs of calligraphers' emotions, which is the natural expression of emotions and kung fu. It reached the peak of the perfect combination of technology and art, and set up a monument in the history of calligraphy.
Sixth, the difficulty lies in unification.
The skill of the pen determines the quality of the lines.
The length, thickness, spacing and spreading accuracy of strokes determine the shape of the structure. Whether the width, height, size, skewness, density contrast and change of the structure accurately determine the quality of composition.
Calligraphy is the art of expressing the author's feelings through Chinese characters, which unifies all factors such as strokes, structure, composition and artistic conception, as well as contrast and change, and then injects the author's technology, emotion, thought, realm and pursuit. It is a classic and good work.