"Like a flower is still like a non-flower", Su Shi's beginning is remarkable. This sentence is not only an ode to things, but also a feeling. Although Yang Shuhua is called a flower, it blooms in spring and dies with the spring, but it has no flower shape and fragrance, so it is difficult for people to treat it as a flower.
So Su Shi said it was a flower, not a flower. This writing point not only points out the characteristics of Huayang, but also is full of the poet's judgment on Huayang, which has a certain human touch. The last sentence "teaching without regret" is more human. Liu Xizai's "Outline of Art, Ci and Qu" said: "This sentence can be used as a whole word comment and cannot be separated."
"Falling" is a form of falling, but unlike the withering of flowers, no one has pity on how flowers fall, precisely because of its "non-flower". However, if we carefully taste it, we can vaguely feel the poet's lasting affection for Huayang's words. "Leaving home on the side of the road, but when I think of it, it is ruthless and thoughtful." The sentence after the previous sentence said that Huayang's fall was leaving home.
It is natural to say that leaving the branch is "leaving home", which gives Huayang a human touch and "heartless and thoughtful". Huayang's departure is ruthless, and its "roadside" shows its reluctance. As Du Fu's Bai Sixing said: "Gossip has love."
Then, with his rich imagination, Su Shi compared the wandering Huayang to a thoughtful, charming and painful woman. She was heartbroken because of her spring sleep, her eyes were open and closed, and she was more affectionate because of her obscurity. She went with the wind in her dream, looking for her lover, and when she was about to find it, she was suddenly awakened by the spring warbler outside the window.
Here, Su Shi found a soul for Huayang and became a beauty troubled by love. She had an annoying spring dream, looking for a husband all the way. Borrow Jin Changxu's "Spring Complaint" to "drive the oriole away, all the fun comes from the tree" here. When she dreamed that she was going to meet him in Liaoxi military camp, they woke her up. "The combination of flowers and people vividly showed Huayang's sadness and resentment.
"I don't hate this flower flying out, but I hate that the West Garden is difficult to achieve." The poet doesn't regret that all the flowers are gone, but the red flowers in the West Garden have withered and it is difficult to tie them together again. Su Shi's stroke turned the harm to Huayang into the harm to spring. On the other hand, "not hating" means "hating". Poets feel sad about the death of spring, while the withering of flowers means the death of spring.
The poet seems heartless, but in fact he cares about the fate of Huayang. "Xiao to rain, can have a trace? A pool of ping is broken. " The poet seems to have nothing to write, but Su Shi went one step further and wrote the ultimate fate of Huayang: where did you spend it after a morning rain? But it was broken and became a pool of duckweed.
The poet's fascination with Huayang is finally evident. When the poet saw the duckweed in the pool, his sorrow for the passing of spring deepened.
"Three points in spring, two points in dust and one point in water." Su Shi unexpectedly thought of three-point spring scenery, and attributed the lost spring to dust at two points and running water at one point. What a wonderful imagination! Su Shi is also quite complacent about this writing. There is a saying in Linjiang Fairy that "three points of spring scenery and one point of sorrow", and there is also a saying in Flowers in the Rain that "it is better to keep it, it is very spring, and return it next year".
For Huayang, this word is really two points of dust and one point of running water. It echoes Huayang's "roadside" and "one pool", which is well-founded and convincing. "In detail, it seems that it is not a little bit of Huayang, but a drop of tears." Writing here, the poet did the same thing and compared Huayang with others. Judging from the similarity of this metaphor, Huayang and Tears are very vivid.
Huayang fell and scattered all over the world. The tears of this homesick woman fell like the fallen Huayang. This situation is really touching. No wonder Zhang Yan commented on the word "the latter part is getting more and more strange" in Etymology.
Su Shi's poem "Shui Long Yin" is just like the opening sentence "Like a flower but not a flower". There are people who cherish and do not hesitate, who have feelings in ruthlessness, think without thinking, hate without hating.
In this way, there is space in the whole word, truth in the space, and truth and truth alternate, and every sentence comes down in one continuous line, which is really interesting. During this period, the lingering bitterness and spring resentment in the whole word are even more dizzying, and the ethereal Huayang falls in the reader's heart.
Extended data
"Water dragons are hidden, and the second rhyme is Zhang Fu Huayang Ci"
Song Dynasty: Su Shi
Much like a flower, it seems that it is not a flower, and no one falls to the ground. Throwing it on the side of the road seems heartless, but it is full of affection. It was she who was injured, euphemistically confused, trying to open her mouth but closing it tightly. Dream with the wind Wan Li, looking for lang, but also by warbler.
I don't hate this flower flying away. I hate the West Garden, which is difficult to compose. Where are the traces of falling flowers after the rain in the morning? Drift into the pool and become a pool of duckweed. If the spring scenery is divided into three parts, two of them become dust, and the other part disappears when it falls into the water. Fine, it seems that it is not easy, it is a crystal tear.
Huayang is like a flower, but it doesn't seem to be a flower, and no one pity it and let it wither. Leaving the branches, floating on the roadside, thinking carefully seems ruthless, but in fact it is full of affection. It is entangled in sadness, hurting its soft heart and sleepy eyes, just wanting to open and close.
Just as Sifu dreamed of going to Wan Li to find her husband's place, she was awakened by the cry of an oriole. I don't hate this kind of flower flying, but I complain and resent the West Garden, which is so red that it is difficult to regroup.
On a stormy morning, where can I find the trace of Huayang? A pool of duckweed was completely damaged by the rain. All love is divided into 30%, 20% turns to dust, 10% goes with the flow. Look carefully, it's not all flowers that separate people, it's all tears.
This word is a tribute to the willow tree, and Shang Kun mainly writes about Yang Shuhua's erratic fate and inseparable manner; Xiaque echoes uptown from afar, mainly writing about the destination of catkins, which is more emotional.
The whole poem not only describes the shape and spirit of Huayang, but also uses anthropomorphic artistic techniques to skillfully combine the chanting of things with the writing of people, and integrate the images and human feelings without trace, thus truly achieving the purpose of "borrowing things to contain temperament", with harmonious rhyme and lingering sentiment, which embodies the graceful side of Su Ci.
Baidu Encyclopedia-Shui Long Yin Ci Yun Yang Sushi