Jia Baoyu followed Grandmother Jia to Ningguo Mansion to enjoy plums, but he asked for a nap at noon, which was very unusual. With his personality, it is impossible to sleep in other people's homes casually. He has been to Ningguo Mansion countless times since he was so big, and he never slept when he was a child. Why did he sleep this time?
As we analyzed above, the real reason why Jia Baoyu slept in Qin Keqing's room was that he deliberately set a routine for Qin Keqing. Jia Baoyu's embarrassment after waking up shows his "eternal love" for Qin Keqing. Napping is intentional.
Anyway, Jia Baoyu intends to set the next game, and Qin Keqing passively accepts it. In order to get a job, she had to let her little uncle sleep in her room. I thought I was just a kid. Who can know the twists and turns in Jia Baoyu's heart? If Qin Keqing really knew what he was thinking, he wouldn't give up this room.
Jia Baoyu was called "corrupt", and Cao Xueqin's satire hit the nail on the head.
Jia Baoyu entered Qin Keqing's room and got what he wanted. What caught his attention was a dazzling array of furniture.
The Jia family was once the top family of the dynasty. Despite the decline of the family, Jia also said that they fell into a middle-class family. The weather in Rongning's second mansion has not been reduced because of the decline in family wealth. Especially Qin Keqing and Jia Rong's wedding room, the furnishings must be first-class. Even if Jia Baoyu is favored again, his room furnishings are not as good as his proud "Wedding Night".
So, the luxurious furnishings in Qin Keqing's room are real.
Qin Keqing Everything in this room is real, but it would be ridiculous to think that everything is priceless antiques. Even Cao Xueqin has to say: Dude, don't take it seriously!
Yes, everything in Qin Keqing's room is real daily necessities. But this has nothing to do with Tang Bohu, Wu Zetian, Yang Guifei and Zhao. This is just rhetoric. Things are good, but they are not treasures left by the ancients. Otherwise, the matchmaker is just a virtual character in the book. How can it be true?
Therefore, Zhi Yanzhai is sober. [Jia Xu's quotation: Set a metaphor to make fun of the ear. If it is true, it has been cheated by the author. ]
For example, don't believe it, or you will be cheated by the author!
So, are Wu Zetian and Yang Guifei really just rhetorical metaphors of Cao Xueqin? Of course not.
There is no spare time in A Dream of Red Mansions, and Cao Xueqin gives every rhetorical figure a special role. Zhi Yanzhai also found out, [Jia Xu's side approval: all the way to set up Bi Xingwen, not the crumbs of Stone, no other genus, I don't know. ]
Zhiyanzhai said that the rhetoric of "metaphor" is "outside of himself" and refers to something else. What the hell does this mean? "I don't know", or I won't tell you if I know. ...
This is too narrow! You said that if you knew, you would tell me, so as not to make readers guess. But he knows the inside story and shows off everywhere, but he "never says anything." Aren't you bored?
Fortunately, Zhi Yanzhai didn't say anything, and we weren't stupid enough to hold back. Guess is always good.
Since "Jun Jian Ya Kan Hong Lou" is a "publication", it dares to make bold assumptions. Cao Xueqin's detailed description of more than a dozen furnishings in Qin Keqing's room corresponds to the "Twelve Women in Jinling" Jia Baoyu saw in his dream! A person or thing mentioned in the room furnishings corresponds to one of the twelve women in Jinling.
Jia Baoyu is dreaming in a dreamland. Wherever Jia Baoyu dreams, there is a dreamland. Qin Keqing's room is a dream! How can there be furnishings that don't correspond to the twelve women in Jinling?
Before Jun Jian Ya Kan Hong Lou, there was a detailed article explaining the relationship between the furnishings in Qin Keqing's room and the twelve women in Jinling. Limited to space, I won't go into details. This article will sort out the main points to see if they are correct. Of course, you can feel wrong, but I don't accept refutation (laughs)!
First, Qin Keqing's room is a dream.
Second, the painter Tang Bohu compares Jia Xichun's fine paintings.
3. Begonia Sleeping in Spring originated from Su Shi's poem "I'm afraid of sleeping overnight". By the love between Yang Guifei and Tang, the "Begonia Flower Sign" was derived. Shi Xiangyun's "Drunk Peony" ended in a tragedy of talented people and beautiful women.
Fourth, Qin Taixu is Qin Keqing. The theme of love in A Dream of Red Mansions is: "If love lasts for a long time, it will be there sooner or later". Qin Keqing is a "fantasy of great love", which is love!
Five, the tender cold locks the dream because of the cold spring, and the aroma cage is wine. Couplets are "one painting", representing the unity of Chai and Dai. Chai Dai's judgments and songs are all together, so it is appropriate to use couplets as metaphors.
"tender cold locks dreams because of spring cold", and Xue Baochai is "ruthless and moving".
"People in the aroma cage smell the wine", and it goes without saying that Daiyu buried flowers!
Sixth, Wu Zetian's treasure mirror indicates that Wang Xifeng is "Wu Zetian" with a romantic treasure mirror!
Seven, Zhao's gold plate, and the corresponding Zhao Empress is Princess Jia Tanchun, the mother of a country. Swallows are trapped in vegetables, that is, Jia Tanchun is trapped on an island.
Eight, "An Shi's chaos to throw papaya hurts too real milk", write "the claw of Lushan Mountain", power struggle. Jia Yuanchun died of "a tiger meets a dream", just like Yang Guifei's "The Change of Ma Yi Tie" is repeated. Zhi Yanzhai's comment on writing "The Palace of Immortality" covers the death of Jia Yuanchun.
Nine, "Princess Shou Chang lies in Zhang Han Hall and stays" should be Princess Shouyang and Zhang Hantang. Princess Shouyang was a princess in the Liu and Song Dynasties in the Southern Dynasties, and the most famous one was "plum blossom makeup". Plum blossom is Li Wan's flower sign, "Zhuli Caotang Wish", which is just the opposite of the princess hall with chapters.
Ten, "Tongchang Princess Lianzhang", also known as Princess Wen Yi of Weiguo, is the favorite of parents, even less than Princess Taiping. Princess Tongchang is very popular, while Jia Yingchun is very unpopular among her parents. Inverse proportion allusion corresponding to Princess Yang of Li Wanshou.
XI。 "Gauze washed by Xizi" refers to Qiaojie. Qiaojie said that she was adopted by Granny Liu and became the companion of the peasant woman's spinning performance. Shi is a peasant girl.
Twelve, "The Pillow Held by the Matchmaker", the matchmaker is a virtual character in the West Chamber, and Miaoyu is also an outsider beyond the object.
The forty-first time, Miaoyu invited Baodai to drink silk tea, which was a preview of the marriage ending between Jin and Baodai.
Miaoyu gave Jia Baoyu his own green jade bucket, but Jia Baoyu chose a flat bamboo root carving tea set.
Emerald represents Lin Daiyu, and Pan Qiu uses Xue Pan as a metaphor for Xue Baochai, implying the reality of marrying with dead firewood.
Miaoyu's sapphire fight is the last time to match Baodai's marriage and be a matchmaker. Unfortunately, Jia Baoyu didn't dare to accept it, so he missed the opportunity. On the other hand, tea set, the root carving of Qiu Pan, contributed to a beautiful marriage.
Qin Keqing's room is a realistic version of the dreamland, with 12 people, things and things symbolizing the twelve women in Jinling. They are: first, Tang Bohu; Second, the spring sleep map of Haitang; Third, Qin Taixu; Four or five: couplets; Sixth, the mirror of Wu Zetian; Seven, Zhao Jinpan; Eight, "the claw of Lushan Mountain" papaya; Nine, Shou (Yang) Chang Princess couch; Ten, Tongchang Princess Zhang; Xi。 Gauze for calligraphy; Twelve, the matchmaker's pillow.
Cao Xueqin reveals the character and fate of the twelve women in Jinling one by one through historical allusions. In addition, it helps Jia Baoyu to see the verdict of twelve women in Jinling in his dream, and the tune of "A Dream of Red Mansions" is highlighted on the paper.
Of course, the interpretation of the judgments and songs of Twelve Women in Jinling is not the end of this series of articles, and it is also doomed to be skipped. In the future, we should have references when interpreting their respective roles, otherwise it will be too chaotic.
But Jia Baoyu's dreamland will connect the fairy tales he didn't tell for the first time. It is worth talking about, which will be the content of the next chapter. It is hereby announced.
If you want to know what will happen, please see the next chapter! Welcome to click on the attention, like to collect, a series of articles every day, will continue to update!
Wen | Jun Jian Ya Guan Hong Lou