Zhi calligraphy famous figure

Since ancient times, all kinds of calligraphy styles have been different, only the brushwork has remained unchanged for thousands of years, so calligraphers of all ages have studied brushwork intensively. Since the beginning of calligraphy, Qin Lisi's On the Use of Pen is the earliest one written by brushwork. It's just that a few words have no essence and have been broken into fakes. To Mrs. Jin Wei's Map of Bizhen, Wang Xizhi's Theory of Gesture, Zhiyong's Eight Methods of Yongzi, Emperor Taizong's Calligraphy Tactics, Ou Yangxun's Eight Methods, Yan Zhenqing's Zhang Changshi Calligraphy and Hanlin's Secret Theory? Using brushwork, Zhang Huaiguan used brushwork, and Hanlin taught invisibility until the Song, Yuan, Ming and Qing Dynasties. There are similar works, so I won't elaborate on them one by one. True and false mixed, mysterious theory scared many beginners of calligraphy! In fact, the most wonderful exposition with pen is generally recognized as Cai Yong's "Nine Potentials" during the Three Kingdoms period. The book says: hiding, protecting, pecking, licking, grabbing, fighting, climbing and strangling, all nine strokes. The use of seal script, official script, truth, line and grass can all be connected.

Xu Qian, a famous calligrapher from the Qing Dynasty to the Republic of China, said in his book "The Origin of Calligraphy" that these nine kinds of calligraphy are not enough. Its so-called "scale pen" refers to the concave-convex feeling of the shape, which cannot be said to be a brushwork. Scaling doesn't count, * * * gets eight potentials, so Xu Qian raised the eleventh potential, and * * * counts as the nineteenth potential. What we are talking about is: hiding the head, protecting the tail, winning, coming out, turning the pen, folding the pen, reciprocating, pecking the pen, licking the pen, sweeping the pen, pulling the pen, fighting the pen, fluctuating, swinging the pen, grabbing the pen, changing the pen, rolling the pen and reversing the pen. This is a complete brushwork in ancient and modern times. Sharing the Theory of Ancient Books | Day 20 | What is the brushwork? Early winter1October 1 1 day

one

There are two kinds of learners: one is brushwork and the other is glyph. Exquisite brushwork, although good and evil; The shape is wonderful, although it is still cooked. Learning books can solve this problem, and then you can learn English books

(Yuan) Zhao Mengfu's Song Xuezhai Collection

two

Calligraphy is based on the use of a pen, and it also requires labor to write words. It is not easy to use a pen through the ages. The character of the right army changed from ancient times to modern times, and its heroic spirit originated from nature, so it is considered as a model from ancient times to the present. The tie between Qi and Liang Dynasties is not ancient, but a lack of military spirit. He is a unique person, but the ancient law cannot be lost.

(Yuan) Thirteen Prefaces to Lanting Collection by Zhao Mengfu.

three

Fifty-six-character brushwork: "Push the left and reverse the beam; Suspend the side wrist, keep a job and wait for maturity; Draw a front in the air, first fast and then astringent; Change pens in different places and extract without trace; More acceptance and release, realize that this is one; Fighting snakes with swords, the front and the road force each other; Cone sand is a metaphor, and the ancient law comes out today. "

(Ming) Ni Houzhan's "Ni Zawen"

The picture shows the mystery of calligrapher's calligraphy skills.