Try to look at the works of some famous calligraphers. Not only are the same characters in various forms, but the same strokes, radicals and monomers are by no means the same. How did they achieve such a perfect artistic effect? First, through strokes, there are hidden and exposed, and the weight is different; Second, through the pen gesture, it has the change of straightness and pitch; Third, through the combination of strokes, it has different interests of density and width. In short, when writing, the whole shape is connected, weighted, combined and piled up, or even "several paintings are applied at the same time, with different shapes;" All the points are in the same strain, which is beneficial to achieve perfect artistic effect.
1. company
(1) Lianheng
In a word, multiple strokes with the same name. If a word has two or three horizontal lines, there should be some changes in length and thickness.
(2) Uniform and vertical
How vertical a word is, it should generally be short on the left and long on the right, or left and right. When writing, there should be a difference between a blunt pen and a pen.
(3) Even skimming
If a word has two words, it is generally short and long; If a word has two strokes left and right, it is usually straight left and curved right.
(4) continuous pressing
If a word has two strokes, the two strokes must be different, either up or down.
heavy
The same shape up and down is called weight. There should be changes from top to bottom, generally, the upper part is small and the lower part is big, and the upper part is gathered and scattered.
merge
Left and right isomorphism is called union. There should be a difference between the left and right parts, which are generally small on the left and large on the right, short on the left and long on the right.
accumulation
Three-body isomorphism is called heap. All three parts should be changed and distinguished. Generally speaking, there are differences in pitch and size in Fiona Fang.