■ Contemporary calligrapher Liu Hongwei. A native of Jinxiang County, Shandong Province. Cursive script sealed, five-body repair. I created my own version of official script, and wrote Buddhist scriptures in "Little Official Script" for 20 years. He wrote more than 100 Diamond Sutra and more than 500 Heart Sutra. Many of his calligraphy works are regarded as Buddhist treasures, and after being blessed by famous artists, they are collected in famous Buddhist temples all over the country, including more than 30 famous temples such as Yonghe Palace in Beijing, Hangyin Temple, Huguo Temple in Jinan and Huangzong Temple in Chengdu. His works have been exhibited in the National People's Congress, China People's Political Consultative Conference, Rong Baozhai and Beijing calligraphy and painting shops for many times, with far-reaching influence. At the same time, it has also attracted the attention and collection of foreign sinologists such as Japan, South Korea, Hong Kong and Singapore.
The world of calligraphy is like the world of life, the world of time and the world of years, just like this continuous ink, gathering and dispersing.
At that time, the military library was my favorite place to go. Because there is a man living here. Loud voice. With the enthusiasm of Shandong men, honest and frank, frank and enthusiastic. Love to be lively and make friends.
What I admire most is his concentration. Wind-like personality, but has a very quiet side, concentrate on writing calligraphy inscriptions for more than six hours every day.
He practiced cursive script, official script and seal script in five ways. And I like his official script best. Quaint, restrained and peaceful. There is a quiet and elegant sense of order.
This man, Liu Hongwei. Contemporary famous calligrapher. Zheng Yanxing, a famous director of CCTV, called him "a wonderful work of calligraphy".
28 years ago, we were soldiers in the army. Joined the army in the same year and transferred to the organ in the same year. I am in the reporting group and Hongwei is in the film group. I write news and specialize in calligraphy. They were inseparable. Mirror each other.
In the dead of night, they often have a shallow drink and push a cup for a change, which is a bit drunk. They are talking about literature and calligraphy. When the wine reached a certain temperature, I watched each other get drunk. I smiled silently. Do you and I have a feeling of looking in the mirror? It's me outside the mirror and you in the mirror.
Magnificent a stay, then clap your hands and laugh, well said! Paused, and said no, not like, obviously is the feeling of bosom friend.
I smiled and said that a confidant was looking in the mirror. A reference. A contrast. A * * * sound. The mind is connected with the nature, and the three views are approaching. Besides, look at you, look at me, sleepy, what do you care?
Now, after years of hard work, forging and baptism, Hong Wei has become a powerful contemporary calligrapher. Look in the mirror and stop talking nonsense. However, when we talked about literature and calligraphy again, it seemed that we were back in the barracks.
What Hongwei talks about most is the traditional classics and the spirit of Confucianism, Buddhism and Taoism. After more than 20 years, his talk and his calligraphy once again brought me great surprise and shock.
Hongwei is famous for writing Buddhist scriptures. Many of his calligraphy works are regarded as treasures in Buddhist scriptures. After being blessed by famous teachers, it is collected in famous Buddhist sites all over the country, including more than 30 famous temples such as Yonghe Palace in Beijing, Hidden Temple in Hangzhou, Huguo Temple in Jinan and Huangzong Temple in Chengdu.
I think great success still comes from inner penance. There is a supreme and solemn respect for this book and Buddhist scriptures. He pretended to be a Buddhist, and tried to meditate and practice penance. In the practice of calligraphy, his emotions, hard work and epiphany were injected.
Write your favorite Buddhist scriptures in your own calligraphy. Hongwei created a variant of official script, calling itself "Little Official Script", which was dedicated to writing Buddhist scriptures.
He studied hard for 20 years before he found this font. It is close to the Han steles such as Cao Quan, Zhang Qian, Shimen, Yi Ying and Li Qi, and it is close to the bamboo slips and silk books in Qin and Han Dynasties. It draws lessons from the style of writing classics in past dynasties, adopts the brushwork of bamboo and silk in Qin and Han dynasties, and integrates contemporary aesthetics. Finally, it was fixed on the font of "Little Pear Tree".
He believes that learning from the past is not only formal, but also intentional. It's no use being invisible. Only when modern people put on the shoes of the ancients, get as close as possible to the life of the ancients and the original state of life, and approach and restore the ancients infinitely with brush strokes, can they appreciate the rich details and life consciousness contained in them. Only in this way can we awaken a deep sense of art. Lack of innovation means insufficient reference and posting efforts. Only on the basis of maintaining the traditional classics, can we find the pure id in our hearts, introduce the aura of heaven and earth, and integrate into the concept of the times, and then we can thoroughly remould ourselves and form our own style.
It is said that at present, he has written more than 100 Diamond Sutra, and more than 500 Heart Sutra are on the market. His works have been exhibited in the National People's Congress, China People's Political Consultative Conference, Rong Baozhai and Beijing calligraphy and painting shops for many times, with far-reaching influence. At the same time, it has also attracted the attention and collection of foreign sinologists such as Japan, South Korea, Hong Kong and Singapore.
Anyone who has been a soldier knows that life in a military camp is short, but he will follow you all his life. I think the magnificent military career has also injected military characteristics and charm into his calligraphy. His success, thanks to pure calligraphy, is also an extension of his years of efforts. I don't know calligraphy, but I would like to read the magnificent calligraphy from the perspective of an ordinary viewer, the public outside the book circle and the intimate interpretation between comrades. In short, it is my superficial feeling. I thought a rich grandeur would write so many words. Grand success is not accidental, and greater grand success can be expected.