Papers related to printmaking appreciation 1000 words.

Seal cutting has a long history of appreciation of China culture. The most traditional China paintings and calligraphy are famous for their "four wonders" of poetry, calligraphy, painting and seal. Among them, the seal, that is, the seal, can be called a lingcao in China's art forest, with changeable weather. After being passed down through the ages and inherited and developed by literati, seal cutting has been formed, which is deeply loved by the broad masses of the people because of its unique practical and artistic value. The "seal" we are talking about here is not a tool with practical technical concepts, such as a personal seal or an official seal used by a company, but a seal cutting symbol based on poems, books, paintings and seals, which has spiritual appreciation. It is a form of people's perception of artistic beauty, so seal cutting works are loved by the world as an art. With the enrichment and diversification of people's material life, people have higher requirements for spiritual life. How to understand and appreciate seal cutting works and appreciate the inner spiritual beauty of seal cutting works, I think we can start with the following points: 1. To make a simple explanation, tracing back to the source, began in the Shang Dynasty, flourished in the Qin and Han Dynasties, and flourished in the Ming and Qing Dynasties. In short, the appreciation of seal cutting is based on the style of the times before the Song and Yuan Dynasties and the theoretical achievements of schools after the Ming and Qing Dynasties, with personal style as the mainstay. As the premise of seal cutting appreciation, we should follow the principle of "simplifying the complex and tracing back to the source". The seal cutting we appreciate is a scarlet mark on the surface and visually. However, it is rich in connotation and deep in origin, which embodies China's calligraphy, printing theory, special materials and many other contents, and is led by special people with high traditional artistic literacy and printing literacy, making this form a pure aesthetic behavior. Through the surface of the seal, it reflects the profound aesthetic spirit and emotion of China artists and radiates the artistic soul of China. The so-called simple explanation means that we should first identify the ancient Chinese characters in China, especially the font and structure of seal script, and observe the patterns of pottery, bronzes, inscriptions, Qin bricks, Han tiles, seal script bamboo slips, inscriptions and ancient seals as knowledge accumulation to improve our appreciation ability and cultivate our interest in art appreciation. Because the seal first appeared not because it was cute and fun, but because it was useful. Its function is practical, from the documents exchanged by Yin merchants to the symbol of Qin and Han regimes. During the Tang and Song Dynasties, the collection style rose, so there appeared signature seals and Zhai Ge seals, which seemed to be in the aesthetic field. During the development of seals in Ming and Qing Dynasties, the shape of seals became more and more perfect, but there was still a division of labor between seal cutting. The emergence of Wen Peng in Ming Dynasty played a leading role in replacing craftsmen with artists. From the beginning of seal cutting, he skipped the dragon gate of artistic creation, leisurely immersed in poems, books and paintings, and completed the direct creation from seal cutting to seal cutting in one go. In essence, it has realized the value transformation from practicality to enjoyment. Since then, seal cutting, as a pure art, has participated in the aesthetic history of our country. It can be said that the history of seals began in the Shang Dynasty. The history of Indian studies began with Wen Peng in Ming Dynasty. After Wen Peng, a new independent discipline called "seal cutting" appeared in China's art field, and many seal carvers worked hard to make this ancient tree full of spring. Since seal cutting has entered the art field, its artistic value must be appreciated, that is, "cute enough to play". A good seal must be "playable" And "playable" things should not only be beautiful, but also have a "taste". Painting seeks "vividness", while printing puts "spirit" and "rhyme" into "taste". Specifically, in the process of seal cutting and seal engraving, we appreciate a seal, and we don't care whether it is a loose seal or an official seal, an auspicious seal or a Tibetan seal. The key lies in these elements: printing, composition and knife work, because this shows the author's talent and accomplishment. To sum up, we know that the appreciation of seal cutting should start from the source, that is, from the understanding and understanding of Chinese and Indian. Generally speaking, from the Han Dynasty of Liu Bang to the Wei, Jin, Southern and Northern Dynasties, the styles and fonts of seals handed down have not changed much, and according to the habits of modern Indians, they are also regarded as "China seals" in form. The artistic styles and characteristics of Chinese and Indian are as follows: 1. India's borders have been gradually abolished; 2. The seal is a Miao seal, full, square and changeable. According to the different shapes of printed characters, the printed characters with different sizes, lengths and squares on the printing surface are appropriately adjusted through different processing designs such as extension, return, increase and decrease, removal, insertion and deformation of strokes. 3. In one seal, seal cutting is the main part of the composition, which makes China seal fat but not swollen, thin but not withered. Show a composition with strict layout, well-balanced cloth and white, balance between reality and reality, and great momentum. By mastering the above characteristics of Han and India, the appreciation level has been improved, and finally it can be summarized as a trilogy of appreciation, namely calligraphy, knife cutting and composition. Generally speaking, composition is the key to appreciate seal cutting works, calligraphy is the foundation, and knife cutting is the skill. Excellent seal cutting works, first of all, give people the visual impression that the composition is distributed in Bai Zhu, and the text structure is connected with the whole seal. It can reflect the author's aesthetic and creative ability. It can be said that "between square inches, there are thousands of weather." The artistic accomplishment and understanding of seal engravers are vividly on the paper. This kind of works, whose composition, calligraphy and knife cutting all contain high internal quality, traditional and unique style and intriguing form, have inexhaustible vitality. Second, extraordinary, return to the original in the history of artistic development, countless facts show that the wise men's perception of beauty is similar. After basically mastering the appreciation ability of seal cutting works, how to deeply understand the techniques and connotations of seal cutting works is before us. As "poetry, calligraphy, painting and seal" are called the four wonders of China's art, the appreciation of seal should be expanded to improve the theoretical level, that is, we should not only discuss the techniques and laws from the surface form of seal, but also learn from other art appreciation methods, such as observing calligraphy, painting, sculpture, music and literature, and reading "seal cutting" and "Chinese and Indian characters". The so-called difference is to pay attention to the emotional space of the work when appreciating the seal; Is it vigorous, magnificent or scattered, sad, tense, dignified or relaxed and free. You can see that the work changes from slow to fast, from the outside to the inside, suddenly, the activity point and the static surface fluctuate, and finally return to the original emotion. Walter pater once said that "all arts are constantly striving for the realm of music". When the time form jumps from far to near, it shows a regular rhythm; The spatial form develops from the combination of roughness and elegance, uneasiness and tranquility to the rhythm of symmetry and echo, and our feeling of beauty naturally shifts from the feeling of music to the feeling of decorative interest. It not only stimulates the desire of vision, but also stimulates the desire of brain thinking, thus triggering and guiding readers' artistic imagination. This kind of works has reached a new realm of "taking the essence and using the macro, seeking printing outside the printing", and completed the creative process of "high-interest antique people, new ideas become one". This final result is the process of seal cutting returning to nature through difficult style transformation after calm thinking. To sum up, the appreciation of seal cutting has involved the essence of seal art. Taking China seal as an example, this paper analyzes some basic characteristics of China seal art, making people realize why seal cutting has profound and simple beauty and completing the aesthetic process of seal. In a word, seal cutting, as a special art, has attracted more and more attention from the world and has been appreciated by many fans at home and abroad. In order to facilitate understanding and appreciation, seal cutting is summarized as follows for discussion. Write and print carefully, and the structure is tight. Sparse horse racing, close needle. There is a garden in the square, and the knife is transported accurately. The needle is hidden in cotton, soft on the outside and rigid on the inside. Fat is not bloated, thin and muscular. Ning Zhuo is rich and mellow. Play with the knife hard to get rid of the rain. Without modification, it is naturally naive. The small seal is divine, and the huge seal is vigorous. Inherit tradition and innovate.