Wang, the word Zi Ren, is the director of Ren Zhai. Employed as the director of the Secretariat of China Cultural Institute; Now he is a member of China Calligraphy Research Institute and the World Federation of Chinese Artists. He is also a director and researcher of the China Calligraphy and Painting Federation, a director and researcher of the Poetry and Wine Painting and Calligraphy Institute of the Ministry of People's and Culture of China, and a member of the Art Committee of the World Overseas Chinese Association.
Ren Hejun's calligraphy and poetry are the same as others. He is simple and sincere, humble and kind, knowledgeable and knowledgeable. He is a teacher who knows how to make progress when he is sleepy, is considerate of others and has a pure heart. Yan Renguo is worried about heaven and earth, and is good at understanding the difficulties of poetry and calligraphy. The ancients said, "Man knows his destiny in middle age." He didn't dare to slack off, wasting time, knowing that there is no end to scholars, and that there is no end to learning in Xiu Yuan with the wind.
Renhe Yujun's young family inherited the teacher's teachings and loved poetry books. From copying the posts of Yan, Liu, Ou and Zhao to Wei and Jin Dynasties, it followed the methods of Tang, Song and Ming Dynasties. I studied at home in my childhood and was influenced by Mr. Zhen Shige, Chairman of China Calligraphy Art Research Association in my middle age. In recent years, he studied under Mr. Song Binquan, an expert in Chinese character evaluation in China and deputy secretary-general of China Bangshu Research Association. He insists on reading and reading articles every day, persevering, concentrating on asking questions, being modest and hardworking, which is deeply touching. Renhe Junhua is in good health, and often keeps writing until dawn to prove that he has forgotten his body. He is hungry and has no food. When he is tired, his dream is hard to come true. I sent my humble abode, lit lamps with ancient books, met the ink god and worked tirelessly in the middle of the night; The author was also moved by the cleverness and cleverness of this pen. Ren Hejun is not a leisurely generation. "A gentleman is a good man and constantly strives for self-improvement." Practice has proved that "there is no other way to learn, if you want to practice", which also reflects what philosophers say "if you are poor in reading, you only have to climb".
Renhe Junkai entered, went to Europe and Zhao, and learned about the 20 products of Longmen, which is a treasure. The key of calligraphy is based on practicing calligraphy, and writing regular script well is the central link to contact famous artists and eight masters in past dynasties. Ren Hejun took running script and cursive script as the main direction, Wang Xizhi's holy teaching order as the standard, and learned the brushwork of authentic, cursive script, official script and seal script, gradually stepped out of his own calligraphy characteristics, and integrated the cultivation of literature, history, philosophy and beauty into the brushwork, striving for new ideas. His teacher praised Ren Hejun for studying hard for decades, working tirelessly in the pool, having a deep literary foundation, loving to write lyrics, expressing his ambition with poetry and having extraordinary ideas.
Ren Hejun's pen and ink are the same, and cursive fonts are various, striving for the cultivation of philology and giving consideration to the overall aesthetic feeling of poetry and calligraphy. Skilled in skills such as leveling, bending, walking, walking, connecting, breaking, pressing, stopping, turning, twisting, releasing and stopping; His brushwork pursues fairness, adventure, vigor, vigor, dryness, smoothness, simplicity, elegance, elegance, naturalness and elegance. It is fast, scattered, light, heavy, dense, scattered, thick, light, dry, wet, square, round, long, short and equal. In the rules and regulations, and it has an aesthetic style that looks like everything in the universe and is introverted in form and spirit.
I used to be a calligrapher of Ren and Jun, but now I like the works of dragons, gods, buddhas, Zen, longevity, music and poems. The more I feel that Renhe Jun is a person who knows how to repay kindness. He respects the virtue of his ancestors, prays for the harmony of brothers and sisters, respects tradition, respects benevolence, attaches importance to inheritance, likes poetry, criticizes the history of philosophy, loves aesthetics and strives for innovation. Forty-five years have passed in the Spring and Autumn Period. The bottom of the inkstone is getting thinner and thinner, and there are countless bald pens. New Style of Calligraphy, Thinking and Art Qi Fei. Appreciating his poetry and calligraphy art is magnanimous, "Heaven and earth are prosperous, the country is prosperous and the people are safe", "Looking up at the vastness of the universe and overlooking the prosperity of the categories", taking the magnificence of the universe as the object, taking the expression of heaven and earth as the image, and the book image breaks through the lead, vowing to match heaven and earth with the beauty of bone and blood. Calligraphy and painting are of the same origin, and the style of calligraphy is more beautiful than the profound meaning of Chinese painting. It's not ostentatious or hasty. Cang Shi in ancient times, and Jiuzhou in Dading. The pen is subtle and penetrating, the tablet is quite simple, and it shows the charm of Longmen, Shigu and defending the north and south. The charm of an old buddy like me is astringent and spicy. Yesterday, Ren Hejun wrote a huge "Taishan Fu" for my book, which has a profound ancient meaning. It was a nine-meter-long, six-inch scroll connected at one breath. The brushwork is like a sword splitting bluestone peaks and rocks, melting turbid water and vitality, killing the universe, and the ink sea is realistic and colorful, such as eagles hitting the sky, dragons and tigers soaring, and smoke clouds reaching the sky; Like lightning and thunder, it flies and changes, and you are at home in Jiupin Lotus; The image of this book makes me look at the lotus pond in Wan Li in the sky, which often produces incredible happiness. It often reveals that Confucianism, Taoism and Buddhism are deeply rooted and rigorous, and tend to be inaction. The big ones have no self, and the small ones are selfless, subtle and endless, but they know that there is no ethereal spirit of Tai Chi. This book is like a combination of benevolence, literature, art and meaning. It is impressive, pleasing to the eye and readable, and it is the work of Xi. It is true that this is a natural world with misty mountains in the north and Guanyin tide in Qiantang in the south. This is probably the true meaning of calligraphy, calligraphy, calligraphy and calligraphy. Calligraphy and painting treasures are elegant and wonderful regardless of the price!
Thanks to the love, appreciation, elegance and correction of friends from all walks of life, more than 300 Tibetan poems and 1000 calligraphy works inscribed by Ren Hejun have been collected by politicians, entrepreneurs and celebrities from overseas countries such as Japan, Korea, the United States, Italy and New Zealand. His works have won many awards in domestic and international competitions, and won the gold medal in Bai Juyi's poetry and painting contest in 2006; In 2008, the 8-foot-tall "Long Ying Olympics" participated in the world tour and was included in the Olympic collection; In 2009, the work of Ode to Monument won a special gold medal; Some of his works have been included in the collection of works by famous contemporary painters and calligraphers in China.
Commenting on Ren Hejun's calligraphy skills and poems, I think the essence of calligraphy lies in the natural integration of writing and connotative beauty. Reference and innovation are highly unified. Knowledge, skills, art, truth, goodness and beauty are the instinct of human beings to pursue progress. Different periods reflected different cultures, appeared different styles, and appeared masters of painting and calligraphy who represented the essence of China culture. 2 1 century is an era of great rejuvenation of the Chinese nation and great influence on the world. On the basis of 5,000 years, China culture has accelerated the civilization, development and progress of the world. Renhejun studied poetry books all his life, and made a vow of "Never die without careful carving", which has become a sincere creed. People understand epiphany, literature, books and feelings. The true meaning lies in seeking up and down, saying what you say will be done, grinding the iron pestle into a needle and achieving a career. Spring is coming, and the scenery here is unique; Spring branches, spring sleep early, mountains and rivers are infinitely good. Splendid rivers and mountains, with peaks and turns, are 100 feet high, and the heart is as clear as water, and the sun and the moon fly like a shuttle. In the end, you will get since the enlightenment, know yourself, overcome yourself, knock yourself down, liberate yourself, climb high and look far, relax and think about the world, and improve your self-nature. The highest state is to realize yourself.
Ren Hejun is rigorous in his behavior, and he is good at calligraphy and poetry. People, books and poems, such as Zhu Lan, are also like Mei Ju. When people are often drunk, people who have wine are not drunk, and drunk people don't need wine. What is interesting about people is that faces are ever-changing, faces are written, and humanities are like people's hearts. Face, writing, not surprised, not flattering, not vulgar, not slave, not easy, not strange, not wooden, not stupid, not willow, not ink pig, not dead; The book is original, childlike, natural-minded, unconstrained, lonely, unpretentious and unintentional. I dreamed of Wu Daozi's ingenious pen all night to help the world. His person, elegant calligraphy, full of books; His calligraphy and poetry are full of vitality, which makes his artistic mind careless. From this point of view, his cultivation leads to a deep state of mind, which can be described as "the heights are too cold." People know wisdom through prajnaparamita, their hearts are in the pen, and their hearts are in the pen for ages. The center carries it, and there are secrets in it. It's like a dragon and a tiger. It's wonderful to make up. I hope that Renhe Jun's pen will be clear and bright, and always with a pure heart, repay the kindness of the party, the country, the people, parents, relatives and friends. In the era of the great rejuvenation of the Chinese nation, he will be a descendant of the dragon, shoulder the mission, perform his duties, learn calligraphy from beginning to end, and Bo Gu innovates, so that the hermit of calligraphy can insert very invisible wings and the cultural treasures of calligraphy can shine with the glory of the times.
Zhang wrote in the west courtyard of Hongci Guangji Temple in the west of Yanjing City.
Between Daewoo Hall and Guofengxuan
Midnight on July 8, 2009/kloc-0.
-Wang He and His Calligraphy Art
Autumn 2005 is the 90th anniversary of the founding of Chinese Department of Nanjing University. In order to express their nostalgia and gratitude for the Chinese Department of their alma mater, the students in Grade 5 and Grade 9 specially presented a calligraphy work to the Chinese Department, which read: "Celebrate your birthday in Nine Wraps, Carry Forward the Past". The brushwork is vigorous and free, and the charm is magnificent. This book was invested by Wang Yu 1977 1 month. Wang himself also presented a long scroll, namely Su Dongpo's "Water Tune Song Tou" when he was drinking in the Mid-Autumn Festival. During the centenary celebration of Nantah in 2002, Wang wrote a big "Shou" for Nantah, and another couplet was presented to the Chinese Department of Nantah, which read: Pan Xi Yunxiu, expressing students' gratitude to his alma mater. I believe I have seen Wang's calligraphy.
At present, Wang is not a famous calligrapher, but his superb artistic accomplishment and profound attainments are becoming a new star in China calligraphy. In the spring of 2005, when Wang was mounting works in Panjiayuan, he was discovered by Mr. Wang, a member of the Artists Department of China Talent Research Institute of the Ministry of Personnel, and was immediately recommended as a member of the Art Committee of China Calligraphy Research Institute. Later, he was recommended as the director of China Painting and Calligraphy Art Committee.
At the beginning of 2006, at the calligraphy and painting exhibition held in Beijing to welcome the 2008 Beijing Olympic Games, he created a six-foot giant calligraphy with the word "dragon" and wrote a poem:
Centennial Olympics, century meets Beijing;
Lithographic dragon rhyme, science and technology green humanities;
Participate in the competition, contribute, and hope that the dream will come true;
Enjoy happiness and joy, and peace and friendship will last forever.
His works were immediately appreciated by Mr. Guo Enchi, Chairman of China Calligraphy and Painting Art Committee, and received by Mr. He, member of the International Olympic Committee and honorary chairman of the Chinese Olympic Committee. His works have been handed over from Mr. Guo Enchi to Mr. He, and recommended to be exhibited around the world in the large-scale theme activity "From the Great Wall to the Olympics" jointly sponsored by IOC President Rogge, Honorary President Samaranch and IOC Education and Culture Committee Chairman He.
As the saying goes, plum blossoms are fragrant without frost. Wang's calligraphy works have been recognized and appreciated by many calligraphy experts today. Besides his talent in this field, more importantly, he has been obsessed with calligraphy for decades and devoted his sweat and efforts to the vast space of calligraphy art. As early as the Cultural Revolution, Wang, a middle school student, did not join any organization, but because of his good handwriting, all factions and organizations invited him to copy posters, which became an excellent opportunity for him to practice calligraphy. After a few years, the posters he copied became an excellent opportunity for him to practice calligraphy. In a few years, he copied hundreds of thousands of words, and his calligraphy level improved accordingly.
During the period of 1968 when young intellectuals went to the countryside, Wang became an excavating worker in Jingxi Coal Mine. After work, he practiced calligraphy with the back of the old calendar in the dark corridor until 1973, when he was recommended to the Chinese Department of NTU for further study.
During his stay in the Chinese Department of Nantah, Wang was fascinated by the ocean of literature, especially China's classical poems. As we all know, in China, poetry, calligraphy and painting are different art forms, but they have a unique kinship with the traditional culture of China, especially the art of calligraphy, which has never been separated from poetry. Just as a philosopher once said to Wang, "A writer does not need to know calligraphy, and a calligrapher must have a profound literary foundation". This may be fate. It is the solid literary foundation of the heroes of the Chinese Department of Nantah that makes Wang's calligraphy works rich in literary elements in later generations.
1977, after graduating from the Chinese Department, Wang returned to work in Beijing Mining Bureau according to the distribution policy of "going to the community" at that time. Every time a notice is issued in the mine, the task of writing a report becomes his "patent". In addition, he insisted on practicing opening posts every day.
If before this, Wang's calligraphy was only out of his own interests and hobbies, then in the year of 1988, the situation took a major turn for the better. He was transferred to Beijing Coal Corporation and worked as a section chief and director in the office. It happened that the general manager and party secretary of the company was Mr. Xi Shige, the chairman of China Calligraphy Art Research Institute and a famous calligrapher. Under the direct guidance of Lao, Wang began a systematic and formal calligraphy practice. Whenever he comes across the works of ancient and modern famous artists, no matter monuments, paintings, books and posts, he reads them in his mind, ponders them over and over again, and follows the old saying "think quietly, predict the font, practice before writing". He practiced three times in summer and three times in winter, persevering and persevering. A few years later, he finally made a breakthrough.
In the mid-spring of 200 1 year, by chance, Wang was accepted as an apprentice by Mr. Song Binquan, a member of China Chinese Character Writing Expert Appraisal Committee and deputy secretary-general of China Bangshu Art Research Association. Under the careful guidance of Teacher Song, Wang keeps practicing calligraphy for 3-4 hours every day, up to a day and a half. Since ancient times, anyone who has made achievements in academic and artistic fields is willing to be lonely. The man of practice who devotes himself to studying is really called "the elk does not blink, and the right side is thriving". So is Wang. Hard work pays off, years of hard training and the guidance of famous teachers have made Wang's calligraphy art level constantly improve. Experts from China Calligraphy and Painting Art Committee commented that his list was magnificent, vigorous and powerful, and the iron bones collided like a waterfall. His cursive script is elegant and smart, elegant and refined, like flowing water. His aim is to inherit China culture and art, and his calligraphy is to make friends. Nearly 1,000 of his works are widely spread in the north and south of the great river, inside and outside the Great Wall, as far away as Hongkong, Taiwan Province Province, Korea, Japan, Italy, New Zealand and the United States. /kloc-more than 0/00 calligraphy works of self-created Tibetan poems are treasured by friends from all walks of life. Wang's calligraphy works have won many awards in domestic competitions. In 2003, in the national calligraphy seal cutting competition organized by China Calligraphers Association, his works won the selection prize, and in the same year, he won the exhibition prize of "Zhongqing Cup" calligraphy and painting competition. At the beginning of 2006, his works won the gold medal in the "Bai Juyi Poetry and Painting Exhibition". In 2005, Wang was approved as a member of the Art Committee of China Calligraphy Research Institute. In 2006, he concurrently served as the director of China Painting and Calligraphy Art Committee.
Huashan in the east talks about swords, and the Terracotta Warriors and Horses in Tibet;
Looking at the Taidian show in the south and listening to the Weihe River in the north;
Tianbao nourishes everything, and the earth is beautiful and poetic;
The fragrance will last forever in China, but it will be heard abroad.
Treasure of heaven, all kinds of lotteries,
The earth and the spirit are outstanding, and the ages are easy to live.