Everyone should be grateful to teachers. The most difficult thing to repay is the kindness of teachers. Below are the calligraphy works of grateful teachers that I compiled for you. I hope they will be useful to you!
Appreciation of the calligraphy works of grateful teachers
Picture of the calligraphy works of grateful teachers 1
Thankful Picture 2 of the teacher's calligraphy works
· Picture 3 of the teacher's calligraphy works of gratitude
· Picture 4 of the teacher's calligraphy works of gratitude
Calligraphy cannot express the spirit, after all, it is just words!
p>After the reform and opening up, calligraphy art revived, and scholars from major universities were the first group of people to awaken. Scholars and calligraphers entered the calligraphy world. They wrote books and established opinions, gradually gained the right to speak on the art of calligraphy, and began to conquer cities and territories in the calligraphy world.
Therefore, there are many scholar calligraphers in today’s calligraphy world! They have made outstanding achievements in their respective academic research fields. At the same time, they are passionate about calligraphy. Their desire to become a famous calligrapher is often greater than that of becoming a famous calligrapher. The desire for academic authority is even stronger. Knowledge has given great help to scholars' calligraphy, provided them with a profound cultural foundation for their calligraphy, and freed them from the crude and vulgar atmosphere of calligraphy. If this scholar has studied calligraphy since childhood, or received guidance from a famous teacher, studied the eight methods carefully, and has profound skills, then his calligraphy will be excellent and have an unusually bookish style.
▲Mi Fu's "Liangyuan Tie"
However, knowledge can nourish calligraphy, but it cannot replace calligraphy.
After all, calligraphy is an art that requires long-term practice to master. Even if you are a teacher engaged in calligraphy research and teaching, it does not mean that you can become a calligrapher. This is just like a university professor of Chinese literature who does not necessarily know how to write novels and is a novelist. Many scholars today are inherently deficient in calligraphy and have not put much effort into it. However, because they like to dance with writing and ink, they call themselves calligraphers. In fact, their calligraphy is unremarkable, just writing brush calligraphy. Therefore, we say that if calligraphy cannot express its charm, it is just a word after all.
▲Part of Huai Su's "Autobiography"
Yes, calligraphy requires knowledge, skill, and even more spirit. Wang Sengqian, a calligrapher of the Southern Dynasties, said in "Praise for the Intention of Writing": "The wonderful way of calligraphy is based on spirit and inspiration first, followed by form and quality. Only those who combine both can be introduced to the ancients." ?Charm originally refers to the air and brilliance of a person's face. Here it refers to the collective name for the spirit, style, temperament, taste and meaning revealed in the stipple lines and their structural combinations in calligraphy.
A good calligraphy work is like an energetic person standing in front of you, exuding charming charm and brilliance with every gesture and smile. Therefore, expressing the soul and pursuing the harmonious and beautiful combination of pointillism lines and space have always been the highest realm that calligraphers strive for. A good calligraphy work is always eye-catching and dazzling!
▲Part of Zhang Xu's "Preface to Li Qinglian"
So, how can we make a calligraphy work sparkle?
Zhu Yunming, a calligrapher of the Ming Dynasty, once said: "If there is merit but no nature, the spirit will not be born; if there is nature but no merit, it will be flashy and unreal." ? He believes that the art of calligraphy should be both beautiful and practical. Only by understanding both merit and skill and perfecting the skills can it reach a wonderful state.
It can be seen that for calligraphy to be brilliant, on the one hand, it must undergo long-term practice of imitating ancient sages and famous monuments, and be proficient in the eight methods. This is the premise and foundation, the so-called "success".
On the other hand, the creative mentality is calm and comfortable. When creating, the mind and hands are smooth, forgetting both things and myself, writing out the true feelings and integrating one's own knowledge and aesthetic taste. This is called sex.
Learning requires a serious and rigorous attitude and calm and thoughtful thinking, while the creation of calligraphy art requires surging passion. Scholar calligraphers are often burdened by their own knowledge and worry about each stroke. As a result, their calligraphy works are stiff and dull, like a patient's listless writing. And those who write poorly have their books look like "Pai Suan Zi". Become a cheesy wordsmith. This is what Zhu Yunming criticizes as "meritful but useless".
Cai Yong, a calligrapher of the Han Dynasty, said in "Bi Lun": "The calligrapher is scattered." If you want to write, you should first let go of your arms, let your emotions run wild, and then write. If you are forced to write, even if you are in Zhongshan, you will never be able to do well.
It can be seen that if a scholar calligrapher wants to break through the bottleneck of calligraphy, he must first let go of his arms, let his emotions go as he pleases, enter a state of selfless freedom, do whatever he wants, and write his true temperament. Only then will his calligraphy be as natural as Mr. Cai Xianliang's calligraphy. Outstanding.