the relationship between historical truth and artistic truth is the premise of doing a good job in creation.
the truth of history is an event deduced from the truth of history, which is objective. The truth of art is a vivid description and profound feeling of real events by artists, which makes it more artistic and ornamental and subjective.
As an art creator, we should understand and interpret history from the height of the spirit of the times on the basis of respecting historical truth, and treat historical events and historical figures with a healthy and mature attitude. Historical painters should be aesthetic judges and creators of history, dialectically handle the relationship between aesthetic evaluation, moral evaluation and historical evaluation, that is, "truth, goodness and beauty", and convey the modern aesthetic feelings of contemporary artists in the expression of historical facts.
In a word, artistic truth is the product of the writer's aesthetic and creative reflection on the real life at some level. Starting from the truth of life, being good at discovering, selecting, refining and merging, being good at showing the most valuable and meaningful things in life, reflecting the value of real life as deeply and broadly as possible, and aesthetically reflecting the artistic truth on this basis should be the constant pursuit of literary creation.
Only when the "reality" of real life and the "truth-like" of artistic truth are created together can literary creation be endowed with the artistic tension it deserves. At the same time, please remember Diderot's famous saying that "nothing can beat the truth" and the historical warning that "an eternal article cannot be faked by fax", which is of great enlightenment to our literary creation today. 2. Briefly describe the relationship between historical truth and artistic truth in about 5 words. Solving
Dealing with the relationship between historical truth and artistic truth is the premise of doing a good job in creation. The truth of history is an event deduced from the truth of history, which is objective. The truth of art is a vivid description and profound feeling of real events by artists, which makes it more artistic and ornamental and subjective. As an art creator, we should understand and interpret history on the basis of respecting historical truth and standing at the height of the spirit of the times, and should treat historical events and historical figures with a healthy and mature attitude. Historical painters should be aesthetic judges and creators of history, dialectically handle the relationship between aesthetic evaluation, moral evaluation and historical evaluation, that is, "truth, goodness and beauty", and convey the modern aesthetic feelings of contemporary artists in the expression of historical facts.
In a word, artistic truth is the product of the writer's aesthetic and creative reflection on the real life at some level. Starting from the truth of life, being good at discovering, selecting, refining and merging, being good at showing the most valuable and meaningful things in life, reflecting the value of real life as deeply and broadly as possible, and aesthetically reflecting the artistic truth on this basis should be the constant pursuit of literary creation. Only when the "reality" of real life and the "truth-like" of artistic truth are created together can literary creation be endowed with the artistic tension it deserves. At the same time, please remember Diderot's famous saying that "nothing can beat the truth" and the historical warning that "an eternal article cannot be faked by fax", which is of great enlightenment to our literary creation today. 3. Take Biography of Xiang Yu as an example, briefly describe the perfect combination of artistic goodness and historical truth in Historical Records
After the death of Chu, the young hero, the Xiang family was massacred, and Xiang Zi, the young grandfather, was split in his hometown of Wuzhong.
He and his younger brother Xiang Zhuang went into exile with his uncle Xiang Liang in Wuxian (now Suzhou, Jiangsu). When he was young, Xiang Liang asked someone to teach him calligraphy and poetry, but he soon got tired of it. Houliang asked someone to teach him martial arts again, but he didn't learn it soon. Liang is furious! Ji said: "Learning literature can only remember names, but learning martial arts can only be worth one hundred. If you want to learn, you will learn from ten thousand enemies!" So Liang taught him the art of war.
But he didn't want to learn after studying for a while, so Liang had to follow him and leave him alone. Being able to carry a tripod (pronounced gāng, pronounced "steel") (the origin of the word "overlord holding a tripod") is extremely ambitious when he is young.
When Qin Shihuang was crossing Zhejiang (now Qiantang River) on a patrol, Xiang Yu saw that his chariots and horses were in awe, so he said to Xiang Liang, "I can replace him." In the first year of Qin Ershi (before 29), Chen Sheng and Wu Guang rose up in osawa Township (that is, the Daze Township Uprising), and Xiang Yu responded with his uncle Xiang Liang's assassination of the satrap Yin Tong dispatch troops in Wuzhong. In this campaign, Xiang Yu killed nearly 1 guards of Yin Tong alone, showing his unparalleled martial arts for the first time! Twenty-four-year-old Xiang Yu, in this way, led 8, men from Wuzhong (present-day Suzhou) to rebel against the Qin Dynasty and stepped onto the historical stage.
It is recorded in the famous novel The First Chaos in History. Family background Xiang Yu is the grandson of Xiang Yan, a nobleman of Chu. Because he was sealed in Xiang Di, he took the land as his surname.
Edit this paragraph: The Battle of Yongqiu In June of the second year of Qin Ershi, Xiang Liang adopted Fan Zeng's plan and established Chu Huaiwang's heart, still known as Chu Huaiwang. Xiang Liang was named Wu Xinjun.
After that, Xiang Liang led Xiang Yu in TVB TV series. In TVB TV series, Xiang Yu Rebels defeated Qin Jun in Dong 'e and Dingtao. Xiang Yu and Liu Bang also led the army to capture Chengyang, slightly to Yongqiu, and fought fiercely with Li You, the chief of Qin Sanchuan. Xiang Yu killed Li You among the hosts, and Qin Jun was defeated.
Edit the historical background of the Battle of Julu in this paragraph [Xiang Yu's inscription sideways] Xiang Yu's inscription sideways looks like after the Battle of Dingtao, Qin Jun crossed the Yellow River in the north, attacked Zhao Wangxie and Zhang Er who revolted against Qin, and was besieged by Qin Jun in Julu (now Pingxiang, Hebei). Chu Huaiwang appointed Song Yi as general, Xiang Yu as lieutenant, and led troops to rescue.
Song Yi led his troops to Anyang (now south of Anyang, Henan Province), and then he balked and stationed troops for forty-six days. At that time, it was rainy and rainy, and the Chu army was short of food and clothing and was in trouble.
Xiang Yu made a decisive decision and killed Song Yi with a sword, forcing Chu Huaiwang to appoint him as a general, and ordered him to immediately send troops to the north to save Zhao, and then cross the Zhanghe River leading to Zhao. However, because he was outnumbered and demoralized, Xiang Yu ordered the soldiers to scuttle the boat for crossing the river and break the iron pot for eating, with only three days' dry food on him. All the soldiers made ends meet, and their morale was greatly boosted, greatly breaking Qin Jun (kettle). Speaking of the Qin Dynasty, people always think of the great master of Daqin first, and his spirit of swallowing like a tiger and sweeping Liuhe has made countless romantic people daydream and eulogize for thousands of years! The rise of the Qin Dynasty is undoubtedly the crazy start of its internal war machine and the conquest of millions of iron troops from outside, opening up an unprecedented territory.
However, in a short period of fifteen years, the great Qin Dynasty was destroyed once, which really meant that "its prosperity is flourishing, and its death is almost gone". The collapse of the building in the Qin Dynasty had various internal and external problems, but it was undoubtedly Xiang Yu's genius-the Battle of the Julu that gave Daqin the heaviest blow and made the powerful Daqin unable to start its war machine again.
Zhang Han's Julu grand strategy was born in Zhang Han, a civilian, and it was like a dazzling meteor across the dark sky in the famous Daqin Empire. In Shengfa Chen, it is difficult to be wild, and the princes rise together. When hundreds of thousands of troops pass through Hangu, they assume the final fate of Daqin! The prisoners of Mount Li were organized temporarily, and Zhou Wenzhi's hundreds of thousands of troops were defeated, and then the allied forces of Qi and Chu were broken, and Xiang Liang, commander-in-chief of the Chu army, won three victories and killed them.
It can be said that there are many achievements. It seems that the military power and soul of Daqin will be rebuilt! At this time, the land outside the customs: the south of the Yellow River is full of Qin Jun forces, with only a few remnants of Wei. Wang Li led [Xiang Yu's Inscription] Xiang Yu's Inscription [2] The border guards attacked Zhao, the land of Hebei, and the weak Yan was entrenched in the north.
Tian Rong, who had just been defeated by Qin Jun, resented that Chu Zhao didn't kill the fake field corners, so he huddled together and rallied his troops to protect himself. At that time, the Qin court was fighting for the rights, and the great task of destroying the vassal rebels naturally fell on the commander-in-chief Zhang Han. Zhang Han made a big strategic decision to defeat the Chu army and kill Xiang Liang, and joined the king to leave the army and win the whole State of Zhao.
This strategic plan was spurned by later generations, and most scholars thought that he should take the opportunity to attack Pengcheng. But from the situation at that time, it was a remarkable strategic plan.
The reason is as follows: Zhang Han killed Xiang Liang, and the Chu State vibrated, but it didn't hurt its vitality! Xiang Yu and other Chu armies have retired from Pengcheng, and they are in a dilemma. It seems that Zhang Han has no chance of winning.
Moreover, Chu was pushed too hard, and Chu soldiers were as close as one enemy to defend Pengcheng. Zhang Han was not sure! And after the death of Xiang Liang, Huai Wang rushed to Pengcheng to seize the military power of Xiang Yu, which was too tight! Chu congress temporarily put down the infighting * * * with foreign! Wang left the army to attack Zhao, and it has been unsuccessful! Pengcheng is far from Guanzhong, and the north and west are not stable! If Zhang Han attacks Pengcheng for a short time, the food will be tight, and the route for providing foodstuff will be disturbed! And Wang left the army to continue attacking Zhao, so it is better to divide the troops, and the points are easy to be divided. And Wang Li gave up Zhao to attack Pengcheng, and the rear was broken by Zhao.
if you can't advance before, you can't retreat after, and you will be wiped out! At a time when there was an accidental event, Zhang Han was urged to go north. Wang Li-jun adopted a policy of wooing Zhao, cheating him into a second book to recruit Li Liang, the general of Zhao.
Li Liang killed Zhao Wang's sister because she was rude to him, and took refuge in Qin Jun to kill Zhao Wang. Later defeated by Zhang Er and Chen Yu, he took refuge in Zhang Han.
Zhang Han seized this opportunity to send troops to defeat the Zhao army, and Wang left the army to surround the Zhao king in Julu. Zhang Han's army stuck in the south, escorting food and grass for Wang Li's army, and guarding Wang Li's flank, which formed a double attack.
When the prince of Zhao was trapped in Julu, Zhang Er, Zhao Xiang, gave full play to his diplomatic expertise, lobbied his local governors to come and save Zhao, and declared that the world was at stake! Governors came with armies in succession. Chen Yu, the general of Zhao, arrived first, and tied tens of thousands of troops to the north of Julu.
[Overlord holds the tripod] Zhang Ao, the son of Zhang Er, also received more than 1, soldiers. Chu in the south sent it to the north. 4. Discuss the relationship between historical truth and artistic fiction
The connotation of artistic truth and artistic fiction, classical writers at all times and all over the world have many incisive discussions in their literary works or articles about creative experience, which has played a great role in guiding and promoting the literary creation of later writers. Therefore, when discussing the issues of artistic truth and artistic fiction, it is necessary to deeply understand the relevant expositions of these classic writers. Only in this way can we accurately and comprehensively grasp the scientific connotation of artistic truth and artistic fiction. Artistic truth comes from the objective real life, which has been analyzed, selected, concentrated, summarized and processed by writers. It is higher than ordinary real life and has a high degree of authenticity. In literary creation, writers can't be divorced from real life and create artistic truth by subjective imagination; At the same time, we can't copy life naturally. To examine whether a literary work is authentic, we can't take whether it is the original appearance of life as the criterion, and we can't ask everyone, everything, every move, every grass and tree in the work to conform to the facts of life. Artistic fiction means that on the basis of insisting on artistic truth, writers make up and fiction at will through reasonable association, fantasy, imagination and virtuality. Fabricated and fictional things can sometimes even go against the common sense of real life. Through artistic fiction, we can not only show what the real world should have, but also show what the real world doesn't have, or even can't have, and it doesn't have to be in line with the real reality; Even if it expresses what is or may be in reality, it can take an unrealistic form. For example, the "scenery" described in Du Fu's "The Morning Bell is Wet Outside the Clouds" and Li Shangyin's "blue fields are breathing their jade to the sun" are not real, but have been creatively processed by writers-that is, fictional and virtual, with the aim of expressing a desolate life situation. All kinds of monsters and bodhisattvas in The Journey to the West are impossible in the real world. They are completely fictitious and fictitious by the writer on the basis of insisting on artistic truth, with the purpose of tortuous expression of the author's hatred and resistance to the dirty world and the author's life ideal. They are both different and inseparable. The difference between them is that artistic truth is to analyze, select, concentrate, process, refine and summarize the facts of life and shape them into artistic images. Artistic fiction, on the other hand, describes and reflects events that actually exist, may exist or cannot exist at all in real life through bold fantasy, association, imagination, virtuality and fiction, thus shaping artistic images. The inseparable relationship between the two lies in the fact that artistic fiction should be based on artistic truth, and without artistic truth, there is no artistic fiction. Because artistic fiction must be close to artistic truth, the more realistic and possible the fictional plot is, the more suitable it is for readers' understanding, and the more it can make readers like and produce * * *. Otherwise, artistic fiction will lose its foundation and possibility of existence. Similarly, artistic truth can only be fully embodied and sublimated through artistic fiction. Without artistic fiction, artistic truth may not be vivid, touching, attractive and infectious, and it is difficult to produce * * * songs among readers, and the ideas, ideals and social functions that artistic truth wants to express cannot be fully exerted.
Listen to the novel 123 and read the novel China Literature in a different way. 5. Is the history recorded in the historical records true?
For example, Zhang San slept at home today and wrote in his diary: On a certain day, a certain month, a certain year, Zhang San slept for one day. After Zhang San's death, others read this diary and wrote it like this. There is no evidence other than that, so whether Zhang San sleeps for a day on this day can only be believed or not. This is the case with historical documents, some of which can be confirmed by archaeology and consulting other documents, while others can't be said, depending on whether the readers believe it or not.