When writing the word "Guo", the horizontal drawing should be parallel up and down, the left and right vertical drawings should be straight, and the horizontal folding hook should be slightly longer than the left vertical; The word frame is rectangular as a whole, and it is not sealed to avoid stagnation.
first, the pen is divided vertically by the Tian Zige horizontal line, with the upper part short and the lower part long. Observing the copybook, if the middle line is divided into upper and lower lengths, it is easy to write the Chinese characters into squares.
second, the horizontal direction is slightly shoulder-resistant, and the upper and lower horizontal lines are equally long.
Third, the horizontal folding hook leans outward when writing vertically. "Door", "moon" and "country" all contain horizontal folding hooks, but the treatment of vertical folding of this part of the strokes varies from word to word. The horizontal folding of the door is vertical, and the horizontal folding of the moon leans inward, and the horizontal folding of the moon leans outward.
Fourth, the writing range of Chinese characters is relatively large, so you should learn to move the pen with your fingers, not just by the movement of your wrist, otherwise it will be easy to write askew. Learn to move the pen to slide on the paper through the movement of thumb, forefinger and middle finger, especially the horizontal folding hook, which requires a large pen range to write down.
5. Don't worry about making mistakes. Practice where you make mistakes, and see why you don't write well.
the word "Guo" is used for reference
1. Wang Xizhi's "Shen Leng Tie" in Jin Dynasty
Wang Xizhi deserves to be called a "book sage", and the internal structure of this word is handled wonderfully. The word "or" is written in Gebu first, and the word "or" is written in zigzag strokes and connected with the last stroke, which is amazing.
2. Huai Su's Autobiographical Notes in the Tang Dynasty
The national character, Master Huai Su, was written with thin strokes of seal script, with curves and straightness, obvious contrast, and was framed into an arc, which was very beautiful.
3. Song Dynasty Mi Fei's Poems on Visiting the Customs by the Hou
Mi Fei's running script is superb in technique, dynamic in box, full of changes, light and elegant in interior, and worth learning from.
4. Zhao Mengfu's Six-body Thousand-character Writing in Yuan Dynasty
Zhao Mengfu's writing style is delicate and elegant, and it turns into a circular arc from left to right, with a slight hint of chapter grass. The internal treatment is also elegant and durable.
5. Wang Duo's Poems on Li He in the Ming Dynasty
The writing of the word Wang Duo originated from Mi Fei, a calligrapher in the Song Dynasty, but it had its own innovation and development in inheritance. Innovation lies in "keeping the left secret and the right sparse", which forms a sharp contrast and creates a master.