First of all, this idea is ingenious.
Conceptually speaking, the works of the national exhibition must be conceived, otherwise it will be difficult to enter the national exhibition. It is necessary to consider comprehensively, not only the layout of the composition, but also the brushwork. Whether it is the part of brushwork or the overall composition, it should be closely combined and considered as a whole.
Second, the design is unique
To have design, a work can feel what is professional and what is amateur as long as it is eye-catching, which is reflected in the design. The brushwork is the first, and it must have a clear expression meaning, that is, the so-called "word" of the work, and it is also the spiritual subject. The performance of running scripts is also a factor to consider. This kind of performance is the most intuitive. Only by paying attention to form can we express the content well.
Third, it is highly clear.
To have a high level, the first thing to create is to have a thinking judgment, to have a certain height, whether spiritual or otherwise, to have full consideration, in fact, the works that can really be selected will highlight a high-end creative thinking. It is also particularly important to learn from peers, predecessors, experts and their award-winning works.
Matters needing attention in exhibiting calligraphy works:
1, official service content
In the works of national exhibitions, in order to grasp the judges' psychology of "seeking novelty and seeking difference", many contestants often have great innovations in form, choosing colorful paper colors and splicing. , can give a person a feeling of shine at the moment. It is good to have form, but if the form covers up the content, it will be overwhelming, and the result will definitely be cold.
2. Innovation should be based on tradition.
For calligraphy, the so-called innovation is to integrate the understanding of personality on the basis of traditional brushwork. This foundation cannot be lost, because the traditional brushwork is perfect, and we only need to skillfully use it, and at the same time, it is enough to integrate the elements of the times or the aesthetics of the times.
3. Create and transform contradictions
Calligraphy itself is a contradiction, which is reflected in many aspects, such as the contrast between reality and reality, and the thickness. It is this contrast that makes calligraphy works more dynamic, which is also the essence of calligraphy. Therefore, being good at creating contradictions and effectively transforming contradictions is very important for winning national exhibitions.