1, the expressive force of regular script in calligraphy was the highest when Chu Sui was good.
2. Yan Suiliang's calligraphy shows a kind of beauty in brushwork.
He is a master with aesthetic taste. He deliberately handles every stroke, every line, every point, every turning point ... As a result, it deliberately transcends the glyph, but it seems to have an independent meaning out of form, turning the dotted line into an abstract beauty.
He knows how to express the feeling of fluidity with the density of structure and the slowness of pen. If Ou Yangxun is a "master of structure", Chu Suiliang is a "master of lines".
5. His lines are full of life, and the calligrapher's life consciousness is also integrated into the structure, which obviously embodies an important aesthetic category in China's artistic aesthetics: the beauty of flying.
6. In his artistic personality, there is a kind of wisdom.