A good word is produced by many factors. Brushwork, structure, composition, style, intonation, quickness, rigidity, solidity, extension, fluctuation, density, etc. In short, it is the relationship of contradiction, harmony and unity. To master the philosophy of writing at all times, calligraphers should have the ability to provoke contradictions and then have the ability to calm them down. If you know its yin, you know its yang, and the sky is absolutely unique. Form is the body, temperament is the soul. Intangible quality is not about temperament, form and quality are taken from ancient times, and temperament should be born only then.
The formation of calligraphy art in the Northern Dynasties is diversified, which is the fusion of Han culture and Xianbei culture and the crystallization of the impact of foreign culture on Han-based culture. Calligraphy in the Northern Dynasties can be called a "warrior" who changed from barbarians to summer and returned to summer. The legacy of this "warrior" influenced the Tang and Song Dynasties, and the cultural consciousness of yearning for foreign countries enriched the authenticity of ontology culture. Calligraphy in the Northern Wei Dynasty began as an official and ended at the beginning.
Art itself is contradictory and needs to be solved from the heart. People who engage in art are also contradictory and praise each other. Praise and criticism are objective, but we should respect our personality and don't pick and lift it indiscriminately. You should know that good art can't be picked up, and vice versa. Without accumulation, it is rare to be wonderful, without years, it is difficult to have moments. Sun Boxiang wrote "North Monument", and spent many years writing about Longmen Statue and Yunfeng Mountain, especially Longmen in Fang Bi. Therefore, my understanding of knives and pens is superficial, and there are many controversies in this respect. The ancients had a set of theories, and today people have a set of theories. Half of them are knives and pens, and even the formation of Fang Bi is purely done by sculptors. Fang Bi Weibei, which has been handed down to this day, has its obvious carving elements, which cannot be eliminated. But its form and spirit are mainly attributed to the calligraphers' work at that time. If you want to be right, you have to be thick to be a hero. The form is easy to get, but the texture is hard to find. The sculptor can only get the surface, but not the quality, thickness and spirit.
No matter whether the pen is soft or hard, high or low, ancient or present, people say that they are the most correct, different from person to person, self-centered and artistic effect is the answer. Tong Yanfang believes that the future changes in book types and styles are likely to be in the combination of inscriptions. There is no doubt that the art of calligraphy should work hard on writing, read more useful books and capture the images of all things in nature. The quality of dotted lines in calligraphy and painting is like steel bars (rusty), or sticks, or iron blocks, or stones. Never be like cotton balls, linen curtains, or even straw. Well-developed characters are the hardest to write, and Liu Yong in Qing Dynasty had high taste. Everyone writes at a different speed, and it is right to write fast and slow. The key depends on his mastery of "rhythm" and "notes" and whether he is beautiful or not.