Appreciation of Buddhist regular script:
Buddhist calligraphy regular script 1
Regular script of Buddhist calligraphy II
Buddhist calligraphy regular script 3
Regular script model:
In the history of China's calligraphy art, regular script, the original, appeared late, but it became an indispensable model font for people to learn calligraphy later. Most calligraphers come into contact with calligraphy at the stage of learning Chinese characters.
This is also a natural thing. The appearance of regular script is a great progress in the history of China's writing and calligraphy. This point has been mentioned in the above chapters and will not be repeated here. It seems self-evident that writing with a pen is the basic rule of running script and cursive script.
Can you be a model? Eight methods of eternal words? At first, because this is the basic brushwork of regular script. About what? Eight methods of chanting? Regarding the source of Zhang Huaiguan's "Yutang Banjing" in the Tang Dynasty, the authoritative statement is: Eight methods began in Lishu, and Cui's Calendar Clock (Zhong You) and Wang Xizhi's (Wang Xizhi's) have both been published, and the teaching of eight styles is based on ten thousand characters. ? Legend has it that Wang Xizhi spent fifteen years specializing in research? Never? Of course, this story is a bit exaggerated. Actually? Eight methods of eternal words? It doesn't include all the brushwork, such as? Ge? The second pen,? Pen? The last blow, and then what? Phoenix? The second pen. However,? Never? Chinese characters do have certain typical commonness in brushwork structure, which is a typical regular script.
Learn the rules of regular script:
Composition is an important part of the formal beauty of calligraphy. Stippling is the beauty of lines, frame structure is the beauty of local composition, and composition is the beauty of overall composition. The laws of Zhao Ti's regular script can be studied and grasped from two aspects.
First, uniformity. The overall sense of regular script, first of all, is neat. The arrangement of words and lines is equidistant, giving people a steady and solemn visual effect. This form is most suitable for regular script in a strict sense. If the shapes with different knot widths and lengths change locally, there will be no disharmony or monotony in regular script that is uniform but not stiff.
Second, diversity and unity. The biggest feature of Zhao Ti's regular script is that it contains elements of running script, and its brushwork is changeable, taking characters as shapes, without deliberate arrangement, and it has a very harmonious and unified relationship in diversity and changeability. It gives people the feeling that there is movement in silence and affection in words. Huang's Ming Lake in Jinan, a calligraphy work, first infected people.
Is its overall effect, and the whole is composed of countless parts. Therefore, when arranging the composition, we should not ignore the details of each word, such as the shape, length, change, and sense of rhythm, which require careful consideration and strict design. Only after a long period of unremitting tempering can we handle the composition freely, presenting a design beauty that seems to have no design, and reaching a higher realm of calligraphy art.
The rules of regular script are not complicated, and the main forms are nave, couplets, banners, horizontal accounts and sectors. In the arrangement of regular script, the word spacing and line spacing are basically the same, but some line spacing is greater than the word spacing; They are all written vertically from right to left, and those with fewer words are still written from right to left; Modern Chinese is written horizontally from left to right. This method can also be used under special needs, but it is better to write vertically from right to left.