The full name of "Yi Ying Stele" is "Yi Ying, Prime Minister of the Han and Lu Dynasties, Set Up a Hundred-Stone Stone Stele". In the second year of Yongxing reign of Emperor Heng of the Eastern Han Dynasty, Prime Minister Yiying of Lu requested Baishi Zushi to be in charge of ritual utensils. This stele records this event.
Among the many steles in the Confucius Temple, the "Yiying Stele" and the "Ritual Vessel Stele" can be called double walls. They are the most beautiful Liangtong steles in the Han Dynasty. Compared with the "Ritual Stele", the "Yiying Stele" is more beautiful and rich.
The writing techniques of "Yiying Stele"
Points
Sixteen variations of official script points (1)
1. Punctuality:
Start the pen against the trend, pause for a moment to move the pen down to the right, then turn the pen to the lower left, gradually lift the pen, and close the pen to move forward.
2. Horizontal point:
Start the pen against the front, turn the pen to the right and run it easily and naturally, then return to the front and close the pen. It looks like a horizontal drawing, but be careful that it is too thick and long.
3. Vertical points:
The hidden front moves in reverse, and then turns downward after a short pause. Do not write in a slender or stubby form.
4. Side point:
Go up and to the right against the front, and pause slightly to the right during the pause. Then move downward and to the left, raising the edge and closing the pen.
Points
Sixteen variations of official script points (2)
5. Writing points:
Go against the trend and change the pen Gradually lift toward the lower left, or return to the front or advance to close the stroke. Don't write this stroke thickly.
6. Pressing point:
Cut in against the front, turn to the right or downward and move the pen from light to heavy, until you press the foot again, then from heavy to light. When the force reaches the tip, the strokes should be thick and short.
7. Horizontal pick point:
Cut in with either exposed or hidden edge, turn the pen to the right or upward gradually and gradually lift it up, use the edge to close the pen, it is not suitable to write thick and long.
Points
Sixteen variations of official script points (3)
8. Upright points:
The starting point of the left and right points They should be basically facing each other, and then take advantage of the trend to strike left and right or lower left and lower right.
9. Upper points:
Although there are strokes separated by strokes in the middle, the left and right sides still need to be basically aligned, forming a trend of echoing and looking forward to each other from a distance.
10. Lower counterpoint:
These two points are a combination of the left-handed point and the right-handed point. When writing, you should pay attention to the well-proportioned and lively changes.
11. Lower points:
These two points should be roughly opposite when writing, and then move towards the lower left and lower right. They should be thicker and shorter.
Twelve, two points from the left
The starting strokes of the two points should be different, either square or round, the top and bottom should be more compact, and the momentum must be consistent.
Points
Sixteen variations of official script points (4)
Thirteen, the next three points:
When writing, you should Note that the strokes at the three points must be different from each other, but also look and respond to each other, lively and lively.
14. Three points from the left:
The upper and lower arrangements should be varied, and pay attention to the coherence of the momentum. Remember that the sizes are the same. Sometimes for writing needs, the upper, middle and two points can be used. Connected.
15. Four flat points:
When writing, you should write out the responses between the points, and pay attention to making their shapes different.
16. Multiple dots:
If there are many dots in a word, each dot should be written differently and pay attention to the coherence between them.
Horizontal
Four types of variations of horizontal strokes in official script
1. Long horizontal strokes
Start writing against the front, pause for a moment and turn to the right. When the pen is stroked in the center, the pen edge may turn to the left and be lifted back to the left when the pen is closed, or the pen may be lifted and closed after a slight pause.
2. Thickness and width
Start the pen against the front, turn the pen to the right, and lift it as you go. When you close the pen, gently lift it back to the dividing line, making it thick at the front and thin at the back.
3. Arc horizontal
When writing this stroke, you should pay attention to running the pen to the upper right after starting, then to the middle and then to the lower right, making a slightly arc shape.
4. Thin horizontal strokes
With some changes in character structure, the horizontal strokes should not be thick or long, but should be written thinner and stronger.