Qianlong Emperor Hongli (1711 AD - 1799 AD, the sixth emperor of the Qing Dynasty.) liked Zhao Mengfu's calligraphy, which was also a style of calligraphy in Wang Xi's lineage. In the forty-fourth year of Qianlong's reign, Wang Xizhi's "Lanting Preface" and Liu Gongquan's "Lanting Poems" and "Xihongtang Tie" were copied by Yu Shinan, Zhu Suiliang and Feng Chengsu from the imperial palace, and the original version of Liu Gongquan's "Lanting Poems" was engraved. Qianlong visited Dong Qichang Imitating Liu Gongquan's "Poetry of the Orchid Pavilion", he ordered stoneworkers to copy and carve it on eight stone pillars, which was called "Eight Pillars of the Orchid Pavilion". Emperor Qianlong also set up a special room called "Sanxi Hall", which regarded Wang Xizhi's "Kuaixue Shiqing Tie", Wang Xianzhi's "Mid-Autumn Tie" and Wang Xun's "Boyuan Tie" as his life.
Emperors of all dynasties had a special liking for Wang Xizhi's calligraphy, which eventually made Wang Xizhi ascend to the throne of "Sage of Calligraphy". It was of great significance to the history of Chinese calligraphy, forming a powerful force and becoming China's calligraphy master. A unique landscape in cultural history that promotes the prosperity and development of Chinese calligraphy art