1, "Preface to Lanting Collection", describes the beauty of landscape and the joy of gathering around Lanting, and expresses the author's feelings about the impermanence of life and death.
2. Ping An Tie is a masterpiece of Wang Xizhi's calligraphy, which was once praised as a "Sanxi Hall" treasure by Emperor Qianlong.
3. Feng Ju Tie, one of Wang Xizhi's calligraphy works handed down from ancient times.
note:
Wang Xizhi was born in a noble family, and his great-grandfather Wang Lan and Wang Xiang in Twenty-four Filial Pieties were half-brothers. Wang Lan official to the doctor, Wang Xiang official to the Pacific Insurance. When Wang Xizhi 14 years old, the Wang family helped Jinshi Nandu to establish Jiankang in the Eastern Jin Dynasty (now Nanjing, Jiangsu). Wang Xizhi and Chen Tong were famous families in the Eastern Jin Dynasty. Wu Yixiang, a poet in the Tang Dynasty, wrote that "Wang Xie Tang flew into the homes of ordinary people".
As early as 16 years old, Wang Xizhi was honored as "son-in-law of the East Bed" by Jane. At first, he was a card shark, and later he was recommended by Yu Liang, the general of the Western Expedition, as the general of Ningyuan, and was appointed as the secretariat of Jiangzhou, the general of the right army and the minister of Huiji. Due to the contradiction with Yangzhou secretariat Wang Shu, he resigned.
When Wang Xizhi was the secretariat of Jiangzhou (AD 345-347), he once lived in Donggaopo, Linchuan County, and was called "New City" (now Wenchang School, Linchuan District, Fuzhou City). There is a well for living and a Mo Chi for washing face for practicing calligraphy in the house. In this regard, the Linchuan Story written by Xun Bozi, a famous litterateur in Liu and Song Dynasties in Southern Dynasties, and the Mo Chi Story written by Ceng Gong, a great litterateur in Song Dynasty, are recorded.
Wang Xizhi loved practicing calligraphy since childhood, and was enlightened by his father Wang Kuang and his uncle Wang Xun. He was a good book at the age of seven. At the age of twelve, he stole the pen theory of the previous generation from his father's pillow. Wang Kuang's good deeds and official letters; Wang Kui is good at calligraphy and painting. Wang Sengqian once commented in "On Books": "Before crossing the river to the east and the right army, Wei Xiao was the best, painting was the teacher, and literature was the law of the right army." Wang Xizhi was deeply influenced by the Wangs in calligraphy since he was a child. Liu Duo, a rising contemporary calligrapher studying in the United States, once praised: "The only good word is Wang Xizhi".