Pictures of Chinese calligraphy works

Jun Fang's pen is decisive in opening and closing, like a kundao cutting jade, with strong brushwork and dense structure. He inherited the statutes of the Han tablet, inherited the legacy of official script, and his brushwork was round, with thick strokes, vigorous brushwork and interesting. Kang Youwei, Pan Tianshou and others once regarded calligraphy as a "national treasure". The following are the Chinese calligraphy works I compiled for you, I hope they are useful to you!

Appreciation of Chinese calligraphy works

Pictures of Chinese calligraphy works 1

Figure 2 Chinese calligraphy works

Figure 3 Chinese calligraphy works

Figure 4 Chinese calligraphy works

Introduction to Chinese characters

China ancient rare fonts, representing the characteristics of Yunnan. Liuyi has a special position in China's colorful calligraphy fonts, and it is a transitional font of China Chinese characters from official script to regular script. The inscriptions Congbaozi Monument and Conglongyan Monument, which are preserved in Qujing, eastern Yunnan, are important evidences for studying the culture of Cuan. They are not only of high historical value, but also transitional fonts from official script to regular script, which can be called "living fossils" in the evolution of China characters.

Aesthetic fashion of calligraphy

Attach importance to the summary and guidance of aesthetic fashion. Generally speaking, there must be a social fashion in a society, and this social fashion will inevitably affect all aspects of social culture. The welcome or resistance of all social and cultural parties to this fashion will inevitably directly affect the prosperity and demise of this social fashion. Similarly, the aesthetic fashion of calligraphy art in different times is also different. How to guide this aesthetic trend and make it the dominant aesthetic trend in this era has become the concern and discussion of book theorists in various eras. For example, in the book Theory of Han and Wei Dynasties? Shang Xiang? In the book On Jin Dynasty? Shang Yun? , in the Tang dynasty book theory? Shangfa? In the book On Song Dynasty? Shangyi? And so on, all summarize the aesthetic fashion in the practice of calligraphy art in each era, and in turn guide the practice of calligraphy creation through summary, and promote the development and prosperity of calligraphy art.

Secondly, the study of calligraphy art is comprehensive and systematic. As long as you skim China's ancient calligraphy theory's works, you will see that China's ancient research and summary of calligraphy art is all-round, involving all aspects of calligraphy art and forming its own system. If we compare it with China's ancient painting theory, we can better show this feature. For example, the study of the development history of calligraphy began with Yang Xin's "Ancient Books" in the Southern Song Dynasty, and almost all subsequent dynasties had such works. They listed the development history of calligraphy from ancient times to the end of Qing Dynasty, and preserved the complete face of the development history of calligraphy in China. Another example is the study of the evolution history of calligraphy, which involves the emergence, development, changes, concepts, characteristics and other aspects of calligraphy, such as Da Zhuan, Xiao Zhuan, Ba Fen, regular script, running script, Cao Zhang, Cao Jin, etc. It is systematic and comprehensive. Another example is the study of calligraphy techniques, which is extremely profound and comprehensive. Generally speaking, there are meticulous and accurate studies on pen, front, writing, knot, ink and white painting.