My impression of Li Hongyin is young, handsome, gentle and elegant, which reflects his neat demeanor and capable temperament. I learned from the conversation that the young man who works in the hospital is already a famous calligrapher. Participated in many national painting and calligraphy competitions and won prizes. Sponsored by the Youth Committee of the Ministry of Education and the People's Republic of China, "The Light of the Olympic Games, Dreams in Sight" won the gold medal for calligraphy works of the adult group; He won the silver prize for calligraphy works of the youth group of the first Harmony Venus Award on the 44th anniversary of the establishment of diplomatic relations between China and France. In the National Painting and Calligraphy Competition of "Mao Zedong Poetry" to commemorate Mao Zedong's birthday115th anniversary, he won the gold medal in the painting and calligraphy works of the youth group; In the fifth "Ou Yangxun Prize" national painting and calligraphy competition, he won the gold medal in calligraphy works; The "Lotus Cup" invitational tournament for the 10th anniversary of Macao's return won the first prize. Won the gold medal in the National Calligraphy Competition to commemorate the 60th anniversary of Chinese people's Volunteer Army's War to Resist US Aggression and Aid Korea. His works were selected into Zhao Yan Mo Hanqing, Excellent Works of the National Calligraphy and Painting Competition in Commemoration of Mao Zedong's Birthday115th Anniversary, and Selected Ink of China Contemporary Calligraphy and Painting Masters. He loved calligraphy and painting since he was a child, and once bought various copybooks such as seal script, official script, regular script, calligraphy and cursive script. What he cherishes most are Ode to Shimen, Preface to Lanting, Cao Quanbei, Seventeen Posts, Book Score, Autobiographical Posts, thousands of words written by Huai Su and Wang Duo's cursive script. After working in the hospital, I study these pills every day. Some of them have studied for hundreds of times and are obsessed with calligraphy, and calligraphy has made great progress. When talking about learning and calligraphy creation, he said: "Learning monuments must be familiar with, and the context and structural arrangement of stippling should be clear; Learning to stick to your heart is precious, and it is rare to have a second hand. Only by gaining experience can it be absorbed. " As a result, he was immersed in the inscription for a long time. He was fascinated by it, from the calligraphy of steles by Park Mao to the scattered ink of Yi Jian in Ming and Qing Dynasties. The combination of steles and stickers makes his calligraphy works have yin and yang, and the paintings are organized; The pen has Fiona Fang and converges freely; The transformation of ancient meaning and the vertical and horizontal affiliation all reveal the demeanor of the ancients. It is like a flowing spring, like the wind blowing willows, and sometimes it is like a river rolling down and rushing away. Li Hongyin praised the character of calligraphy in Wei and Jin Dynasties. He took Preface to Lanting Collection and Seventeen Posts as treasures, fondled them, carried them with him and read them whenever he had time. Li Hongyin likes and likes cursive script best. He thinks cursive script is the most expressive and emotional. He likes cursive more because it is more difficult to write. He searched for the true taste in reading seventeen posts, self-narrative posts, book scores and other famous works to improve his appreciation ability. Get skills in "practice" and increase your driving ability; Get inspiration from "enlightenment" and enrich creative ability. Li Hongyin paid attention to the use of lines in cursive script, and handled the imaginary and the real properly. In the process of using a pen, he can convey the truth into the virtual, take the virtual as the truth, express the statutes with pen and ink, and do not use pen and ink to reflect the mystery, so as to achieve the effect of conveying the truth into the virtual, being wonderful in the real, being virtual as the real, and breaking the pen. Li Hongyin's cursive script can solve practical problems well enough, show brushwork in realistic changes, and achieve the effect of combining rigidity with softness, which is inseparable from his usual research on seal script. "Everyone's books and pens are connected by seal script, which is simple in structure and easy to turn." Fu Shan once said, "If you don't become an official, you can't learn books for 36,000 days." Through more than 20 years of calligraphy pursuit and experience, he has achieved good results. He was hired as an academician by China Senior Painting and Calligraphy Institute, and now he is a member of China Calligraphers Association, a director of China Painting and Calligraphy Institute and a member of Hebei Couplet Society. Li Hongyin is a typical self-taught young calligrapher. Although he was not instructed by calligraphers, he was highly savvy, familiar with the history of calligraphy and calligraphy theory, and studious, so he made impressive achievements. We wish him better and better on this road!
—— 20 10 in September, Wang Qun, a calligraphy teacher at Renqiu University for the Aged.