1. rubbings of stone tablets in Tang dynasty:
Tang Tuo, there are very few existing Tang Tuo books. The only Tang Tuo is Liu Gongquan's Monument to the Shence Army, the Diamond Sutra and Ou Yangxun's inscription on the stupa of Huadu Temple. Shence Army Monument. The full name is "The Emperor Tours the Monument to the Sage of the Left Shence Army", written by Cui Xuan and written by Liu Gongquan. In the middle of this century, this tablet was bought back in Hong Kong at a large sum of money in 1965 under the personal instructions of Premier Zhou Enlai. Now it is collected by Beijing Library and becomes a world-famous treasure. What is the meaning of rubbings? Pronunciation of rubbings? How to read rubbings? The essence of calligraphy rubbings in past dynasties. This inscription is more refined than the inscription in The Mysterious Tower. Although it is a rubbing, it is no different from the original. Become an excellent model for learning Liu Ti's plays. There is a photocopy of TanJing, a reprint of Yiyuan Genuine Appreciation Society, and a photocopy of Kolo Edition of Cultural Relics Publishing House. Diamond Sutra, the full name of Diamond Sutra Prajnaparamita Sutra, is a regular script. Tangtuo, the existing stone chamber in Dunhuang, Gansu Province, has been handed down from generation to generation, without missing a word. In the 22nd year of Guangxu reign in Qing Dynasty (1896), it was taken away by pelliot, a Frenchman, and now it is kept in the Paris Library. There were Tang rubbings in Dunhuang, but the paper and ink of these rubbings were not necessarily exquisite works at that time. The Diamond Sutra written by Liu Gongquan was very popular at that time. He was carved several times when he was still alive. Visible? Liu ti? How authoritative and prestigious. This diamond sutra carved stone was written by Liu Gongquan at present. Liu Gongquan was 47 years old when he wrote this stone, which can be said to be his masterpiece when he was in his prime. The Inscription on the Buddhist stupa of Huadu Temple, referred to as the Inscription on the stupa of Huadu Temple, was written by Li Baiyao and written in regular script by Ou Yangxun. This monument is the first masterpiece of European books. Some people compare it to the incarnation of Wang Xizhi's seal script. Above, the Huadu Temple in Ou Yangxun, the tablet of Liu Gongquan's Shence Army and the Diamond Sutra are all made of tough tissue paper and fine ink, and the ink is purple. Actually, Tang Tuoben is more credible than Calvin's? Linchuan Four Treasures of the Study? Namely: Tang Yu Shinan's tablet of Confucius, Liang's tablet of Mencius, Wuqi's tablet of Shancai Temple and Sui Ding's tablet of Qifa Temple.
. 2. Song Dynasty stone rubbings:
All kinds of Song Tuo steles handed down from ancient times are exquisite in extension work and excellent in paper and ink. According to incomplete statistics, there are few extant Song rubbings in China, but the total number far exceeds that of Tang rubbings. Generally speaking, these Song rubbings handed down from generation to generation have many inscriptions, few inscriptions, and many inscriptions in Han and Tang Dynasties, especially in Tang Dynasty. For example, there are many inscriptions in the Tang Dynasty, such as those written by Huang Tingjian for the monarch's poems, those written by Yu Gonggong, those written by Jiucheng Palace for Liquan, the preface of Wang Shengjiao in Huairen, many pagodas and the tablets of Taoist masters. There are Shi Guwen, Taishan Stone Carvings, Confucius Monuments, Huashan Temple Monuments, Shi Chenbei Monuments, Liu Xiong Monuments, Cao Weifan Monuments, Wu's Stone Carvings of Tian Xi Ji Gong, and Song Tuo's Daguan Post.
3. Yuan Dynasty stone rubbings:
Although there are monuments and rubbings, they are not well developed and have no characteristics. For example, the thousand-character text of "Zhi Yong Zhen Cao" collected by the Chinese History Museum was identified by experts as Ayuan rubbings.
4. Ming Dynasty stone rubbings:
Cao Quanbei, the full name of which is Yang Quanji Gongbei, was unearthed by Cao Quanbei in Xinli Village, Yang County (now Heyang County), Shaanxi Province in the early years of Wanli in the Ming Dynasty. Later, it was moved to Confucius Temple in Xiangyang County, and 1956 was moved to Anbeilin. According to Shen Shuyong's Postscript to the Stone Classics of Han Dynasty, this tablet was originally a copy when it was unearthed. Because? The words are complete, but this rubbings are rare. Shi Chenbei in Mingtuo is engraved on both sides, and the front and back are collectively called Chen Shibei. It's all official. Existing Confucius Temple in Qufu, Shandong. Before and after the two monuments, like one hand, the pen is thick and simple, dignified and vigorous. The 36-character "Shi Chenbei" collected by China History Museum should be a rubbings in the early Ming Dynasty. The "Zhang Qianbei" of Mingtuo was erected in Bingyin, Zhong Ping, Emperor Wu of the Han Dynasty (186). I don't know when it was buried in the soil. At the beginning of the Ming Dynasty, farmers in Dongping, Shandong Province dug it out underground while plowing, so it was moved to Binglingmen, Daimiao, Tai 'an on 1964. The stone tablet is perfectly completed, and the inscription is inscribed in official script. Ming Tuo's "Longzang Temple Monument", the Palace Museum, the Shanghai Museum and the Chinese History Museum all have rare copies of Ming Tuo. In the sixth year of Emperor Kai of Sui Dynasty (586), now Zhengding, Hebei Province. There is no author's name, but it is written according to the ancient records collected by Ouyang Xiu of Song Dynasty. regular script
5. Qing Dynasty stele extension:
Qing dynasty rubbings often contain more Qing dynasty law posts. Calligraphy in Qing dynasty basically inherited the old style in the early Ming dynasty and advocated the study of calligraphy. Calligraphy in Qing Dynasty was based not only on the two kings of Jin Dynasty, but also on Su, Huang, Mi and Yuan Dynasties of Song Dynasty. Engraving printing prevailed in this period, among which the famous ones were Sanxitang Fatie carved by Gan Long Neifu and Mo Miao Fatie.