In calligraphy, the former is Li's Chenghuang Temple monument, and the latter is Li's Taishan stone carving.
Seal cutting is the opposite of seal cutting. Iron line seal cutting is mainly based on "Zhu Wen (Yang Wen)", and both sides are engraved. The seal cutting of the jade seal is mainly based on "Yin Wen", which is slightly rough and slow, and the knife is mainly in one go. Seal script is divided according to the style of the period, divided into big seal script and small seal script, and the font is gradually formed. As for who initiated it, there is no specific distinction.
Tie Xian Zhuan is one of the calligraphy styles of Xiao Zhuan, which originated from the calligraphy styles of jades such as Taishan stone carving and Langyatai stone carving in Qin Dynasty. Its writing method is basically the same as that of the jade seal, and it is named because of its fine strokes, such as lines and iron, so it is also called the "jade seal". This seal script is round and vivid, thin and hard as iron, with a line of words from beginning to end. Later generations called it "the former melon pulp", and Li's "Iron Line Seal Carving" was a masterpiece in the Tang Dynasty.
During the Xinmang period, the inscriptions with the same method and quantity were slender and covered as the first of its kind. Up to now, Li's Monument to the Town God Temple and the Monument to the Gangua have been circulated. Li's attack on Xiao Zhuan was very skillful. He once said to himself, "The swan followed until I was a teenager." The Monument to the Temple of the City God is a complete study of Lisi, which is thin but round.
"Thousand Hanging Cups" is a typical iron seal with slender and powerful strokes and unique style. Some people say that the name of "iron wire" is similar to "iron wire", and it has a slender, black and shiny petiole like iron, so it is named.