Tea rain in the fine furnace; Plant ink makes paper smoke. The robe is called to worship the stone first; The orchestra may listen to pine trees alone.
Weng Fanggang was born in 1733 and died in 18 18. He was born in Shuntian Daxing (now Beijing). Calligrapher of Qing Dynasty. The word is three, the word is loyalty, the number is, and the number is Su Zhai. Qianlong Jinshi, the official to the cabinet university. Good at epigraphy research, rich in books. He was meticulous in painting and calligraphy, epigraphy, music notes, poetry and other arts, and calligraphy was especially famous for a period of time. Learn from Europe and America and obey the law. Youshan Lishu is as famous as Liu Yong, Liang and Wang, and is also called Weng, Liu, Liang and Wang. Together with Liu Yong, Prince Yong Cheng and Tie Bao, it is also called "Wengliu City Railway". Ma Zonghuo's "Yue Ji Loutan" said that "the degree of law-abiding in the Western Qin Dynasty is quite ridiculed by critics; However, its small true books are neat and heavy, as big as the classics written in the Tang Dynasty, and its quiet environment is beyond Shi An's reach. He is the author of The Story of the Stone in the History of Han Dynasty, An Introduction to Stone Carvings in Eastern Guangdong, Textual Research on the Incomplete Characters in the Historical Classics of Han Dynasty, and Zhou Shi Poetry Talk. Paper and ink of Su Shi's inscription and postscript axis. There are five lines in the running script, and the number of words in each line is different, *** 108. Vertical 130.5 cm, horizontal 30.8 cm .. Collection of Shanghai Museum. Weng Fanggang is knowledgeable and has made great achievements in Yan Shu, European Shu, Tang Shu and Han Li. But his calligraphy art level is not very high. His calligraphy pays attention to all sources, but his own things are very few. This calligraphy axis is a typical traditional post-learning style. Coherence and softness, no hurry and no rashness, and conformity make this work very distinctive without losing everyone's demeanor. In the works, the warm and rich thick ink is in sharp contrast with the slender hairspring. In the process of using ink, the transition buffer is from thick to light, from thick to thin. Therefore, the shade, thickness and movement have a sense of rhythm. The whole painting is mainly round and gentle, without any impatience. It can be inferred from the soft and smooth brushwork that the author uses his wrist flexibly in writing. On the whole, this work is one of his representative works with heavy pen, thick ink, full strokes, strong bones and muscles and wonderful charm.
Weng Tonghe (1830— 1904) was a reformist in the late Qing Dynasty. The word book flat. People from Changshu, Jiangsu. Xianfeng champion. Master Guangxu. 1879 as minister of industry. Since 1882, it has been used as the Minister of Military Affairs. The main battle in the Sino-French War supported Zhang Zhidong and opposed Li Hongzhang. 1886 ministers of the transfer department. During the Sino-Japanese War of 1894-1895, he opposed Li Hongzhang's proposal for peace, supported Kang Youwei's idea of political reform and reform, and attempted to realize Emperor Guangxu's pro-government. 1898 was deposed by Empress Dowager Cixi in June, and 1898 was handed over to local officials for strict control after the coup. In the name of calligraphy. His posthumous works include The Diary of Weng Wengong Gong Gong and The Poem of Bottle Lu.