Because of these reasons, I seem to have an extra respect for plum blossoms, which makes me have a different understanding of plum blossoms. It can be seen that art cannot be separated from fantastic

Because of these reasons, I seem to have an extra respect for plum blossoms, which makes me have a different understanding of plum blossoms. It can be seen that art cannot be separated from fantastic ideas and the unique authenticity in the world of art. Pen and ink Pen and ink are the main features of Chinese freehand painting, which are formed by the complete set of pen and ink tools in Chinese painting. In a painting, pen and ink are like flesh and blood, inseparable. To appreciate the level of ink used in a painting depends on whether the ink is flexible or rigid. The ink does not have changes in dryness, wetness, or shade. It is a mess and lacks brilliance. Integrating ink, on the contrary, using ink is flexible and changeable, which is called living ink. Pen and ink are interconnected. Ink seems to be able to replace all primary colors in Chinese paintings. For example, plums, orchids, bamboos and chrysanthemums often use ink to draw lines. For example, Zheng Banqiao is good at calligraphy and painting. They blend together. He uses painting to make books and calligraphy to make orchids. , the style is bright and vigorous. Jiang Shiquan, a native of the Qing Dynasty, commented: "Writing orchid in Banqiao is like writing orchids, with graceful and elegant waves; writing orchids in Banqiao is like writing, showing leaves, vegetables and flowers with graceful appearance." This superb ink painting performance is intoxicating. The use of ink by successful freehand painters enables viewers to understand that the quality of an ink painting depends not only on the artist's vigorous courage, but also on the courage and sparkling soul he expresses through his casual and careful depiction. Poetry and Painting Poetry and painting are called sister arts. Reading a painting is like reading a poem. The so-called "painting in poetry, poetry in painting" advocates that both poetry and painting should pursue a wonderful artistic conception. A successful painting will give people not only scenery but also feelings, and the blending of feelings and scenery. It is the so-called natural scenery that is a spiritual realm. Freehand painting emphasizes the author's personality. The painting is informal and scribbles wantonly. In "Zheng Banqiao Collection of Supplements", Jin Dongxin also likes "chaos" when painting bamboo. He once said: "If you use burnt ink to stick large leaves, the leaves will be messy." Freehand painting mostly uses calligraphy brushwork, while freehand brushwork The brush used in painting also greatly enriches the expression form of calligraphy, so most freehand painters are calligraphers. Chrysanthemums are used in poems to express character and temperament. Tao Qian of the Wei and Jin Dynasties enjoyed himself by "picking chrysanthemums under the eastern fence and leisurely seeing the Nanshan Mountains", and was free and unrestrained in seclusion and super strides; and then Li Qingzhao in the Southern Song Dynasty murmured "The wind blows cleanly in the west, and people are thinner than yellow flowers." ", expresses the sadness of the country's collapse and displacement; Chrysanthemums are used in paintings to express feelings in pen and ink. In the development of Chinese painting, flower-and-bird painting became independent relatively late. Before the Southern and Northern Dynasties, it had always been a foil for figures and landscapes, and could only be relegated to a corner or half of it. Until the Southern and Northern Dynasties It became an independent type of painting, and it became mature during the Five Dynasties period, and two schools of painting, Xu and Huang, emerged. However, these two painting schools mainly focused on realism. It was not until Su Shi proposed that poetry and painting should be the same, and flowers and birds should be painted with emotion, that it triggered a change in flower-and-bird painting, and the chrysanthemums in the painting also had human character and emotion. As a blend of emotion and scenery, poetry and painting both have the same requirements. "Far up the cold mountain, the stone path is sloping, and there are people living there where the white clouds grow. I park my car and sit in the maple forest at night, the frost leaves are as red as the February flowers." This is a poem, but reading the poem seems like a painting. A successful painting can bring the viewer into the realm of poetry. An excellent Chinese freehand painting, coupled with calligraphy, poetry, and seals, can contain a profound and broad artistic conception. Chinese freehand painting itself is a comprehensive art that is infiltrated and supplemented by various artistic accomplishments. Some paintings may seem dull at first glance, but after viewing them a few times, you will find that they have rich inner beauty. Therefore, from the perspective of appreciation, one should have the above-mentioned experiences, so that one can truly gain the appreciation of art and gain artistic enjoyment from it.