Zhang Xu, the pioneer of wild grass at that time, was known as "the sage of grass" and was very famous. Zhang Xu and Huai Su called it "crazy element".
Zhang Xu cursive heart sutra, four ancient poems, Luoyang late autumn post, broken thousand words, and now I want to return to the post.
Huai Su's autobiographical notes, autobiographical notes, bitter bamboo shoots eat fish notes, etc.
Fu Shan's cursive lines and language have many things of their own, with continuous breath and richer emotions than Wang Duo's. He wrote cursive script in the form of big grass, adding lines and combinations of Lian Mian, making it richer and more expressive. He wrote 40 volumes of Frost and the Red Shrine.
Composition principle
Although the composition of cursive script is difficult to shape, it also has its principles that must be followed.
The complexity of cursive changes is indescribable. Simplification refers to the simplification of character size, density, pen thickness and accuracy. Huai Su's autobiographical notes and Zhang Xu's Four Ancient Poems have done their best, and their composition is often referred to as "sleet". Such as fallen leaves, dazzling, but the leaves are extremely regular, irregular in the rules, and visually moving.
Careful scrutiny, every word is lying quietly on the paper, untouched, which is the artistic effect caused by its intricate changes. The overall effect of forming cursive script is: full of paper hovering, flying, full of inner gas, very affectionate, very romantic and irresistible passion.
Ding pointed out brilliantly in "On the Essence of Calligraphy": "On the one hand, the solid structure is dense and the big grass structure is sparse, and the solid structure is sparse and the big grass structure is dense in the whole picture." As far as people are concerned, cursive script is the most distinctive, which can best meet people's psychological needs of seeking differences and attract people's attention.