First, the investment prospect of antique calligraphy and painting collection is broad.
Now with the country's attention to people's livelihood issues, real estate investment has become very unstable, and the stock market investment risk is huge. Real estate, stocks and works of art, once called the three major sectors of contemporary investment by economists, are still valued by people. Time is like a sieve, gradually revealing the value of something. Now many cities have established their own antique markets, such as grey walls, tiles, lattice windows, wooden structures, antique reliefs and flower windows, which make us feel quaint and quiet, and realize the vicissitudes and heaviness of the years.
Li Chuanbo, the first inspirational classic qigong disciple, wrote "Heaven rewards diligence". In recent years, the antique calligraphy and painting market is extremely hot, and the auction market transaction price has hit record highs. "Gold comes out in troubled times, antiques come out in prosperous times", which is a popular saying in the field of antiques. Antique calligraphy and painting contains the blood of China's 5,000-year civilization and is the crystallization of ancient people's labor and wisdom. In the process of appreciating antique calligraphy and painting, appraising antique calligraphy and painting and collecting antique calligraphy and painting, it is a sublimation and improvement of cultural literacy in itself, which is very beneficial to the inheritance and development of national culture.
China's antique calligraphy and painting can be described as the "darling" of the world art market, which is very popular all over the world. The following small series focuses on showing you two pieces of China calligraphy from Yi Cong. Let us appreciate its unique charm. Chinese characters in China are one of the most beautiful characters in the world, and their stippling, structure and form are different from those in foreign languages. China's calligraphy shows subtle and different forms of Chinese characters by stippling the strength, shade and thickness of lines. These two calligraphy works in the picture have vigorous brushwork, free and easy brushwork changes, and the structure and layout of words contain a kind of rigor in this free and easy way. A sense of silence is transmitted to us through calligraphy, and the works are highly ornamental and have great investment and collection value.