Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
2. What are the four-character idioms in calligraphy works, such as total annihilation, snake in the pen, swallowtail butterfly with silkworm head, strong tendons and strength, iron-painted silver hook, fairy pearls, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique, hearty and chic, natural and interesting, tight in the middle, elegant and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style.
China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically shaped, and calligraphy always exuded the charm of ancient art.
Huifeng often refers to soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Abundant strength means that the font structure is solid and full, and the brushwork is strong.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Through the back of the paper, calligraphy is described as vigorous and powerful, and the strokes simply penetrate the back of the paper.
The incisive description of calligraphy is very powerful. Now, many metaphors are profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and mellow.
Powerful and vigorous to describe the strength and intensity of calligraphy.