--All linearity is hidden in the thinking of the pen maker. What kind of pen produces what kind of aesthetic style? The pen that is used (such as Lao Hu Kaiwen) writes for thousands of years. The history of calligraphy without progress
--The lack of change in the pen has led to the rationalization of lines. There cannot be too much controllability. The uncontrollable has the spirit of harmony between man and nature, and the spirit of heaven and earth enters it. We are not trying to be hypocritical. People are tired of the rigid head-wagging craftsmanship
--This is a discovery of tradition, an awakening suppressed by historical alienation and vulgarity
--The ideal of calligraphy is Write a dream
--Modern calligraphy is the totem of contemporary people's thinking about Chinese characters. It is a brand-new artistic world that the ancients could not enter.
--My writing style may be free. The image of Chinese characters is not determined by the predecessors and can be freely written
--Modern calligraphy is contrary to the description of painting. It does not depict the natural form but perfectly conveys the life breath of the calligraphy image. It can see the mind and thus all things< /p>
--Modern calligraphy should give people more subtleties, more lines, more imagery, more thoughts, and more luxuriant things
--Back to the beginning of writing, there was only a writing brush. The meaning of the bird pen has the vitality of the times because its lines are like a knife. The dream of the book is a gift from heaven
--Writing is a kind of longing and dream, a fulfillment of expectation, which liberates the original self-consciousness of life. Let the unspeakable and secret words enter the palace, and all the absurdity inspired by personal literary emotions have the right to restore art, thereby driving away the shallow vulgarity and depression that we have endured for a long time
-- Chinese characters are the testimony of the divinity of human consciousness. It is not because of the overlapping glow of Chinese characters. It is the divinity of Chinese characters that can be given by the heart to create the most dazzling poems of mankind. Chinese characters sprout from the heart and change over and over until they are created and debuted. Mysteriousness can be felt but cannot be described
--The idea of ??art gives us the right to deny the idea of ??artistic inspiration. It is always a kind of chaos, an image-like existence, transcending reality, form, color, content, and thoughts are like dreams. Divine Revelation
--Chinese characters are entities that are parallel to all things and parallel to the existence of human nature. The character image and the heart coexist with the heaven and earth and all things. The mysterious laws of characters and images are hidden in the structure of Chinese characters. Among the Laws
--The Six Books not only interpret Chinese characters, but also provide an incisive interpretation of the image formation method of the category art of human nature and thinking
--Chinese characters are called pictograms. Its true meaning is that images imply each other, not images, which is definitely not the meaning of portraits. The six books are the ancestors' great treatises. One word, that is, one sentence, can never be used in the west with Chinese characters
--The word "image" is the soul of Chinese characters. The mystery of thinking lies in the fact that the character image and its shape are related to each other. The character image belongs to the soul. When asking about characters, you must ask about its shape to get the shape. You must feel the shape given by the mind of the image. The character image is also
-- Back to the writing process Returning to the beginning of the creation of characters means that modern calligraphy's exploration of the nature of calligraphy means that the thinking of modern calligraphy returns to the primitive nature of its creation
-- People can line up and be organized, but they cannot People line up just like the life of nature. Birds can gather and fish can flock, but they are not always in lines and everywhere, and the language should not stick to the same grammar forever.
-- Thinking about what modern Chinese is, it seems to be a This kind of plastic surgery must first have a beauty and health standard and perform the surgery according to these standards. In other words, modern Chinese is something that has been plasticized from the original Chinese language. I think Chinese culture has been aged for five thousand years. The plastic surgery standard comes from the West. The truth is that those who want to accuse people of solar eclipse Chinese characters have a hard time swallowing
--Just write what you want, don’t even think about the words you want to write, don’t listen to anything, calligraphy is a dream, a special thing A unique soul must contain unique talents. Ancient Chinese culture is in great need of new life. Corruption is first of all the corruption of cultural people. Chinese intellectuals are weak, servile, inferior and conservative
-- Just write your thoughts and show yourself. Emotions and dreams, you must forget that you are writing calligraphy. In other words, no one has a complete and mature calligraphy concept and aesthetic accomplishment. Calligraphy cannot produce a complete modern writing method. It must be unique and beautiful. It is absolutely not The dissolution of traditional essence is, on the contrary, the rebirth of traditional context