Shang Hai’s main works

(1). Poem inscribed on the picture "Iron Bones and Ice Heart" (color and ink on paper), 1984. The poem goes:

"The soul is connected to the Shang and Zhou Dynasties, and the bones are connected to the roots of China.

Standing majestically on the top of Qianren, proud of the snow and facing the wind god."

This sentence The poem is enough to express the painter's admiration for the cedar trees on the peak, as well as the artistic conception of "the cold bullies the snow" that he wants to express in the painting.

(2). Poetry for "The Return of the Shepherd" (color on paper), 1998. The poem goes:

"I have never asked for anything in my life, but I have always believed in heaven's journey.

The moon in Tianjia for ten thousand years, the fairy wind, the child and the cow."

This five-character quatrain is wonderful. , which adds a lot of color to the elegant pastoral paintings of ancient times.

(3). Poetry for the painting "Standing on the Wall in the South" (color on paper), 1983. The artist wrote a poem in this work:

"The deep ink shadows on the blue screen of the blue sea, the cold wind and hot rain, the dawn stars sinking.

When you reach the top, you believe in the principles of the universe, and the only people who stand up to the sky are humans. "

This poem fully expresses the mentality of mountaineers climbing to the top of mountains at starry night.

(4). Poetry for "Returning to Flowers" (color on paper), 1986. A painter wrote in a poem:

"The bright moon shines in the sky and reflects on the river. Who will dare to succeed in the future?

Now I am one of the three outstanding men. I step on the flowers and return home with the scent of horseshoes."

The artistic conception of this poem is profound and implicit, making people think about everything and connecting the world.

(5). Poems for "Shen Zui Tu" (color on paper), 1988. The artist wrote a poem on the top of the scroll:

"Who dreams of meeting Jiufang Gao, buying bones and thousands of gold to discuss the beauty of Chu."

The dragon soared with his pen to startle the tsunami, and the billions of gods made a new trend. "

This poem is implicit and elegant, using objects to express feelings and scenes. It is rich in worldly philosophy and expresses the national passion of one billion Chinese people to join the international trend.

(6). Poetry for "The Return of the Soul" (color on paper), 1986. The poem in the painting reads:

"The bitter rain and the miserable wind lie on the cedar trees, and Ziqing's upright spirit moves God.

In the butterfly's dream, there are thousands of businesses, and the branches of related branches are red with red fruits.

Nineteen years of shepherding in the North Sea, looking at the moon in the south for sixty-three years.

I would rather die than serve in a foreign country, and my heart will turn into a rainbow."

The artistic conception of this work is profound, and the poetry and painting are intertwined. To complement and complement each other, leaving endless room for imagination for readers.

(7). Poem for "Looking at the Sun from a Cool Top" (color on paper), 1984. The author's poem goes:

" How do you feel when you lament that there will be many adversities in the rest of your life, cramps and broken bones?

The young man sheds tears when his family is in trouble and the country is in trouble, and the cauldron breaks the boat and the strong man sings!

I have read thousands of books and recited the poems of Chu, and traveled thousands of miles to paint Tang E. The cool breeze blows on my face, and I look forward to the sunshine to nurture young Ke."

The author was 24 years old and alone. Traveling to the Three Mountains and Five Sacred Mountains and other places of interest gave me a lot of experiences. When he reached the cool top of Huangshan Mountain, he started to compose a poem, and then he recited it into seven rhymes to express his feelings. When he returned, he drew pictures and wrote the poem on the picture.

(8). Poem for "The Finishing Painting" (color on paper), 1984. There is a poem in the painting that reads:

"The miraculous craftsmanship of the ax has lasted forever, and the monk Yao's unique skills are unmatched.

The golden scales are all over the eyes, leaving a trace, fearing that the dragon's eyes will break through the wall and fly."

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This is an ancient and beautiful legend that is very popular and has been passed down for thousands of years. The author was in his prime at that time. Although his calligraphy skills were not very good, the artistic conception in the painting was very good, the composition and brushwork were acceptable, and the style of "new literati painting" was also strong.

(9). Inscription for the painting "Poetry" (color on paper), 1986. The artist's self-written poem "Tang Duo Ling" goes like this:

"The posthumous chapters are all over China, and the talents are flowing in the rivers. Even if the silver is not bright, it is still long. There are not many sages in the country, but the only son is beautiful and shining. Thousands of years to come.

There is no need for resentment in the world. The wine and meat stink in Zhulou. I mourn the king and grandson. I want to build my hometown in Guangshapu, but I feel helpless. I sigh at the sand gull.

When this work was created, the painter was only 26 years old. He was in his prime years when he was full of energy and quick thinking, so this masterpiece came out. The background of the painting is Du Fu’s Thatched Cottage.

(10). Inscription for the painting "Strong Bamboo Shoots" (color on paper), 1983 work by Bu Tushu Yuan, and a poem from "Eight Sounds of Ganzhou":

"Look at the green and broken rocks in the sky, and the vigorous bamboo shoots towards the blue clouds. The thunder and lightning hit the top, all the dirt and dust were swept away, and the old ground was replaced by the new. Two, two, three, three pairs, the rain has turned into a forest. I most admire the Banqiao pen, which writes with blood the soul.

If you dare to be arrogant and arrogant, ask how many people will survive if they are struck by lightning and burned by fire? Counting hundreds of generations in China, I will play romantic music! May the secluded bamboos be spread all over my homeland, and the mountain gates will be built layer by layer with heroic figures. When the surrounding courtyard is dripping green, everything will look like spring. ”

The author was 24 years old at the time, a time when he was in his prime and full of vitality, so this masterpiece came out under the inspiration of his mentor.

(11). "Pictures of Emperors of the Qing Dynasty" inscription (color on paper), 1992 work. The artist wrote the word "Qinyuanchun" at the end of the whole picture, which reads: "White water is given by the gods, and red fruits are born." , Ziqi Old Town. With thirteen armors, King Han raised his troops; with seven hatreds in his mouth, he gathered the crowd to attack the Ming Dynasty. In the smoke of the Margin and the fire of the Linghe River, I vow to compete with the Zhu family for male and female. The tassels are scattered, watching the Eight Banners hunting, the breeze is blowing strong.

Golden arms and iron horses are running rampant, and we will unify the rivers, mountains and seas. Recalling the great ancestor Taizong, he marched to the west and conquered the north; he came to Hongli with great fortune, and he practiced martial arts and martial arts; at dusk, the journey was poor, and Xianfeng proclaimed his rule, which finally led to the collapse of the thousand-year-old building. I am really helpless, watching the river go eastward, rushing day and night. ”

This poem is a representative work of Professor Shang Hai’s poems on paintings. The poem shows the historical picture of the Qing Dynasty: from scratch, from weakening to strong, magnificent, and magnificent. It's amazing!