Some suggestions for you:
1. Choosing a good studio is very important and should not be taken lightly. You can learn more about some studios through brochures, websites, and teacher introductions, but you must not believe the propaganda.
2. Consult more students from the previous year. Some of them have chosen well, some have been deceived, and they all have certain experience. Of course, there are also some who are "entrusted" by the studio. The studio's promise to them is that if they bring a student, they will be exempted from repeated tuition fees. This should be carefully screened.
3. Be careful about unrealistic boasting in publicity. Those who boast that the undergraduate pass rate is 80, 90% or even 100% are definitely false. The top high schools in the country where the elite gathers cannot reach it. What’s more, the competition for art exams is far greater than that for cultural exams. Some The province has even reached an undergraduate admission ratio of 15:1. Don't expect an art studio that can't be honest in its publicity to treat students with integrity.
4. Pay attention to the screening of promises in publicity. You must not trust anyone who promises you to get into college, because this cannot be guaranteed by anyone or any institution; if you promise to get a refund if you fail to get into college, it depends on whether he is willing to sign the agreement, and for some, even if he signs the agreement, it depends on his integrity. , some studio organizers can’t be found when it’s time to refund fees, so it’s useless to just give them a piece of paper.
5. If there are any crazy words in the promotion such as "you can get test questions", "you can go to college through connections", etc. to deceive children, you can just throw the brochure into the trash can. You can call the police if you want.
6. Some studios say that they are the number one studio, the best studio, the strongest studio, etc. Most of these are self-proclaimed. They are all lies. Responsible teachers treat students equally.
7. You should listen to what your school teacher says, but you can’t listen to everything. The key depends on what kind of teacher he is. Those teachers who really put students' learning and future first, listened to him rightly. Those teachers who put interests first in everything they do cannot trust their words. There should be many studios advertised, and there won’t be just one good one. The teacher in charge will first check the quality of these studios, and then recommend a few studios that they think are good for students to choose. Those teachers who hold the rhetoric of "this is the only one, there is no other branch", or even force students to go to one studio, while "unconditionally" suppress and slander other studios, must not believe their words.
8. Pay attention to screening those who promise various conditions in studio promotions. It is good to have good living conditions and good teaching equipment, but what is more important is the quality of teaching. If you have to choose one of the two, I would rather choose a studio with good teaching and average living facilities. There is also a promise of small class teaching, with one teacher leading several students, which is of course good, because art training requires small class teaching and step-by-step guidance. But it depends on whether it can be implemented. According to our calculations above, commercial schools cannot do this unless there are two situations: high tuition fees; or they are willing to run a school at a loss to serve society. But teachers can do this by running classes, because ten students are enough for a teacher to get paid for his labor. No matter what, it is recommended that candidates require a one-month trial period in whichever studio they go to. If it is shorter, the studio will have enough energy to deal with you and make you feel like you are God. Once the tuition is paid, You will think he is God. But once you feel that the teacher is really responsible and has a good level, then make a decision and don’t change studios every three days, as that is extremely detrimental to learning.
9. Don’t have too high expectations if the promotion says “teaching by professors from the Academy of Fine Arts” and “making you significantly improved in a short period of time”. It is impossible for a professor at the Academy of Fine Arts to teach in a studio, and at most he is a "teaching assistant". Don’t set too high standards for teachers. Just have teaching experience and be responsible. After all, the college entrance examination requires basic skills, and anyone with an average level can be taught. The key to painting is yourself. If you don't learn it yourself, Leonardo da Vinci will never be able to teach you again.
10. The studio is a teaching institution, and it is the teacher’s bounden duty to teach students well.
If this studio tells you as soon as you arrive that they will give you a certain discount for bringing a student and leave as soon as possible, they will not treat you as a student, but as an enrollment tool, and they will go out of their way to interfere with your studies in the future.
11. Every teacher has his own method of teaching. If there are too many teachers to teach you, there will definitely be conflicts in methods. Today the teacher says it, but tomorrow the teacher denies it. In this way, you will learn nothing. It’s best to have one teacher lead each class.
12. Teaching is a science and must be done step by step. The college entrance examination requires trigonometric functions. You cannot be taught trigonometric functions from the first grade of elementary school. Those who have no teaching plan and do not focus on the test content from beginning to end are not scientific at all, and you will not be able to learn well. Unless you go one month before the exam, it is the training period.
13. Don’t have high hopes for the cultural classes offered in the studio. If you are doing well in the cultural class, taking this cultural class can help you stabilize your level and "not lose"; if you are very poor, I advise you to give up early. Sometimes giving up is also a wise choice. After graduating from high school, there are many ways to go. Yes; or you can study cultural courses in school for a year and devote yourself to studying art when you re-study. Don’t expect that two or three months of cultural courses in the studio can help you improve much. Some studios advertise that they offer cultural classes all the time, but this is impossible. Two months before the professional exam, if they offer cultural classes, you students will also go on strike.
14. If you are a fresh graduate, don’t set your goals too high in just a few months of study. It is a good thing to be ambitious, but too high expectations will make you unrealistic and prevent you from studying hard, which will be counterproductive. It's already pretty good for fresh graduates to get into a general undergraduate school, unless you are a genius. Don't believe some studios who brag about letting you go to the Academy of Fine Arts for a few months.