Luo Shen Fu is a calligraphy work created by calligrapher Zhao Mengfu at the end of Song Dynasty and the beginning of Yuan Dynasty. Zhao Mengfu has written "Ode to the Goddess of Luo" for many times, and many versions have been handed down, but two of them are well preserved and collected in the Palace Museum in Beijing and the Tianjin Museum respectively.
Luo Shen Fu has pure and mellow brushwork, rigorous and charming structure, and peaceful and unique composition. Zhao Mengfu learned from the "two kings", got his brushwork and combined with his own characteristics. His running script shows a delicate and elegant style, and Luo Shenfu also shows his aesthetic ideal incisively and vividly.
The beauty of "neutralization" runs through the book and has a far-reaching influence on the development of calligraphy art in later generations.
2. Danba Monument
The Monument to Danba, also known as the Monument to longxing temple, was made by Zhao Mengfu in the Yuan Dynasty after three years' extension (13 16 years). It is a paper book with a length of 33.6 cm and a width of 166 cm. Regular script, 125 lines, * * * 923 words, now in the Palace Museum.
The Monument to Danba was commissioned by Zhao Mengfu at the age of sixty-three, and it is the representative work of Zhao's regular script in his later years.
The brushwork of Danbabei is beautiful, vigorous and unique. The brushwork is calm and bold, which fully embodies the charm and spirit of Zhao's calligraphy.
Although Li Yong's "Lushan Temple Monument" was adopted, it relaxed more than stretched, eliminating its dangerous trend and turning it into a dignified, solemn, graceful and graceful gesture.
3. "The Mysterious Temple Rebuilds Three Storeys"
Rebuilding the Three Gates of the Xuandian is a calligraphy work created by Zhao Mengfu, a calligrapher in the Yuan Dynasty. The paper book is now collected in Tokyo National Museum, Japan, and the stone carving based on it is located at the main entrance of Suzhou Xuanmiao Temple.
This calligraphy work was written by a scholar named Mou Mou at the end of Song Dynasty and the beginning of Yuan Dynasty, which recorded the repair of the temple door of Suzhou Xuanmiao Temple. The original ink is slightly light, the ink color is clear and moist, and there are occasional cursive strokes between the pens.