The poem "A Pillow in the Breeze" is as follows:
There is no brilliance in the clear face,
The wind does not move the top silk hanging.
My heart is cut off when I can't see you.
I feel sad on the pillow and I'm going to get sick.
Singing and dancing before the flowers fall,
The shadow of the wind is vaguely like last year.
For a time, I missed Qing and felt sad.
The water flowing by the pillow door became more gurgling.
Appreciation:
In the second year of high school, he inherited his family education. He devoted his whole life to the study of Chinese calligraphy and art. He was satisfied with his further studies and became an independent scholar. At an early age, I learned about the elders Ge Yizhen and Han Zishi from my hometown. He had many acquaintances with Zhao Xiang, Song (Xi), and Yu Youren, and he was known to be a poet and calligrapher. The middle-year-old teacher Zhang Shizhao has been with him for half a century and is a close friend. Zhang attached great importance to Gao Ji and praised his poems and posts for his exquisite craftsmanship, which was quite similar to the famous letters of Nangong. His knowledge was "profound" and his "research on historical facts" had "no loopholes to plug". He was regarded as "the best in the world". In the second year of high school, poems were born in a lifetime, and they were straight to the subtleties, and the words must have been spoken. They introduced Han Liuliu in the Tang Dynasty and the Jiangxi Poetry School in the Song Dynasty. There are thousands of poems in total, and there are more than 300 poems in the collection. Many of his surviving calligraphy and writings contain annotations, inscriptions and postscripts, all of which are incomprehensible and incomprehensible. They are extremely profound and are one of the most precious treasures left in the world.
(Picture) Shi Shi Memorial Hall in the second year of high school
Shi Shi, the second year of high school, was well versed in Chinese studies, understood the Zhouyi, and was appointed by Zhang Shizhao lt; Liu Wen abstract gt; drafted "Liu Zihou and Liu Yuxi on Zhouyi 96" Two articles: "Title at the Back of the Book" and "Postscript of Liu Bin Tian Lun". Zhang Shizhao wrote a poem in praise of this: "It is difficult to read the heavenly book alone, as high as the source of the river." He was a self-possessed person. In 1965, during the debate on the authenticity of Lanting Preface with Guo Moruo, he took the risk of being "the target of the world and being spit on by others". He held his own dissent and cautiously drafted the "Rebuttal of the Authenticity of the Preface to Lanting". The evidence firmly points out that the Lanting preface is authentic and not fake. The rebuttal is well-argued, every word is solid, and it is to the point. Recommended by Zhang Shizhao and assisted by Chairman Mao, this majestic book appeared in newspapers and periodicals twice in one month. It became a good story at home and abroad and attracted the attention of the world. Posthumous work
In the second year of high school, Shi Shi has profound knowledge of literature and history, and has a fine appreciation. He has worked in the Museum of Literature and History for a long time. He considers himself to be the best in the world and has published many calligraphy collections (including book reviews). It is believed that Zhangcao is the ancestor of Jincao. To learn Jincao, one should start from Caolu (Zhangcao) and seal script, so that the writing style will be ancient and refined. He was over fifty years old, focusing on Zhang Cao. He widely collected the biographies of "Ji Jiu Zhang" from all dynasties, examined the proofreadings, and pasted the bytes on ancient fragments of bamboo slips. He compared the main chapters, reviewed the similarities and differences, and wrote a new book called "Ji Jiu Zhang" and its textual research, which lasted ten years. It was revised and finalized in 1964 and published in 1982, which saved Zhang Cao from being lost for more than 1,600 years and alarmed the Chinese people. In the practice of calligraphy, he cleverly blended Zhangcao, Jincao and Kuangcao into one pot. It has both ancient character and ups and downs momentum. He is especially famous for the strong lines and tight knots of characters. Looking at his cursive handwriting, you can really feel the force of the strokes rushing on the paper. As a sophomore in high school, Shi has a very high level of academic literacy, and his works are often filled with a strong bookishness. His articles and calligraphy are highly praised by Mr. Lin Sanzhi.
His life in the second year of high school was the same as his poems and books. His writing was like the person he was. His knowledge was rigorous but practical, his roots were solid, his words were not like others, and he was not frivolous. However, he lived a magnanimous life; he was frank, honest and honest when he was a friend; he was a strict teacher and a helpful friend in later studies, and he was worthy of being a great master of his generation.